<?xml version="1.0" encoding="utf-8"?><!DOCTYPE html><feed xmlns="http://www.w3.org/2005/Atom"><title>nikhil.io</title><subtitle>Nikhil Anand is a Graduate Student in NYC 🗽</subtitle><link href="https://nikhil.io/feed.xml" rel="self" type="application/atom+xml"/><link href="https://nikhil.io/" rel="alternate" type="text/html"/><icon>https://nikhil.io/assets/img/favicon.png</icon><logo>https://nikhil.io/assets/img/favicon.png</logo><updated>2026-03-02T13:35:38.036-05:00</updated><id>https://nikhil.io/</id><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io/</uri></author><entry><title><![CDATA[ Note 0022 - It's all so fucking tiresome ]]></title><id>tag:nikhil.io,2026://2f772a50a43e5464bff186571418387b</id><updated>2026-03-02T13:35:38.036-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0022/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="https://www.instagram.com/new_wave_chicken/">
<p>
I am very little concerned with confronting, disrupting, or disturbing. I am too tired, too old now to be about that sort of activity. No longer do I wish to be an irritant, but rather a spreader of balm.</p>
</blockquote>
<figcaption>
Mark Otter, <a href="https://www.instagram.com/new_wave_chicken/"><em>New Wave Chicken</em></a>, Volume 6</figcaption>
</figure>
<p>
From a lovely zine I read in Asheville NC in June 2023.</p>

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  Tagged <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a>, <a href=https://nikhil.io/tags/music/ title="All posts tagged 'music'">music</a>, <a href=https://nikhil.io/tags/quotes/ title="All posts tagged 'quotes'">quotes</a> and <a href=https://nikhil.io/tags/zines/ title="All posts tagged 'zines'">zines</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Luna with Mama ]]></title><id>tag:nikhil.io,2026://99a90c6eb7f255ca837acc073a18804f</id><updated>2026-02-28T23:35:36.746-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0029/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Luna with Mama" data-size="full" decoding="async" id="luna-with-mama-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0029.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      <!-- Taken November 6, 2024 at 1:20PM. -->

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 ]]></content></entry><entry><title><![CDATA[ Songs for February 2026 ]]></title><id>tag:nikhil.io,2026://9f6ae27785aa54f086e758faa53f4c50</id><updated>2026-02-28T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=IdwsScBd9oA"><strong>NO FUTURE /dear freedom</strong></a> by _by.ALEXANDER<br/><span><p>
I typically don’t pay attention to the lyrics but these appear to have been written by an edgy 19-year old. I could watch its music video forever:</p>
<p>
<a href="https://www.youtube.com/watch?v=IdwsScBd9oA">https://www.youtube.com/watch?v=IdwsScBd9oA</a></p>
</span></li><li><a href="https://www.youtube.com/watch?v=FdRhGqyY2V0&amp;list=RDFdRhGqyY2V0&amp;start_radio=1"><strong>On The Ground</strong></a> by oskar med k<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=Rei1LuTVQWY&amp;list=RDRei1LuTVQWY&amp;start_radio=1"><strong>snowfall</strong></a> by Øneheart x reidenshi<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=VN_B9J-7U2k"><strong>Muddat</strong></a> by Ali Sethi + Nicholas Jaar<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for February 2026 ]]></title><id>tag:nikhil.io,2026://0509300cb2965d0eb6bba3dd62d8e455</id><updated>2026-02-28T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://modern-css.com/?baseline=widely"><strong>Modern.css is a list of CSS code snippets that bring your game firmly into the 2020s</strong></a> <br/><span><p>
Here’s <a href="https://modern-css.com/cheatsheet/">a cheatsheet</a> for common things. Amazing stuff you can do these days with just CSS.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Note 0021 - Voluntold ]]></title><id>tag:nikhil.io,2026://b49f9185c19a516194cc7fb58a668fd4</id><updated>2026-02-23T02:40:46.545-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0021/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
A graduate student used the word “voluntold” in conversation. I’d never heard of it and love it.</p>
<figure class="quote">
<blockquote cite="https://www.dictionary.com/culture/slang/voluntold">
<p>
Voluntold is widely associated with the military and may indeed have its origins in military slang. <em>Embrace the Suck</em>, a 2017 book of military slang, suggests that soldiers may have been saying it since the 1970s, but it seems voluntold really caught on in the 2000s. In a 2004 interview with <em>KoreAm Journal</em>, a soldier noted that some volunteered for their assignments while others were voluntold. A 2014 <em>Business Insider</em> article listed voluntold as a word that “only military people will know.”</p>
</blockquote>
<figcaption>
<a href="https://www.dictionary.com/culture/slang/voluntold"><em>Dictionary.com</em></a></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Dots ]]></title><id>tag:nikhil.io,2026://f9a0530f5cdd5deca55367e5caf307e9</id><updated>2026-02-21T03:28:45.878-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0028/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Dots" data-size="full" decoding="async" id="dots-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028.webp"/><img alt="Dots" data-size="full" decoding="async" id="dots-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028-1.webp"/><img alt="Dots" data-size="full" decoding="async" id="dots-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028-2.webp"/><img alt="Dots" data-size="full" decoding="async" id="dots-4" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028-3.webp"/><img alt="Dots" data-size="full" decoding="async" id="dots-5" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028-4.webp"/><img alt="Dots" data-size="full" decoding="async" id="dots-6" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0028-5.webp"/>
      <br /><small>I-35 towards Minneapolis</small><br /<br />
      <p>
I took these twenty years ago on Christmas Day 2005 en route to Minneapolis. I had just purchased my first digital camera (a <a href="https://www.dpreview.com/reviews/sonydscf717">Sony DSC-f717</a>) two weeks ago and would play with it all day (manual focus in this case).</p>

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 ]]></content></entry><entry><title><![CDATA[ Agassiz's Flamingos ]]></title><id>tag:nikhil.io,2026://c2e638f1fa805f47bfdf96f2bf89426e</id><updated>2026-02-15T09:55:12.071-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0027/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Agassiz's Flamingos" data-size="full" decoding="async" id="agassizs-flamingos-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0027.webp"/>
      <br /><small>American Museum of Natural History</small><br /<br />
      <p>
A most <a href="https://digitalcollections.amnh.org/archive/Flamingo-Colony--mural--Sanford-Hall-of-North-American-Birds-2URM1TPBB22.html">overwhelmingly</a> beautiful mural.</p>

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 ]]></content></entry><entry><title><![CDATA[ NYC Snowbanks ]]></title><id>tag:nikhil.io,2026://0121f4685fe650f59849525d9abb4f90</id><updated>2026-02-08T02:10:05.844-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0026/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="NYC Snowbanks" data-size="full" decoding="async" id="nyc-snowbanks-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0026.webp"/>
      <br /><small>NYC</small><br /<br />
      <p>
Old New Yorkers have told me that these are the tallest they’ve seen in a while. There’s piles in the Midwest too but they’re spread out, don’t impede foot traffic, and don’t lead to the visual comedy of watching people (or noting oneself) summiting them. When not covered with punctured garbage bags, they can be very pretty to look at.</p>

