Saw with CK. 32-minute, Groundhog Day-style short film that snagged an Oscar in its category in 2021. Symbolisms and motif even a pitbull named Jeter can understand. Lots of violence and many parts were difficult to watch, which I suppose is the point1. Look at the futility of attempting reason and compromise with a rotten, systemic problem.
Andrew Howard is frighteningly good as the cop (or ‘The System’). Pulls an effortless Racist Pesci and is Welsh!
Controversy over it being similar in spirit to this 4-minute super short film called “Groundhog Day For A Black Man” by Cynthia Kao.
Brandon Keith Avery describes watching the film as a Black man.↩︎
The Most Satisfying Scene in All of Cinema
Though aimed at Sci-Fi Nerds, this is a very engrossing, meticulously researched, and totally delightful tour of our little Milky Way Galaxy (mostly)
I say ‘little’ relative to all else it finds itself in. Read some place that if the Milky Way were the size of the United States, our ‘little’ Sun would be the size of… drumroll… a grain of sand someplace in the Midwest 🫠🌽
Saw with LD at the theater (on the last day it was playing!) and am really glad I did. I saw the 1922 version in college and have been mesmerized with it since. People are pretty surprised, like I was, to hear that the story is an unlicensed Dracula knockoff.
This is a really immersive movie. It’s Eggers’ fourth and we’ve seen all of them. The Witch is still our favorite, followed by The Northman. Lily-Rose Depp was just terrific and just might be to some lucky director whatever Helena Bonham Carter was to Tim Burton. The movie just kept vacillating between Eggers’ unique style and vision to that of those insipid (but totally fun) “Abraham Lincoln: Vampire Hunter” flicks. I don’t think Willem Dafoe’s comedic relief was necessary. I also couldn’t stop focusing on how bad his wig was.
Am told that the soundtrack, by Robin Carolan, is excellent. Bill Skarsdard is totally unrecognizeable as Nosferatu. His character’s surprising and ample mustache could not get me stop thinking of how much he looked like Karel Roden as Rasputin in Hellboy (2004)
Might be the only one here…
I decided to log into my old Twitter account after many years on a whim. I follow no one and have 39 followers.
I saw nothing on my feed but its owner’s boosted posts, a ton of crypto content, Pepe and anti-woke incendiaries, and heavily lopsided political ragebait.
It felt like looking through my Spam folder for a misclassified message. Like ending up on one of those SEO-optimized AI-generated websites that exist to make their owners ad impression money. The internet can certainly be a pretty noisy place but in the case of Twitter Under New Management, it’s the same set of signals weakened by a maddening amount of noise.
I can perhaps understand why but I remain unsure of how people continue to use this thing.
Perhaps a bit embarrassing since I’ve read the book so many times1, but I had no idea that The Count of Monte Cristo was based on a real life story, thanks to this video.
And am a sucker for all things revenge.↩︎
It’s Never Been Normal
And it might never be. But it’s certainly up to us.
Love a good Ian Hislop interview. I wish LBC’d publish the entire thing but the few snippets they have are well-worth a listen.
Elon Musk is Lying About Being Good at Video Games
The cringe I get from the explanation from someone who truly knows the game1 is akin to the one I get from “hacking the mainframe” or “tracking the killer’s IP address” or the casual “bypassing the firewall”.
All hat, no cattle indeed. I can venture a guess at the answer but: Why is any of this poorly executed, ultra-cringey enhancement to your ‘mystique’ even necessary?
Update
Pretty sure Elon could isolate the node and dump them on the other side of the router. Via CM. Come to think of it, he might just do “a total rewrite of the whole thing” with “really high velocity”. He can do anything, this guy.
And hearing him say “This is max difficulty on hardcore”↩︎
This is the size of Greenland relative to the Continental United States
It’s home to a mere 57,000 people and costs $1.7 Trillion.
BTW: That’s one of my favorite websites on the internet, especially when I watch people play “Geography Tetris” with trying to fit as many countries as they can into Africa 🌍
Moving from Chrome to Firefox
I finally switched over from Chrome to Firefox, after switching away from the latter over 12 years ago. I’d basically given up on any shred of privacy I might have left on the internet, but the final straw for me was Chrome totally bypassing the DNS blocklists on my PiHole1 (╯°□°)╯︵ ┻━┻
Unsurprising, really. You’re encouraged to read this comic (PDF) on the company’s intentionally odious practices2.
The usual argument is “why’re you complaining about something that’s free?” Because I deem privacy to be a fundamental right that is to be respected even if you’re giving shit away. We can gripe about its fundamentalness but can perhaps agree that “Privacy means people know what they’re signing up for — in plain English, and repeatedly.” There’s nothing clear about this with Chrome. It’s not hard to quit doing sneaky and evil things without peoples’ informed consent.
The Good
Transferring bookmarks (of which I have very few) and history was a breeze.
Most extensions I’ve depended upon in Chrome are available for Firefox. There appear to be ways to get Chrome extensions to work in Firefox but I haven’t needed them. Pure nostalgia: I was reminded of the Web Developer extension by Chris Pederick which I starting using in 2004 (I think) to live-edit with CSS (which I thought was just magical, in addition to being a giant time-saver). It’s still around and is still fantastically useful. And available for Chrome as well. lol.
Developer tools, which I need for my job, are mostly the same3 but I found myself preferring the Firefox DevTools a little more for aesthetic/ergonomic/design reasons.
Picture in Picture is excellent.
Preventing YouTube and other websites from autoplaying videos is excellent.
The Okay
Syncing is P2P, not centralized, and not as elegant and “Just Works™” like with Chrome. But it’s mostly the small things. Like how toolbar layouts are not synced4, and how switching the default search provider on your desktop won’t change it on your mobile device. Not a deal-breaker in the least.
On a Mac, the Emoji entry shortcut ( Ctrl+Command+Space) doesn’t work. For the amount of emojis I use in my personal communications, this is far more annoying than the syncing issues.
AirPlay doesn’t work. Never worked on Chrome either. So whatever. Use Safari.
The Bad
None. It’s a fantastic browser.
Other Stuff
So why not Safari? Extensions. That’s really it. It’s a very limited ecosystem and some things I really need aren’t available for Safari. I suppose I could use two different browsers for work and play but I’m not there yet.
While I do use a PiHole, I’d recommend Privacy Badger and uBlock Origin5 to people switching away. Maybe even add NoScript to the mix. I believe Facebook Container is installed by default. The adversarial/defensive relationship we have with the internet feels bit sad to me as a 90s kid who still remembers its magic and promise but that’s how it is.
You can see where Firefox stores your profile via Help → More Troubleshooting Information → Profile Folder
I’ve configured all installations on my laptops and phone to use DuckDuckGo as the default search engine.
The modern website (especially a news site) is a fucking nightmare. Sorry, meant ‘app’.↩︎
Gmail to something like Protonmail is next. This is a much more difficult move for me for various reasons, the primary one being legal communications. Sure, I could forward/relay but that kinda beats the point. One day, and soon 🤞↩︎
There will certainly be “Power” devs who disagree and need that one indispensable feature (or perf metric) but I do not walk in these enlightened circles 🙏↩︎
There’s a manual solution to this. Type
about:config
, search forservices.sync.prefs.sync.browser.uiCustomization.state
, and copypasta its contents into the same key on the other machine. If this is a PITA, you may have too many machines.↩︎And uBlock Origin isn’t intentionally borked on Firefox as it is on Chrome. Don’t be Evil indeed.↩︎
A lovely little book on ghastly parenting by animals that are not us. Gifted this to a family member who just had her first baby and is your normal, apprehensive, anxious, stressed-out, impossibly-in-love first-time parent1. I loved Priscilla Witte’s witty2 illustrations and what I think is the overall message here, which I wrote to her: Try your best and enjoy the ride. All shall be well 🥰
Let’s celebrate the not-so-great and “Wish it had gone better!” Embrace the mediocre family times you share together.