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 ]]></content></entry><entry><title><![CDATA[ As of January 2026 ]]></title><id>tag:nikhil.io,2026://b93b12b2c746535e921d74b97f3a1550</id><updated>2026-01-31T13:02:36.752-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/now/2026-01/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/now"><![CDATA[ <!DOCTYPE html><img src="https://assets.log.nikhil.io/_optimized/n/now/cover-2026-01.webp" alt="Looking South from NY Presbyterian at sunset. We couldn't figure out what that Eye of Sauron building is." loading="lazy" decoding="async"/><br/><img src="https://assets.log.nikhil.io/_optimized/n/now/cover-2026-01-2.webp" alt="Looking South from NY Presbyterian at sunset. We couldn't figure out what that Eye of Sauron building is." loading="lazy" decoding="async"/><br/><small>Looking South from NY Presbyterian at sunset. We couldn't figure out what that Eye of Sauron building is.</small><hr/><h3 id="grad-school" tabindex="-1">
Grad School <a class="header-anchor" href="#grad-school"><span aria-hidden="true">#</span></a></h3>
<p>
I concluded a unstressful, fantastic first term back in school. I am typing this a week into my second which, from the looks of it, promises to make up for the chill of the first.</p>
<p>
Still remain unsure of where exactly where this detour is going but am really happy I’m learning a lot of stuff immersed in domains I’ve always loved. What they do here and what you <em>can</em> do here is amazing, exciting, and pretty overwhelming. And by “here” I suppose I mean this crazy interlocked dynamo that’s the department + the university + NYC. I am very lucky to be drinking from this firehose.</p>
<p>
I am hoping to figure out what I’d specifically like to work on this term. It’ll be fine even if I don’t.</p>
<h3 id="home" tabindex="-1">
Home ♥️ <a class="header-anchor" href="#home"><span aria-hidden="true">#</span></a></h3>
<p>
It was really lovely to go back home for break and see my family, especially <a href="/tags/lunabear/">my diva husky</a> who was reasonably happy to have me back (even if for a bit). Was not ready to leave and pushed my return date twice. I read a lot of books, watched a lot of movies and shows, redid <a href="https://catherineknepper.com/">my wife’s website</a>, worked on <a href="/art/">a small personal project</a> I’ve wanted to start since 2018. I also played a lot with Claude Code and really felt the epochal shift in what it means to be a programmer post 2025.</p>
<h3 id="nyc" tabindex="-1">
NYC <a class="header-anchor" href="#nyc"><span aria-hidden="true">#</span></a></h3>
<p>
For as long as I can remember, I’ve had the general temperament of an irascible, retired Rabbi who’s just kinda <em>had</em> it you know? I thought I’d feel the same after I moved from my Midwest hinterland, few people, wide open spaces, no traffic problems, and mostly straight lines from source to target, almost disturbing level of quiet, to the Giant Beehive that is the Greatest City in the World. Thought I’d have a tough time adjusting.</p>
<p>
Nope. I am still surpised by how much I’m just <em>fine</em> with living here. Still have a lot to learn about getting around and planning trips and appreciating the sheer size and density but it’s all so lovely and invigorating. People are mostly kind, helpful, and very direct. They don’t have time to be detained for (interminable per tradition) Midwestern chitchat. I kinda love this. You help, you keep walking. 🗽</p>