The book has a few notes towards the end. Love a good reminder that Nature is rather hardcore. Two things I thought of as I read short descriptions of why the featured animals do what they do are (1) a minimization of energy/waste and (2) good 'ol natural selection: they just want to make sure they continue to make more of themselves.
Cuckoos are still terrible and I might dislike them more than Canadian Geese, the bros of the bird world. But all this aside, it’s a fact that there is no more worse mom or parent than this nightmare of a human being:
*shudder*
Merry Christmas from 1970s Indian Santa Claus
Features two late legends, Sanjeev Kumar (Santa) and Kishore Kumar (singer). Not sure who advised the former to strike a “BRO WHAT’S EVEN GOING ON” expression throughout the song.
Wondered what became of the kids in the video. Assuming they were ~10 at the time this movie was released in 1974 they’d be in their 60s now. Time, yo.
The Trailer for “28 Years Later” is Simply Spectacular
Best I’ve seen in recent memory.
Features the poem “Boots” by Rudyard Kipling, read with this bone-chilling pitch and cadence by a chap named Taylor Holmes in 1915. Here’s the track by itself. Sounds like it was taken from a record; the noise doesn’t help with the chilling of the bones.
Update
The last few minutes remind me of this song.
Libraries that Look like Tilda Swinton
Not sure what else to add here, other than my head reeling with “How the heck does one even think up this subject?”. And appreciating how the Internet can be such an amazing forum for collective weirdness and joy.
Speaking of fora, the link’s on Twitter so here’s a cached version to save you the discomfiture of engaging with it.
Musician Doubles BPM up to a Trillion
Not completely unsurprising, but yeah: I was struck by how it’s essentially a continuous tone after about 2,000 BPM. Makes one wonder if anything in the Universe is really continuous or if all of it is fundamentally discrete. Also makes you wonder how animals like bees perceive the world.
This is $JASON_STATHAM_MOVIE
and I absolutely love it1. It’s familiar, there’s no pretense, you’re a 13-year old, and it feels really nice spending your evening watching some evil-looking people get their (highly improbable) comeuppance from a single and very determined operator. It’s like huddling under a blanket with the air-conditioning on in the Middle Eastern heat in front of your family TV (a 21" Belson) and your Mum makes you greasy food2.
The Beekeeper is next, for days when I say “fuck it” and toss a frozen pizza into the oven after work ✨🍕✨
Just like that other mensch, Liam Neesons. Or that mensch Denzel Washingtons.↩︎
Like cubed potatoes fried in ghee and dusted with garam masala and chili powder, with a very generous and perfectly chilled glass of ayran.↩︎
All the usual suspects (for a movie like this at least): What is memory? Does the past exist? Where and what am I, what the heck is this, and how do I know that it is real? And so on.
No worries there, standard fare so far (for a movie like this that is). What’s truly amazing is how succinctly Chris Marker chooses to explore these questions. If you think your memory of something plays out like a video, he makes you deal with still images that you get to stitch together in your own head. If you think you can ‘hear’ clearly what someone may have said in the past, he makes you deal with this kind of unstructured, abstract (poetic?) narration that kinda makes sense but not really.
LD and I saw this together and, when I asked her what she thought halfway into it, she said she was “very intrigued”. That’s really about it. Takes a few viewings, after which you may avail yourself of the many, many analyses out there1. I just wanted to take in and enjoy a film-making experience I’d never had before, without worrying myself about a ‘message’ (or even a story for that matter).
Totally Ignorant Sidenote: I don’t know what it is about filmmakers and cinematographers who were young in the 50s and 60s that makes them so freaking good at photography. Arrestingly so. In the age of instagratification the first person I could think of who wants you to wait and immerse yourself in a scene is Denis Villeneuve (who works with legends like these).
Here’s an extreme (and yet shitty) example of the opposite of what I’m trying to say up there. Seven seconds and fourteen cuts of a dude jumping a fence. You know, to add the ‘urgency’ and ‘tension’ missing in the shit script.
For instance, there’s this short review by A. O. Scott and this list of what makes an avant-garde film what it is.↩︎
Saw with LD. A (really dark) teenage space adventure that made me feel like I was 14 and was watching “Alien” for the first time on our family TV (a 21" Belson). They tugged at every dormant heartstring from our childhood. Graininess, floppy drives, joysticks, lots of CRT displays, and clunky mechanical keyboards1. Absolutely lush visuals, soundtrack, and cinematography. I’m glad we saw it on a big screen.
Every time I see a space flick I drift off thinking where we’d be as humanity if we got our shit together. I was then brought back to Earth by noting that much of space travel and commerce were enabled and controlled by Weyland-Yutani, the Evil Galactic MegaCorporation that’s responsible for much of the trouble in the Alien franchise beginning, of course, with the Galactic Ego of its MegaRich founder. Not sure why I thought we wouldn’t be in the thrall of unreasonably despotic gazillionaires in a dystopian sci-fi movie…
I last saw Cailee Spaeny in Devs. She’s a most worthy successor to Sigourney Weaver2. But David Jonsson just outstanding as Andy the Android3.
I’ll be watching this again and soon 🥰
Reminds me of a Lewis Black quote on old-school telephones: “The kind that if a puma came at you, you could kill it.”↩︎
The movie made $350M on a shockingly low budget of $80M (which I suppose is what happens when you don’t blow it on expensive/big-name actors) and has excellent reviews. There’s no way they’re not making another one.↩︎
Fine, “Synthetic”↩︎
A $300, Fully-Functional Microscope Design by IBM
Super-cool. I look forward to bookmarking this, telling myself that I’ll finally put Pi Zero to good use, and never doing this 🤘
Perhaps not as incredibly astounding as this overlay of Spectre1 on the opening credits of the movie but this one of How to Disappear Completely over a few scenes from Lost in Translation just fits somehow.
From the comments: “It was a wise decision to go with Sam Smith’s Writings on the wall. A mediocre movie deserves an equally mediocre theme song. Radiohead’s Spectre is just fantastic.”↩︎
Nightwhispers (2023)
by Draconis Star
Always on the lookout for good work music. This was suggested by YouTube’s mighty algorithm and more than fit the bill. A few tracks reminded me of 10,000Hz Legend by Air. You can listen to the entire album on YouTube or visit their Bandcamp page.
I was rather mesmerized by the typeface:
and, after some searching, found “Infantometric Pro” to be sufficiently close. Look forward to writing some postcards in this style (while listening to this album of course).
I’m re-watching Columbo after around ten years and this is my maiden episode. Read that Rolling Stone recently rated it the 52nd Greatest TV Episode of all time. There are no other Columbo episodes on that list and I’m not sure that I’d pick this one. The sleuthing is underwhelming compared to, say, an absolute banger like The Bye-Bye Sky High I.Q. Murder Case.
Now their description says that Falk was so “superhumanly charming that he could have onscreen chemistry with a doorknob”. This is indisputable, but John Cassavates’ swagger, charm, and presence are truly something to behold. I couldn’t stop thinking about how much his character looked like real-life maestro Leonard Bernstein and whether this was intentional. Like he was a cross between Bernstein and Bourdain.
Oh and Mr. Miyagi’s (briefly) in this too! Not to mention Gwyneth Paltrow’s mom. Unsurprising given the lovely history of guest appearances on the show.