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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for January 2026 ]]></title><id>tag:nikhil.io,2026://b95540cddf3259b0a382b448790985b5</id><updated>2026-01-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://marimo.io/"><strong>Marimo is a giant improvement over Jupyter Notebooks</strong></a> <br/><span><p>
Tons of features but, to me, the coolest things are: easy UI controls, git-friendliness, and <a href="https://docs.marimo.io/faq/#how-is-marimo-different-from-jupyter">reactivity</a>.</p>
</span></li><li><a href="https://github.com/minimaxir/ballin/blob/main/PROMPTS.md"><strong>A sample of Claude Code prompts someone used to create a fun Rust CLI app</strong></a> <br/><span><p>
Messed with Claude Code over Christmas break and, while quite impressed, was unsure of how people used it to create and manage non-trivial projects.</p>
<p>
My initial thoughts: (a) Be explicit and (b) Check the work.</p>
</span></li><li><a href="https://maccy.app"><strong>Maccy is a Clipboard Manager for macOS</strong></a> <br/><span><p>
And the answer to my prayers. Activate a ‘multi-clipboard’ with a very simple and memorable <kbd>⌘</kbd><kbd>Shift</kbd><kbd>c</kbd></p>
<p>
<code>brew install maccy</code> but please get it via Gumroad or <a href="https://apps.apple.com/us/app/maccy/id1527619437?mt=12">the App Store</a>.</p>
</span></li><li><a href="https://massgrave.dev/"><strong>MassGrave.dev provides plain and simple download links for Windows and Office</strong></a> <br/><span><p>
Windows 11 is an <a href="https://www.himthe.dev/blog/microsoft-to-linux">ad platform and AI shit-showcase</a> masquerading as a serious operating system that serious people are supposed to use to get serious things done. Bookmarking this in case I have to use this infernal piece of software.</p>
<p>
It’s all too sad really. I’ve used it since Windows 3.1 and still think Windows 7 was a fantastic OS (used it exclusively for gaming). Looks like I might be good with <a href="https://old.reddit.com/r/WindowsLTSC/comments/15rfdjo/windows_ltsc_megathread/">the Windows 10 Enterprise IOT LTSC version</a>, at least until 2032.</p>
</span></li><li><a href="https://ampcode.com/how-to-build-an-agent"><strong>How to Build an Agent</strong></a> <br/><span><p>
<a href="https://assets.log.nikhil.io/h/how-to-agent.html">Cached</a>.</p>
</span></li><li><a href="https://flickity.metafizzy.co/"><strong>Flickity is a Carousel/Slider Library</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ A Good Man is Hard to Find by Flannery O'Connor ]]></title><id>tag:nikhil.io,2026://ef59a31ed8f25dc88399207923064110</id><updated>2026-01-24T14:06:57.413-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/59814b33b7ff5807b10d7cb97a746acd/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
A devops engineer told me to read this “phenomenal” story at the Caesar’s Palace Lobby Bar in Vegas seven years ago over drinks after a tiring day at a conference<sup class="footnote-ref"><a href="#fn-aws" id="fnref-aws" title="Link to Footenote aws">1</a></sup>.</p>
<p>
My wife’s an O’Connor stan and called it “one of the greats” when I told her I was going to read it. I also told her I lost my <em>shit</em> when I opened a Google Document someone had posted with the story and found an “AI Summary” panel next to the text. A killer feature for VC champions who cannot scrape together enough time and attention for fifteen letter-sized pages (12pt, single-spaced, 1.5 inch margins) of a short story, what with being laden with the solemn and excruciating burden of buoying the economy on a cushion of mostly hot farts.</p>
<p>
My resting state is composed almost entirely of pathos and general discomfiture.</p>
<p>
This is my first FOC story. I enjoyed it so much I read it twice. <a href="https://assets.log.nikhil.io/g/good-man-flannery-o-connor.html">Here’s the full text</a>. Sans summary for you’ve always been able to do that in your fucking head.</p>
<h3 id="spoilers" tabindex="-1">
<em>Spoilers.</em> <a class="header-anchor" href="#spoilers"><span aria-hidden="true">#</span></a></h3>
<p>
She’s <em>really funny</em>. Some examples: Just everything leading up to the line “The grandmother decided that she would not mention that the house was in Tennessee.” Mr. Teagarden’s Coca-Cola fortune. “We’ve had an ACCIDENT!” And my absolute favorite: a shellshocked, orange-nosed cat hanging off its owners neck “like a caterpillar”. Love it.</p>
<p>
And then it all goes dark. I wouldn’t even call this sudden; you barely notice where you are when it changes. <a href="/books/58df1c6a37cc5c1e9e54697aa2b0198a/">‘Slowly, then suddenly.’</a> Complete, masterful control over cadence. <a href="https://en.wikipedia.org/wiki/A_Good_Man_Is_Hard_to_Find_(short_story)">The <em>Wikipedia</em> page</a> has a lot of quotes by O’Connor herself about what it all means at the end. She calls herself “a Catholic writer” and there’s all this stuff about her “<a href="https://en.wikipedia.org/wiki/Anagoge">anagogical</a> vision”<sup class="footnote-ref"><a href="#fn-bible-inter" id="fnref-bible-inter" title="Link to Footenote bible-inter">2</a></sup> and extending Christian Grace, even when your life is imperiled and even in your dying moments, and allowing God to flow through it all.</p>
<p>
Two things that kept coming to mind were (1) this is about Satan and (2) this is about the simplicity, not banality, of Evil. And like the Misfit, some people know they’re being evil but are too far along and <a href="/notes/0006/">too embarrassed to concede their errors and mend their ways</a>. The Grandma appeals to the Misfit’s good provenance and original nature. It doesn’t matter. It’s just how it is for him now. This is who he is, with “no real pleasure” in continuing to be so.</p>
<blockquote>
<p>
My daddy said I was a different breed of dog from my brothers and sisters. ‘You know,’ Daddy said, ‘it’s some that can live their whole life out without asking about it and it’s others has to know why it is, and this boy is one of the latters. He’s going to be into everything!’&quot;</p>
</blockquote>
<p>
Overall, and speaking as someone who’s written JavaScript for a living, I’d say Ms. O’Connor shows good, intriguing promise as a writer. Tip-top stuff. I look forward to reading more of her work and soon.</p>
<p>
<a href="https://www.youtube.com/watch?v=cnorf958HFU">Here’s a reading by Hannah Joyner</a>.</p>
<div class="footnotes"><ol><li id="fn-aws"><p>
AWS re:Invent. I’ve attended a few and, in my estimation, ~99% of attendees don’t go to learn about The Cloud.<a title="Back to footnote reference" href="#fnref-aws" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-bible-inter"><p>
Which I found out is <a href="https://en.wikipedia.org/wiki/Four_senses_of_Scripture">one of the four ways of interpreting the Bible</a>.<a title="Back to footnote reference" href="#fnref-bible-inter" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/crime/ title="All posts tagged 'crime'">crime</a>, <a href=https://nikhil.io/tags/flannery%20o'connor/ title="All posts tagged 'flannery o'connor'">flannery o'connor</a>, <a href=https://nikhil.io/tags/georgia/ title="All posts tagged 'georgia'">georgia</a>, <a href=https://nikhil.io/tags/short%20stories/ title="All posts tagged 'short stories'">short stories</a> and <a href=https://nikhil.io/tags/tennessee/ title="All posts tagged 'tennessee'">tennessee</a>.<br />
  ISBN <a href="https://isbnsearch.org/isbn/978-1250387455" title="Look up this ISBN">978-1250387455</a>.<br />
  <a href="mailto:mail@nikhil.io?subject=About: A%20Good%20Man%20is%20Hard%20to%20Find">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Judgement at Nuremberg (1961) ]]></title><id>tag:nikhil.io,2026://03bdd6a214db5b499ce7320dfa79160c</id><updated>2026-01-14T13:16:55.967-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/71f94cdffda9519fa0019f4b9efbf39c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with the wife. Three hours long, utterly engrossing, takes its own sweet time, not a moment wasted. Features some big names and incredible performances throughout (Spencer Tracy, Judy Garland, Marlene Dietrich… and a young <em>Shatner</em>!). But, and in order, Montgomery Clift and Maximilian Schell steal the show. The former’s only on screen for about 15 minutes or so and is so utterly innocent and vulnerable he makes you feel like you want to reach into the TV and hug him. The latter won an Academy Award for his intense role as a defender of monsters. One of the best court dramas I’ve seen.</p>
<p>
This is also a very necessarily sad subject. There is <em>so much</em> in the movie that gave us a Rusty Cohle “Time is a Flat Circle” vibes. There isn’t much we felt and discussed that’s new under the sun. We need to remember history and speak the Truth (and to power) no matter how difficult it is. My attorney buddy told me that Burt Lancaster’s<sup class="footnote-ref"><a href="#fn-lancaster" id="fnref-lancaster" title="Link to Footenote lancaster">1</a></sup> character, Dr. Ernst Janning - Reich Minister of Justice - was one of his favorite characters. His climactic monologue will make you wonder why we keep making the same mistakes over and over again.</p>
<p>
<a href="https://www.youtube.com/watch?v=DQicYslxGgE">https://www.youtube.com/watch?v=DQicYslxGgE</a></p>
<p>
You can and should <a href="https://www.youtube.com/watch?v=IFcvs5YzRqo">watch the movie for free</a>.</p>
<div class="footnotes"><ol><li id="fn-lancaster"><p>
Now that’s a fucking <em>name</em>.<a title="Back to footnote reference" href="#fnref-lancaster" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Cleared and Stained Fish ]]></title><id>tag:nikhil.io,2026://3128838d0bac568e8c26ed52d3e53748</id><updated>2026-01-13T08:47:15.997-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0024/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Cleared and Stained Fish" data-size="full" decoding="async" id="cleared-and-stained-fish-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0024.webp"/>
      <br /><small>Museum of Natural History, NYC</small><br /<br />
      <p>
I went back to the American Museum of Natural History after about 8 years. I plan on going back as frequently as I can (it’s free with my student ID!) This might have been the best thing I saw and learned on my last trip.</p>
<blockquote>
<p>
Even ichthyologists cannot always identify a fish species just by looking at it from the outside. So they use a technique that makes flesh transparent, which lets them see the fish’s internal anatomy without cutting it open.</p>
<p>
Clearing and staining can help scientists distinguish similar species, determine evolutionary relationships-and even see whether a male seahorse is carrying eggs! Before CT scans were available, clearing and staining was the best way to see inside an intact specimen, and the process is still widely used today.</p>
</blockquote>

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  Tagged <a href=https://nikhil.io/tags/fish/ title="All posts tagged 'fish'">fish</a>, <a href=https://nikhil.io/tags/ichthyology/ title="All posts tagged 'ichthyology'">ichthyology</a>, <a href=https://nikhil.io/tags/museum%20of%20natural%20history/ title="All posts tagged 'museum of natural history'">museum of natural history</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Untitled ]]></title><id>tag:nikhil.io,2026://f73af30cd1f05177bcd70a9bbbe7f683</id><updated>2026-01-13T08:38:57.756-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0025/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Untitled" data-size="full" decoding="async" id="untitled-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0025.webp"/>
      <br /><small>Museum of Natural History, NYC</small><br /<br />
      