There’s a discussion about how Columbo made $11,000 in 1972. Taxes aside, and according to the BLS calculator, that’s about $85,000 per year. Columbo values the murderer-maestro’s mansion at $750K. That’s ~$6M in today’s dollars. I imagine this is a laughable amount for a mansion that size (with a tennis court (of course)) in today’s Los Angeles though. Cassavetes’ character drives a Jaguar E-Type which I still think is one of the most beautiful cars ever designed.
I will (a) watch the original and this prequel again soon and (b) name a lot of things “Furiosa” (starting with the tillandsia I’m going to get this weekend).
A mad ride like the first one and I’m amazed again by how they managed to arrest my attention for 2.5 hours. Watched on the big screen with MM. They played vignettes of the first movie during the credits and I told him that the mobile wall of speakers and the guitar guy were Top 5 Maddest Things I’ve seen on a big screen, and I watch a lot of old-school, popular Indian cinema.
They aged Anya Taylor-Joy using AI and it was rather magical1. Chris Hemsworth has fantastic comedic timing. Rictus and Scrotus somehow reminded me of Tweedledee and Tweedledum:
Somehow reminded me of how bad the reverse/de-aging was in The Irishman and how far we’ve come.↩︎
Parsing X/HTML with Regex
by StackOverflow
A classic. By various lovely people contributing to the SO community wiki. They do helpfully add: “Have you tried using an XML parser instead?”
You can’t parse [X]HTML with regex. Because HTML can’t be parsed by regex. Regex is not a tool that can be used to correctly parse HTML. As I have answered in HTML-and-regex questions here so many times before, the use of regex will not allow you to consume HTML. Regular expressions are a tool that is insufficiently sophisticated to understand the constructs employed by HTML. HTML is not a regular language and hence cannot be parsed by regular expressions. Regex queries are not equipped to break down HTML into its meaningful parts. so many times but it is not getting to me. Even enhanced irregular regular expressions as used by Perl are not up to the task of parsing HTML. You will never make me crack. HTML is a language of sufficient complexity that it cannot be parsed by regular expressions. Even Jon Skeet cannot parse HTML using regular expressions. Every time you attempt to parse HTML with regular expressions, the unholy child weeps the blood of virgins, and Russian hackers pwn your webapp. Parsing HTML with regex summons tainted souls into the realm of the living. HTML and regex go together like love, marriage, and ritual infanticide. The <center> cannot hold it is too late. The force of regex and HTML together in the same conceptual space will destroy your mind like so much watery putty. If you parse HTML with regex you are giving in to Them and their blasphemous ways which doom us all to inhuman toil for the One whose Name cannot be expressed in the Basic Multilingual Plane, he comes. HTML-plus-regexp will liquify the nerves of the sentient whilst you observe, your psyche withering in the onslaught of horror. Rege̿̔̉x-based HTML parsers are the cancer that is killing StackOverflow it is too late it is too late we cannot be saved the transgression of a chi͡ld ensures regex will consume all living tissue (except for HTML which it cannot, as previously prophesied) dear lord help us how can anyone survive this scourge using regex to parse HTML has doomed humanity to an eternity of dread torture and security holes using regex as a tool to process HTML establishes a breach between this world and the dread realm of c͒ͪo͛ͫrrupt entities (like SGML entities, but more corrupt) a mere glimpse of the world of regex parsers for HTML will instantly transport a programmer’s consciousness into a world of ceaseless screaming, he comes, the pestilent slithy regex-infection will devour your HTML parser, application and existence for all time like Visual Basic only worse he comes he comes do not fight he com̡e̶s, ̕h̵is un̨ho͞ly radiańcé destro҉ying all enli̍̈́̂̈́ghtenment, HTML tags lea͠ki̧n͘g fr̶ǫm ̡yo͟ur eye͢s̸ ̛l̕ik͏e liquid pain, the song of re̸gular expression parsing will extinguish the voices of mortal man from the sphere I can see it can you see ̲͚̖͔̙î̩́t̲͎̩̱͔́̋̀ it is beautiful the final snuf