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  Tagged <a href=https://nikhil.io/tags/museum%20of%20natural%20history/ title="All posts tagged 'museum of natural history'">museum of natural history</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Matthew Barney's Cremaster Logo ]]></title><id>tag:nikhil.io,2026://f5fe6345f3b45068aed666bb068749ea</id><updated>2026-01-13T08:32:30.190-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0023/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Matthew Barney's Cremaster Logo" data-size="full" decoding="async" id="matthew-barneys-cremaster-logo-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0023.webp"/>
      <br /><small>de Young Museum, San Francisco</small><br /<br />
      <p>
Matthew Barney suspended himself in this space to draw those squiggles that feature <a href="https://www.google.com/search?q=matthew+barney+cremaster+logo">his Cremaster Cycle logo</a> (he calls them “Field Emblems”). Not a good shot since you can’t tell the sizes of things but this is a pretty large and cavernous space.</p>
<p>
<a href="https://en.wikipedia.org/wiki/The_Cremaster_Cycle">The <em>Cremaster</em> films</a> are some of the weirdest things I’ve seen (in a mostly good way).</p>

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 ]]></content></entry><entry><title><![CDATA[ 12x23x12 ]]></title><id>tag:nikhil.io,2026://20b9692dcd6c506bb1bcec49981c4f74</id><updated>2026-01-13T08:27:53.635-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0022122312/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="12x23x12" data-size="full" decoding="async" id="12x23x12-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0022.webp"/>
      <br /><small>de Young Museum, San Francisco</small><br /<br />
      <p>
by Sol DeWitt. ‘Only’ wood and paint but you can stare at this thing forever.</p>

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 ]]></content></entry><entry><title><![CDATA[ Malediction ]]></title><id>tag:nikhil.io,2026://3073b466a27d56cbb6356fd0f08ecf6b</id><updated>2026-01-13T08:22:36.628-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0021/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Malediction" data-size="full" decoding="async" id="malediction-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0021.webp"/>
      <br /><small>de Young Museum, San Francisco</small><br /<br />
      <p>
By Martin Puryear. Red cedar, pine, black locust, ash, and rattan.</p>

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 ]]></content></entry><entry><title><![CDATA[ Carl's Place ]]></title><id>tag:nikhil.io,2026://120598b52d4a537885c617a23d2dd914</id><updated>2026-01-13T08:17:49.505-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0020/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Carl's Place" data-size="full" decoding="async" id="carls-place-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0020.webp"/><img alt="Carl's Place" data-size="full" decoding="async" id="carls-place-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0020-1.webp"/><img alt="Carl's Place" data-size="full" decoding="async" id="carls-place-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0020-2.webp"/>
      <br /><small>Carl's Place, Des Moines</small><br /<br />
      
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  Tagged <a href=https://nikhil.io/tags/des%20moines/ title="All posts tagged 'des moines'">des moines</a> and <a href=https://nikhil.io/tags/graffiti/ title="All posts tagged 'graffiti'">graffiti</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Some Textile Patterns from the 1920s ]]></title><id>tag:nikhil.io,2026://682c4f374f1d56598161665ecb94a704</id><updated>2026-01-12T16:13:32.254-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/235e3a4f2f92553babf086570a5355c6/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I photographed these at a 2015 exhibit in Chicago and saved them to perhaps use as funky webpage backgrounds. I still remember them being so beautiful and absolutely hypnotic in person. They were designed in Austria, Paris, Munich, and Russia.</p>
<div class='gallery' style="--big-grid-count:3; --small-grid-count:3"><p>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3445.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3447.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3449.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3451.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3453.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3455.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3457.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3459.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3461.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3463.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3465.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3467.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3468.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3470.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3472.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3474.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3476.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3478.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3480.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3482.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"><br>
<img src="https://assets.log.nikhil.io/_optimized/f/fabrics/IMG_3484.webp" alt="" loading="lazy" decoding="async" width="2448" height="2448"></p>
</div>

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  Tagged <a href=https://nikhil.io/tags/geometry/ title="All posts tagged 'geometry'">geometry</a>, <a href=https://nikhil.io/tags/patterns/ title="All posts tagged 'patterns'">patterns</a> and <a href=https://nikhil.io/tags/textiles/ title="All posts tagged 'textiles'">textiles</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Glamping ]]></title><id>tag:nikhil.io,2026://6b1ffc885d4b5b81aac1ca78ca910992</id><updated>2026-01-11T11:18:25.370-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0019/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Glamping" data-size="full" decoding="async" id="glamping-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0019.webp"/>
      <br /><small>Arizona</small><br /<br />
      <p>
I am very partial to the benisons of technology and civilization and hence hate camping.</p>
<p>
But I did love glamping with the fine folk at <a href="https://www.undercanvas.com/camps/grand-canyon/">Under Canvas</a> in Valle, AZ.</p>
<p>
I channeled <a href="https://www.youtube.com/watch?v=842-nopgVYs">a lot of Tom Haverford</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ 0018 ]]></title><id>tag:nikhil.io,2026://c1f70735b6f15044a8492956c1876b6d</id><updated>2026-01-11T11:15:23.341-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/00180018/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="0018" data-size="full" decoding="async" id="0018-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0018.webp"/>
      <br /><small>Art Institute of Chicago</small><br /<br />
      <p>
<em>Statue of a Seated Woman</em> from 101 CE–200 CE. “<a href="https://www.artic.edu/artworks/65244/statue-of-a-seated-woman">Here the</a> figure’s head and arms, now missing, were made separately and attached by means of dowels, the holes for which are visible.”</p>
<p>
This was a kind of template (one of a few) for noblewomen, goddesses, and other exalted female figures.</p>

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 ]]></content></entry><entry><title><![CDATA[ The Magic Soviet Spoon ]]></title><id>tag:nikhil.io,2026://d86bf6f747c25ac4a801881a37874cd2</id><updated>2026-01-10T14:03:25.543-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/23065b929fd2546ca29a74e8327b53d0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
<a href="https://youtu.be/5l96DnSNfQ4?t=1278">As told</a> by <a href="https://profiles.mountsinai.org/mihaly-mezei">Dr. Mihaly Mezei</a>, Professor at the Mount Sinai School of Medicine, at a seminar at my department.</p>
<blockquote>
<p>
It reminded me of an old joke […] Khruschev and Bulganin, at that time when there was a Soviet Union, were visiting the Queen of England. And so Khruschev notices that Bulganin puts a silver spoon in his pocket during the dinner.</p>
<p>
So Khruschev said, &quot;Well, ladies and gentlemen, I want to show you a magic trick. Here is a silver spoon. I put it in my pocket. Bulganin, take it out!</p>
</blockquote>
<p>
I really need to read <a href="https://eastwestliteraryforum.com/books/forbidden-laughter-soviet-underground-jokes-bilingual-edition/">this book</a> and soon.</p>

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 ]]></content></entry><entry><title><![CDATA[ Mobile ]]></title><id>tag:nikhil.io,2026://6cb5455f23f15da7b06619017060dda7</id><updated>2026-01-09T15:56:45.059-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0017/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Mobile" data-size="full" decoding="async" id="mobile-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0017.webp"/>
      <br /><small>Walker Art Center, Minneapolis</small><br /<br />
      <p>
A most nonsensical thing I heard about mobiles from one of the most annoying and odious characters in television:</p>
<figure class="quote">
<blockquote>
<p>
And so that the meaning of the mobile stems not only from its form, but the relationship between the pieces, which gives it its meaning. And I suppose the relationship between the pieces is really where it’s at, isn’t it?</p>
</blockquote>
<figcaption>
Dale Kingston, <em>Columbo S1E4: Suitable for Framing (1971)</em></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Monks and Bodhisattvas ]]></title><id>tag:nikhil.io,2026://755d7cf274c956b580f5191f1035d069</id><updated>2026-01-09T11:58:23.537-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0016/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Monks and Bodhisattvas" data-size="full" decoding="async" id="monks-and-bodhisattvas-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0016-1.webp"/><img alt="Monks and Bodhisattvas" data-size="full" decoding="async" id="monks-and-bodhisattvas-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0016-2.webp"/><img alt="Monks and Bodhisattvas" data-size="full" decoding="async" id="monks-and-bodhisattvas-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0016-3.webp"/><img alt="Monks and Bodhisattvas" data-size="full" decoding="async" id="monks-and-bodhisattvas-4" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0016-4.webp"/>
      <br /><small>The Art Institute of Chicago</small><br /<br />
      <p>
From the Sui (581-618 CE) and Tang (618-907 CE) Dynasties.</p>

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 ]]></content></entry><entry><title><![CDATA[ How To Clean the Keyboard on Your Mac Laptop ]]></title><id>tag:nikhil.io,2026://1fd09e7797975d1a8da31e1a3798ec40</id><updated>2026-01-06T13:26:04.275-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/4dc4deaeb0bc5f25b836c989307d88e0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
TL;DR: <a href="https://folivora.ai/keyboardcleantool">Get this</a>.</p>
<hr>
<p>
A reasonable and normal human being would prepare to clean their laptop’s keyboard by getting together a cleaning cloth (e.g. microfiber) and solution (e.g. isopropyl alcohol). They would then power down their laptop and clean their keyboard (and maybe trackpad and screen) before pushing the power button on again.</p>
<p>
That last part would not get you promoted at Apple. When your MacBook is <em>shut down</em>, <em>any key</em> is the power key. Because fuck you and your reasonable expectations.</p>
<p>
The official guidance is to <a href="https://support.apple.com/en-us/102365">employ a can of compressed air</a>. Make sure it’s <em>really</em> compressed so it gets rid of both debris and grease.</p>
<p>
You can also <a href="https://mjtsai.com/blog/2025/01/31/preventing-a-mac-laptop-from-turning-on-when-opening-its-lid/">issue terminal incantations, and hold down several keys and the power button in the shut down state</a> (which is <a href="https://decoding.io/2025/01/how-to-clean-a-macbook-keyboard/">not guaranteed to work</a> on newer laptops)<sup class="footnote-ref"><a href="#fn-frustrations" id="fnref-frustrations" title="Link to Footenote frustrations">1</a></sup>.</p>
<p>
In your (unreasonable) frustration, you can make <a href="https://folivora.ai/keyboardcleantool">a lovely, free, &amp; helpful little utility</a> that addresses this problem and attempt to publish it to the App Store. It will be rejected as being “not useful” because Apple, <a href="/notes/0020/">run by visionaries who care deeply about design</a>, knows better and would really love it if you shut the fuck up.</p>
<div class="footnotes"><ol><li id="fn-frustrations"><p>
I was happy to see Tsai’s blog list my other frustations: <a href="https://mjtsai.com/blog/2024/05/08/shiny-macbook-keys/">Cheap-ass keys that go shiny on ‘premium’ laptops</a> and that <a href="https://mjtsai.com/blog/2021/11/02/please-shrink-the-trackpad/">trackpad that’s too big</a> for no tenable reason.<a title="Back to footnote reference" href="#fnref-frustrations" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ 28th Street ]]></title><id>tag:nikhil.io,2026://60290bea2af555199b3a8ba3a3d96c25</id><updated>2026-01-03T13:39:44.733-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/001528/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="28th Street" data-size="full" decoding="async" id="28th-street-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0015.webp"/>
      <br /><small>Manhattan, New York City</small><br /<br />
      
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 ]]></content></entry><entry><title><![CDATA[ Evening Nap ]]></title><id>tag:nikhil.io,2026://8eab8c6bb9415e75959219aa171342fb</id><updated>2026-01-03T13:38:15.836-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0014/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Evening Nap" data-size="full" decoding="async" id="evening-nap-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0014-1.webp"/><img alt="Evening Nap" data-size="full" decoding="async" id="evening-nap-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0014-2.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      
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  Tagged <a href=https://nikhil.io/tags/catherine/ title="All posts tagged 'catherine'">catherine</a>, <a href=https://nikhil.io/tags/dogs/ title="All posts tagged 'dogs'">dogs</a>, <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a> and <a href=https://nikhil.io/tags/lunabear/ title="All posts tagged 'lunabear'">lunabear</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ The Real Scientific Method ]]></title><id>tag:nikhil.io,2026://727bcd2a68cc5e8ca19a3be9e0cdb72a</id><updated>2026-01-03T10:27:50.560-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/dd635012f725535eb62de5a5c171aa60/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
A play on Mr. Lovenstein’s <a href="https://assets.log.nikhil.io/l/lovenstein-life.jpg">original</a> by <a href="https://www.dorsaamir.com/">Dorsa Amir</a>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/real-scientific-method.webp" alt="A four-panel comic by Mr. Lovenstein. A character starts with a neutral expression, smiles, is then told 'NO' by a ghostly figure labeled 'DATA,' and ends with a sad expression." loading="lazy" decoding="async" width="660" height="682"></p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for December 2025 ]]></title><id>tag:nikhil.io,2025://efff2ef777125b39a3e8f6b23158dd90</id><updated>2025-12-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=Ki-fATpXa00&amp;amp;list=RDKi-fATpXa00&amp;amp;start_radio=1"><strong>Private Caller</strong></a> by Saint Pepsi<br/><span><p>
Loved zoning out to this, watched it twice. We peaked in the 90s (early 2000s weren’t bad either).</p>
</span></li><li><a href="https://www.youtube.com/watch?v=le0BLAEO93g"><strong>Dean Town</strong></a> by Vulfpeck<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for December 2025 ]]></title><id>tag:nikhil.io,2025://63e5a1c8202e5ba5b6100ee8cf509fc3</id><updated>2025-12-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://cloudhiker.net/"><strong>CloudHiker is a lovely replacement for ye olde StumbleUpon</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Newark Penn ]]></title><id>tag:nikhil.io,2025://b592377cf82b5e36b0493cad2325acca</id><updated>2025-12-28T16:35:39.192-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0013/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Newark Penn" data-size="full" decoding="async" id="newark-penn-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0013.webp"/>
      <br /><small>Newark Penn Station</small><br /<br />
      <p>
Reminded me of the fluid and flowy stuctures built by the Engineers in the <em>Prometheus</em> movies. Was headed home from after putting away many pounds of food at my aunt’s.</p>