fing of the lies of Man ALL IS LOŚ͖̩͇̗̪̏̈́T ALL IS LOST the pon̷y he comes he c̶̮omes he comes the ichor permeates all MY FACE MY FACE ᵒh god no NO NOO̼OO NΘ stop the an*̶͑̾̾̅ͫ͏̙̤g͇̫͛͆̾ͫ̑͆l͖͉̗̩̳̟̍ͫͥͨe̠̅s ͎a̧͈͖r̽̾̈́͒͑e
not rè̑ͧ̌aͨl̘̝̙̃ͤ͂̾̆ ZA̡͊͠͝LGΌ ISͮ̂҉̯͈͕̹̘̱ TO͇̹̺ͅƝ̴ȳ̳ TH̘Ë͖́̉ ͠P̯͍̭O̚N̐Y̡ H̸̡̪̯ͨ͊̽̅̾̎Ȩ̬̩̾͛ͪ̈́̀́͘ ̶̧̨̱̹̭̯ͧ̾ͬC̷̙̲̝͖ͭ̏ͥͮ͟Oͮ͏̮̪̝͍M̲̖͊̒ͪͩͬ̚̚͜Ȇ̴̟̟͙̞ͩ͌͝S̨̥̫͎̭ͯ̿̔̀ͅ
A 1st Century Villa in Positano
When I was about 13 or so, I was blown away when I learned that ancient Greek and Roman statues used to be painted and were not commissioned to be ghostly-white. An all-time favorite is this Greek sculpture of a Persian archer.
I tremendously enjoy any recreations of color in the ancient world. So when I found this mostly intact home from first century Pompeii, I was tickled pink 🥰
Simply astounding. I got those from Le Sireneuse Journal1. There’s a nice story of its discovery and a lot more detail on their site but the TL;DR is: Built around 1AD, belonged to a rich family (of course), was buried 36ft under a street for a while because of Vesuvius’ eruption, was discovered by a butcher who was digging out a cellar. Was looted.
I hope to visit one day 🤞
The website is pretty but swallows the scrollbar and hijacks the browser’s scroll behaviour to add a maddening level of inertial scroll. It would be nice if people just did normal web things.↩︎
Tidy, as usual when it comes to his movies, but total rubbish. I imagine that I would get this shit if I guided ChatGPT to generate a parody of his most indulgent excesses. Meat for the most hardcore of his fans and a (meticulous) waste of the sheer amount of talent involved. How this has a 75% on RottenTomatoes is beyond me.
We share a truly exceptional ability as a species to breathe meaning into random and awful things.
I plan on absolving Mr. Anderson by watching The Grand Budapest Hotel soon, for what may be the tenth time. I consider it his finest work and love getting lost in it, something his ego made impossible to do with this garbage1.
Which I only finished because I started.↩︎
A Fremen Mama
Well not really. I was immediately reminded of (a) where I grew up and (b) Dune when I saw this photo of a Bedouin mother and her child.
“Bedouin Mother”, Ilo Battigelli, 1948 (Source Unknown)
Intense and so beautiful. It was composed by this chap called Ilo Battigelli (1922-2009, RIP) who worked for Aramco’s oil refineries in Saudi Arabia until the mid-50s. The locals took to calling him “Ilo the Pirate” because he had his studio at a beach 🏴☠️. He appears to have had a long and lovely career as a photographer after leaving the Persian Gulf. You can read a little more about him here.
I was able to find this colorized version by Lorenzo Folli (Instagram).
© Lorenzo Folli
Stunning stuff. Folli appears to be quite a master at colorizing history. Two quick favorites are this picture of a young Van Gogh (never saw this bro sans beard!) and Victoria with Abdul the Munshi.
© Lorenzo Folli
© Lorenzo Folli
Letting the Cat Out of the Bag
From the United Automobile Worker magazine, 1937:
“What did you tell that man just now?”
“I told him to hurry.”
“What right do you have to tell him to hurry?”
“I pay him to hurry.”