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 ]]></content></entry><entry><title><![CDATA[ Tom Waits on Drinking ]]></title><id>tag:nikhil.io,2025://f98fe45a478a5583a52ae4fe6293f404</id><updated>2025-12-25T07:41:23.498-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/f32cac4615115fc3a96d5da8242abd27/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="http://tomwaitslibrary.info/biography/quotes/drinks-drugs/">
<p>
<em>Given that his early songs, his voice and his persona were drenched in drink, how hard was it for him to give up?</em></p>
<p>
“Oh, you know, it was tough. I went to AA. I’m in the programme. I’m clean and sober. Hooray. But it was a struggle.”</p>
<p>
<em>Does he miss the odd night-cap?</em></p>
<p>
“Miss drinking?” he says, sounding genuinely surprised. “Nah. Not the way I was drinking. No, I’m happy to be sober. Happy to be alive. I found myself in some places I can’t believe I made it out of alive.”</p>
<p>
<em>That bad, huh?</em></p>
<p>
“Oh yeah. People with guns. People with gunshot wounds. People with heavy drug problems. People who carried guns everywhere they went, always had a gun. You live like that,” he says, without a trace of irony, “you attract lower company.”</p>
<p>
<em>Did he write a different kind of song when he was drinking?</em></p>
<p>
He thinks about this for an instant, then says, “No. I don’t think so. I mean, one is never completely certain when you drink and do drugs whether the spirits that are moving through you are the spirits from the bottle or your own. And, at a certain point, you become afraid of the answer. That’s one of the biggest things that keeps people from getting sober: they’re afraid to find out that it was the liquor talking all along.”</p>
</blockquote>
<figcaption>
<em>The Observer Magazine</em> (UK), October 29, 2006, by Sean O’Hagan (<a href="http://tomwaitslibrary.info/biography/quotes/drinks-drugs/">source</a>)</figcaption>
</figure>
<p>
Also:</p>
<blockquote>
<p>
Like Charles Bukowski said: “People think I’m down on 5th and Main at the Blarneystone throwin’ back shooters and smokin’ a cigar, but I’m on the top floor of the health club with a towel in my lap, watchin’ Johnny Carson.”</p>
</blockquote>

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 ]]></content></entry><entry><title><![CDATA[ "Bazball - Born in England, Hyped in Pakistan, Humbled in India, and Buried in Australia" ]]></title><id>tag:nikhil.io,2025://a1a0bdf075365b9e92b43c2972dcdd88</id><updated>2025-12-24T03:12:21.099-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.instagram.com/reels/DSmW4csEQme/"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/9bbf85bf26645930868dad3627d31df2/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.instagram.com/reels/DSmW4csEQme/" title="“Bazball - Born in England, Hyped in Pakistan, Humbled in India, and Buried in Australia”">https://www.instagram.com/reels/DSmW4csEQme/</a><p>
<a href="https://en.wikipedia.org/wiki/The_Ashes"><em>The Ashes</em></a>, one of Cricket’s most hallowed tournaments held every two years between archrivals Australia and England since 1882, proved to be yet another theater of the ongoing embarrassment of English Cricket and its obdurate affection for <a href="https://en.wikipedia.org/wiki/Bazball">a strange and ineffective philosophy</a>, many notable individual heroics aside. I sincerely take no joy at all in this: everyone enjoys a nice and tense set of games between evenly matched opponents in any sport.</p>
<p>
No pundit so of course here’s a trenchant analysis. Evident home advantage aside, Australia just played meat-n-potatoes Test Cricket: Bowlers suffocated with near-perfect line and length. Batsmen didn’t indulge in outlandish heroics (“Vibe Cricket”). And critically, every person responsible for catching a ball (you know, to get the other team out) made sure to <a href="https://www.youtube.com/watch?v=gSMWCFRAC5A">wash their hands of any butter from breakfast</a>. And there was, at the minimum, a ‘concept of a plan’. That’s all. Small things, great attention, done to perfection.</p>
<p>
England managed to talk a big talk and do little else. All the dropped catches aside, I will not forget how their spearhead fast bowler, a very talented fella, got mouthy with and punished by the greatest Test batsman in a generation, all while dressed like a recently promoted minor henchman in a Guy Ritchie movie: “<a href="https://www.youtube.com/shorts/iYW6skjE7xc">Bowl fast when there’s nothing going on Champion</a>.” I cannot think of a more symbolic summary of both the series and the state of English Cricket than the minute and thirty seconds of that video.</p>
<p>
Since 2013 England has won 10 and drew 6 of 38 Test matches against Australia.</p>

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 ]]></content></entry><entry><title><![CDATA[ Chairman of the Board by Helen Frankenthaler (1971) ]]></title><id>tag:nikhil.io,2025://3fb5a822c3075823a7b2efaf83434682</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/78227703c55c58dabf0681e1e2fd6866/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Chairman of the Board" data-size="full" decoding="async" id="chairman-of-the-board-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/chairman-of-the-board__by__helen-frankenthaler-0.webp"/><img alt="Chairman of the Board" data-size="full" decoding="async" id="chairman-of-the-board-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/chairman-of-the-board__by__helen-frankenthaler-1.webp"/><img alt="Chairman of the Board" data-size="full" decoding="async" id="chairman-of-the-board-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/chairman-of-the-board__by__helen-frankenthaler-2.webp"/>
        <br />
        <br />
        <strong>Helen Frankenthaler</strong>
        
          <br />
          American, 1928–2011
          
        <br />
        <br />
        <strong><i>Chairman of the Board</i></strong> (1971)
        <br />
        Acrylic and felt-tip pen on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          “Big sweep; big scale,” Frankenthaler declared about this painting, her second largest at the time that she made it. She referred to the negative space of raw canvas cutting through the orange, horizontal expanse as a “crevice/cable,” as if it were at once a fissure and a cord. Describing the lines that “bridge the gap” literally—from the outside to the inside of the crevice,” the artist noted that they “were made all at once, in one fell swoop.”