“How much do you pay him?”
“Four dollars a day.”
“Where do you get the money?”
“I sell products.”
“Who makes the products?”
“He does.”
“How many products does he make in a day?”
“Ten dollars worth.”
“Then, instead of you paying him, he pays you $6 a day to stand around and tell him to hurry.”
“Well, but I own the machines.”
“How did you get the machines?”
“Sold products and bought them.”
“Who made the products?”
“Shut up. He might hear you.”
Sky Force: Reloaded
by iDreamz
I installed this game in May 2018 and finally beat it five years later in June 2023. I wish I could somehow figure out the amount of time I’ve spent trying to beat this exquisitely-made scrolling shooter, for it would be the amount of time I’ve spent on planes, in Ubers, sick and bedridden, or just a little bored, which is mostly when I’d play it. Here’s what it looks like.
It’s fine on a phone (even on an iPhone Mini) but I loved beating some harder levels and modes on my giant iPad. It’s free but I paid to remove the ads and nothing else.
On vacation in North Carolina, my brother-in-law started playing this arcade game called 1944: The Loop Master which looked uncannily like Sky Force: Reloaded.
The Loop Master is, in turn, a sequel to 19XX: The War Against Destiny, which looks like if you applied an 8-bit filter to Sky Force: Reloaded and kept the WWII aesthetic of the boss monsters the same but modernized the player’s aircraft. Here’s a complete playthrough:
I tried to find out why it had a “Reloaded” in the names. It’s based on an older game, simply called Sky Force. I look forward to referencing this post in 2030 🕹️
“Paul’s Life on Caladan was very different than on Arrakis”
Caption by CO 🤣
A Little Baby Octopus
This is insanely adorable.
For more cuteness, you can see a high-res photo of a transparent baby octopus or a baby octopus’ chromatophores 🥰
Cowsay! 🐮
I love me my cowsay. It’s a lovely amusement that greets me every time I open a terminal session.
People typically use it with the fortune
command but my cow moos a random developer excuse. I generate that using this bash function and this invocation:
command -v cowsay >/dev/null 2>&1 && {
# shellcheck source=/dev/null
random_excuse | cowsay -s
echo ""
}
I was looking for more cowsay templates and found this giant list. You’d use echo "Moomoo" | cowsay -f some_template.cow
. If you need color, there’s Charc0al’s list which doubles as a converter in case you want to use your own images. Since I don’t trust things on the internet to continue to be where they are, I saved that repo here.
Sears Homes
Sears, the department store, sold DIY homes via catalog for 32 years between 1908 and 1940 through a program called Sears Modern Homes. They offered 447 different housing styles which you can see here.
The designs were not ‘remarkable’ in any way: Sears themselves admit that they were “not an innovative home designer”. These were just some popular styles at the times they were offered.
However, as a customer, you would have enjoyed a lot of agency in either customizing a home you picked as a starting point from the catalog, or submitting your own custom, crazy blueprint to Sears. Prices ranged from $600 - $6,000 ($18,620 - $186,200 in today’s money). You could get a 5-15 year loan at 6-7% interest.
Your “assembly required” home would have been dispatched to you via railroad boxcar. Your delivery would’ve had around 30,000 (or more) parts of all sorts: wiring, plumbing, bricks, mortar, lumber, staircases, nails, paint, varnish, and so on. To raise this barn, you would’ve either enlisted your family and friends’ help or contracted out the work to a local handyperson.
The most expensive home was an Honor Bilt and looked like this:
Sears estimate that they sold between 70,000 to 75,000 homes over thirty-two years. It is hard to estimate the number of these homes that are still standing for various reasons. For one, Sears’ own records of which homes were sold to whom were inexplicably destroyed during an enthusiastic “corporate house cleaning”. For another, Sears allowed homebuyers a generous amount of customization. Finally, the passage of time that naturally changes a home complicates its identification and authentication.