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Commune by Helen Frankenthaler (1969) ]]></title><id>tag:nikhil.io,2025://a96f38a1e1ba5f9db87f020597620b28</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/f25331f745e958618a85619e94c91a77/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Commune" data-size="full" decoding="async" id="commune-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/commune__by__helen-frankenthaler-0.webp"/><img alt="Commune" data-size="full" decoding="async" id="commune-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/commune__by__helen-frankenthaler-1.webp"/>
        <br />
        <br />
        <strong>Helen Frankenthaler</strong>
        
          <br />
          American, 1928–2011
          
        <br />
        <br />
        <strong><i>Commune</i></strong> (1969)
        <br />
        Acrylic on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          With a single shape suspended within an unprimed, unpainted, square canvas, Commune represents a radically reduced approach to abstraction. Frankenthaler painted it in Provincetown, Massachusetts, where she spent summers for more than a decade. "In the late '60s I wanted to try my hand at more geometric shapes than I had been painting previously," she explained. With its bleeding edges and subtle variations, however, this shape is neither crisply delineated nor uniformly flat.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Deodorized Central Mass with Satellites by Mike Kelley (1991/1999) ]]></title><id>tag:nikhil.io,2025://3cce89a5420359c49d9bbd365c0e1044</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/1025f5ea6b74510aa824e9a939ff01f9/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Deodorized Central Mass with Satellites" data-size="full" decoding="async" id="deodorized-central-mass-with-satellites-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/deodorized-central-mass-with-satellites__by__mike-kelley-0.webp"/><img alt="Deodorized Central Mass with Satellites" data-size="full" decoding="async" id="deodorized-central-mass-with-satellites-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/deodorized-central-mass-with-satellites__by__mike-kelley-1.webp"/>
        <br />
        <br />
        <strong>Mike Kelley</strong>
        
          <br />
          American (1954-2012)
          
        <br />
        <br />
        <strong><i>Deodorized Central Mass with Satellites</i></strong> (1991/1999)
        <br />
        Plush toys sewn over wood and wire frames with styrofoampacking material, nylon rope, pulleys, steel hardware andhanging plates, fiberglass, car paint, and disinfectant
        <br />
        MoMA, NYC
        
          <br />
          <br />
          In 1987 Mike Kelley began to make sculptures from stuffed animals, which he described as “the adult’s perfect model of a child”: cute, clean, sexless. However, Kelley’s plush toys, purchased secondhand from thrift stores and yard sales, were discarded and soiled from use. Seemingly beyond redemption, they are darkly humorous monuments to lost innocence and repressed trauma. <br /><br /> <em>Deodorized Central Mass with Satellites</em> was among Kelley’s last works to feature stuffed animals. The toys are clustered in a cellular arrangement of one “central mass” and 13 “satellites.” To avoid eliciting an emotional or sentimental response from viewers, Kelley sewed the animals face-in. They are surrounded by 10 brightly colored, abstract sculptures the artist called “deodorizers,” which release a pine-scented mist into the air. By contrasting the degraded consequences of consumer excess with the slick, reductive forms of modernism, Kelley taunts the hierarchies between high art and mainstream culture, between obsessive hygiene and moral decline.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Earth by David Wojnarowicz (1987) ]]></title><id>tag:nikhil.io,2025://70ba00fe64635f65b41babebae6c1449</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/cdd11ea455505569a3e6fd353994dce4/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Earth" data-size="full" decoding="async" id="earth-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/earth__by__david-wojnarowicz-0.webp"/>
        <br />
        <br />
        <strong>David Wojnarowicz</strong>
        
          <br />
          American, 1954–1992
          
        <br />
        <br />
        <strong><i>Earth</i></strong> (1987)
        <br />
        Acrylic and cut-and-pasted paper on wood, two panels
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Artist, writer, and activist Wojnarowicz first gained public attention in the early 1980s on the streets of downtown New York through his handmade posters and graffiti murals. One of four paintings in a series titled The Four Elements, Earth contains natural, mythic, and symbolic references to profit-driven land extraction, such as an excavator truck, coal, and a cowboy on a bull. This imagery is paired with personal and cultural emblems that recur throughout Wonarowicz's work: a ribcage, a derailed train, and a Native American icon emerging from roots and rubble.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Equal by Richard Serra (2015) ]]></title><id>tag:nikhil.io,2025://6d37837007215ac195e9cdf8c22bd1df</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/a952521a60a650bebe8f48fbf0e35994/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Equal" data-size="full" decoding="async" id="equal-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/equal__by__richard-serra-0.webp"/><img alt="Equal" data-size="full" decoding="async" id="equal-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/equal__by__richard-serra-1.webp"/>
        <br />
        <br />
        <strong>Richard Serra</strong>
        
          <br />
          American, 1938–2024
          
        <br />
        <br />
        <strong><i>Equal</i></strong> (2015)
        <br />
        Forged weatherproof steel, eight blocks
        <br />
        MoMA, NYC
        
        
        
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 ]]></content></entry><entry><title><![CDATA[ Exquisite Corpse: The Complete Paintings of Manet, 41 of 556, Nymphe Surprise (The Startled Nymph), 1861, Nasjonalgalleriet, Oslo by Stephen Prina (December 31, 1988) ]]></title><id>tag:nikhil.io,2025://ce1e25d789f05f719af67ddbd1c89a37</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/ff16db2e9dcb52b9aa67572d9677b67e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Exquisite Corpse: The Complete Paintings of Manet, 41 of 556, Nymphe Surprise (The Startled Nymph), 1861, Nasjonalgalleriet, Oslo" data-size="full" decoding="async" id="exquisite-corpse-the-complete-paintings-of-manet-41-of-556-nymphe-surprise-the-startled-nymph-1861-nasjonalgalleriet-oslo-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/exquisite-corpse-the-complete-paintings-of-manet-41-of-556-nymphe-surprise__by__stephen-prina-0.webp"/>
        <br />
        <br />
        <strong>Stephen Prina</strong>
        
          <br />
          American, born 1954
          
        <br />
        <br />
        <strong><i>Exquisite Corpse: The Complete Paintings of Manet, 41 of 556, Nymphe Surprise (The Startled Nymph), 1861, Nasjonalgalleriet, Oslo</i></strong> (December 31, 1988)
        <br />
        Ink wash and offset lithograph
        <br />
        MoMA, NYC
        
          <br />
          <br />
          <em>Exquisite Corpse: The Complete Paintings of Manet</em> is an ongoing series of 556 diptychs begun on January 1, 1988. The left panel of each diptych is a unique drawing in the same dimensions as a painting by French artist Édouard Manet, executed by applying diluted sepia ink with a natural sea sponge. The diptychs’ right panels, identical from one to the next, depict a grid showing the relative proportions of all 556 paintings known to have been made by Manet. Prina drew his inventory of Manet’s work from an unofficial catalogue raisonné, and created his diptychs in chronological order according to that document.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Manuel Quintín Lame (I) by Antonio Caro (1978) ]]></title><id>tag:nikhil.io,2025://f86520adec3158a4817c99fba96abbfd</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/a87c32bd1a6b5d3da7c1b0d1fec718c0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Manuel Quintín Lame (I)" data-size="full" decoding="async" id="manuel-quintin-lame-i-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/manuel-quintin-lame-i__by__antonio-caro-0.webp"/>
        <br />
        <br />
        <strong>Antonio Caro</strong>
        
          <br />
          Colombian, 1950–2021
          
        <br />
        <br />
        <strong><i>Manuel Quintín Lame (I)</i></strong> (1978)
        <br />
        Ink on paper
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Manuel Quintín Lame (1880–1967) was a Páez revolutionary from the southern highlands of Colombia. A self-taught lawyer, he led an Indigenous movement to reclaim land, defend cultural traditions, and promote Indigenous rights through education and legal reform. He closed his groundbreaking writings with a signature that combined his Spanish name with an ornate pictogram. A play on the elaborate signatures that conveyed Spanish royal power, Quintín Lame’s incorporates Indigenous visual motifs. This is one of several works in which Caro explores Quintín Lame’s signature in varying formats, paying homage to its declarative and irreverent take on a colonial writing system.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Mauve District by Helen Frankenthaler (1966) ]]></title><id>tag:nikhil.io,2025://9a96f3bcb2c75a3bbe0886635d3412b3</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/10171ff5b6045dff9c0fbd0412c571fa/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Mauve District" data-size="full" decoding="async" id="mauve-district-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/mauve-district__by__helen-frankenthaler-0.webp"/>
        <br />
        <br />
        <strong>Helen Frankenthaler</strong>
        