I was interested in what one of these dwellings looked like on the inside and found this media of a design called the Martha Washington. One was listed in February 2016 in DC for a million dollars.
Sources
Men of Value
by Robert Mitchell
I have never given Jeff Bezos a moment’s thought before this week. I am always interested in extraordinary achievement and often admire it. I am fascinated by what extraordinary achievers understand, and how evolved they are as people.
Looking at him in his astronaut costume, and his cowboy hat, and his omega speedmaster moon watch, coming out of his penis craft, being greeted by his ling cod lipped girlfriend, dripping in oversized diamonds, I saw a man completely without a sense of irony. Not a man aware that he had been entrusted with the greatest fortune in human history to benefit all of humanity, but a small narcissistic buffoon, unaware that the universe is 10,000,000,000 light years wide and he had just spent $5,000,000,000 to fly sixty miles through it, so the whole world could look at him at once and see what a truly small man he is, and hear his Kermit the Frog voice declare that his big plan is to pollute space.
In Defence of the Single Page Application
Trenchant, brilliant stuff by William Kennedy 💯
(Cached)
K&R is the One True Indentation Style
Via Wikipedia. I am “not able rightly to apprehend the kind of confusion of ideas that could provoke” the genesis of other styles. “Haskell Style” has to be a joke (like this masterpiece) and I just pray I don’t encounter it in the wild1 🙏
// Allman
while (x === y)
{
func1();
func2();
}
// Horstmann
while (x === y)
{ func1();
func2();
}
// Kernighan & Ritchie
while (x === y) {
func1();
func2();
}
// GNU
while (x === y)
{
func1();
func2();
}
// Haskell style
while (x === y)
{ func1()
; func2()
;
}
// Ratliff style
while (x === y) {
func1();
func2();
}
// Whitesmiths
while (x === y)
{
func1();
func2();
}
// Lisp style
while (x === y)
{ func1();
func2(); }
See also: “Vertical Hanging Indent” is the One True Indentation Style
Update: Not exactly HS but good grief.↩︎
A most lovely and short interview with David Suchet on playing a “detestable, tiresome, bombastic little creature”
If you liked that, you might like this longer documentary called “Being Poirot” by Suchet himself.
Diatoms
They look like priceless brooches and are tremendously important to our planet.
Emphases mine:
The Apple Product Cycle
Was doing some digital house-keeping and came by a cached copy of that by MisterBG. Things haven’t changed too much over the past two decades…
“Revolution is possible. But it’s unlikely that we will be fighting for revolution alongside the same venture capitalists and tech companies who helped to get us into this mess in the first place [...] Dig deep. Ask the hard questions. Criticize the flaws. And cut through the bullshit.”
Molly White asks if Web3 is bullshit. Short and excellent talk.
Decent background-watch. Whoever did the ‘visions’ knocked it out of the park. A waste of Anthony Hopkins and Colin Farrell, who play clairvoyants whose powers wax and wane in service of the utterly predictable plot. Like Next1 but slightly better.
Which is a fantastic fucking movie if you love Mr. Cage as sincerely and as much as I do.↩︎
On Knowing Everything When One is Young
On Kermit
On Mullets
On the Tragedy of systemd
Spent a decent portion of my professional life with init.d
. Had to deploy a set of Ubuntu servers last week (use FreeBSD at home), which marked my first actual brush with systemd
after a long while of sysadmin-ing Linux systems. It’s weird, takes some getting used to, and has a lovely Enterprise™ smell to it1, but I don’t think I mind it too much, especially with a nice cheatsheet. Just ergonomics; no comments on its security and stewardship 🤐
I wanted to know more about it’s history and enjoyed this really excellent talk by Benno Rice. Had no idea that its creator received death threats and various other forms of online abuse over an innocuous set of ideas and piece of software. Unbelievable.
Some select quotes from the talk and about systemd
:
and finally,
Word.
I imagine that
init.d
did too when it was introduced.↩︎