          <br />
          American, 1928–2011
          
        <br />
        <br />
        <strong><i>Mauve District</i></strong> (1966)
        <br />
        Acrylic on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          In the 1960s, Frankenthaler shifted away from oil paint and embraced acrylic as her primary medium, facilitating a new emphasis on shape after a period devoted to gesture. This is evident in Mauve District, a painting that, she reflected, “relates to a theme which appears on-and-off, of pictures that often have one central vast shape, ‘district,’ or ‘territory.’” The geographical sense of those words is, perhaps, not accidental. “If I am forced to associate,” Frankenthaler acknowledged, “I think of my pictures as explosive landscapes, worlds and distances held on a flat surface.”

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Murder in the Jungle by Wilson Bigaud (1950) ]]></title><id>tag:nikhil.io,2025://6c06f13db20c55e09b7dba2eb14d5269</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/ffae1c9c10905481be8ce5beb9cbcf6e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Murder in the Jungle" data-size="full" decoding="async" id="murder-in-the-jungle-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/murder-in-the-jungle__by__wilson-bigaud-0.webp"/>
        <br />
        <br />
        <strong>Wilson Bigaud</strong>
        
          <br />
          Haitian, 1931–2010
          
        <br />
        <br />
        <strong><i>Murder in the Jungle</i></strong> (1950)
        <br />
        Oil on board
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/ffae1c9c10905481be8ce5beb9cbcf6e/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/wilson%20bigaud/ title="All posts tagged 'wilson bigaud'">wilson bigaud</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Murder%20in%20the%20Jungle">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ St. Matthew’s Description of the End of the World by Bob Thompson (1964) ]]></title><id>tag:nikhil.io,2025://430d31b727b95e428a3a1409b2771af8</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/e4ab931be00e5f858092bf4e628e3026/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="St. Matthew’s Description of the End of the World" data-size="full" decoding="async" id="st-matthews-description-of-the-end-of-the-world-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/st-matthews-description-of-the-end-of-the-world__by__bob-thompson-0.webp"/>
        <br />
        <br />
        <strong>Bob Thompson</strong>
        
          <br />
          American, 1937–1966
          
        <br />
        <br />
        <strong><i>St. Matthew’s Description of the End of the World</i></strong> (1964)
        <br />
        Oil on canvas
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/e4ab931be00e5f858092bf4e628e3026/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/bob%20thompson/ title="All posts tagged 'bob thompson'">bob thompson</a>, <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: St.%20Matthew%E2%80%99s%20Description%20of%20the%20End%20of%20the%20World">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Tears by Kay WalkingStick (1990) ]]></title><id>tag:nikhil.io,2025://2eab139ec81559dcb9e34e6a29c734b2</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/0e1e5da023ed56dbbe7b07248a420ca4/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Tears" data-size="full" decoding="async" id="tears-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/tears__by__kay-walkingstick-0.webp"/><img alt="Tears" data-size="full" decoding="async" id="tears-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/tears__by__kay-walkingstick-1.webp"/>
        <br />
        <br />
        <strong>Kay WalkingStick</strong>
        
          <br />
          American and Cherokee, born 1935
          
        <br />
        <br />
        <strong><i>Tears</i></strong> (1990)
        <br />
        Deer hide, cow hide, copper, wood, feathers, bone beads, corn, stones, and turquoise
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/0e1e5da023ed56dbbe7b07248a420ca4/" title="Link to this post on my log">Permalink</a>. <br />
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  <a href="mailto:mail@nikhil.io?subject=About: Tears">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Dream by Henri Rousseau (1910) ]]></title><id>tag:nikhil.io,2025://d96a6f25551c5b6aaab463cb207e7075</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/fb276aadd23e534ebd6b3a20593355c0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Dream" data-size="full" decoding="async" id="the-dream-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-dream__by__henri-rousseau-0.webp"/><img alt="The Dream" data-size="full" decoding="async" id="the-dream-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-dream__by__henri-rousseau-2.webp"/><img alt="The Dream" data-size="full" decoding="async" id="the-dream-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-dream__by__henri-rousseau-1.webp"/>
        <br />
        <br />
        <strong>Henri Rousseau</strong>
        
          <br />
          French, 1844–1910
          
        <br />
        <br />
        <strong><i>The Dream</i></strong> (1910)
        <br />
        Oil on canvas
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/fb276aadd23e534ebd6b3a20593355c0/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/henri%20rousseau/ title="All posts tagged 'henri rousseau'">henri rousseau</a>, <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Dream">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Navarasa Suite from the series Bombay Photo Studio by Pushpamala N (2003) ]]></title><id>tag:nikhil.io,2025://71bb890c3687554abafdec2ed758b674</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/fc6ad34c2fff53b69018a89d6ab0eada/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-0.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-1.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-2.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-4" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-3.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-5" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-4.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-6" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-5.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-7" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-6.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-8" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-7.webp"/><img alt="The Navarasa Suite from the series Bombay Photo Studio" data-size="full" decoding="async" id="the-navarasa-suite-from-the-series-bombay-photo-studio-9" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-navarasa-suite-from-the-series-bombay-photo-studio__by__pushpamala-n-8.webp"/>
        <br />
        <br />
        <strong>Pushpamala N</strong>
        
          <br />
          Indian, born 1956
          
        <br />
        <br />
        <strong><i>The Navarasa Suite from the series Bombay Photo Studio</i></strong> (2003)
        <br />
        Gelatin silver prints, printed 2024
        <br />
        MoMA, NYC
        
          <br />
          <br />
          In these works, Pushpamala uses her body to create an intricate masquerade that combines humor and storytelling with a critique of women’s representation in Bombay cinema. The images were shot at the studio of JH Thakker, a leading photography studio during the Hindi film industry’s “golden age” in the 1950s and ’60s. There, the artist employed the studio’s props, costumes, and setting to capture herself in various guises. Each image is playfully modeled after one of the nine rasas—the emotional states elicited by classical art forms, as described around the first century CE in the Sanskrit treatise Natya Shastra. Together the nine prints offer commentary on how films of India’s post-independence period have, in Pushpamala’s words, “both created and recorded the country’s modernity.”

          
        
          <br />
          <br />
          <ul>
<li>
<em>Shringara</em> (Love and Beauty)</li>
<li>
<em>Hasya</em> (The Comic)</li>
<li>
<em>Veera</em> (The Heroic)</li>
<li>
<em>Shanta</em> (Tranquility)</li>
<li>
<em>Raudra</em> (Anger)</li>
<li>
<em>Karuna</em> (Compassion)</li>
<li>
<em>Bhībhatsa</em> (Revulsion)</li>
<li>
<em>Bhayānaka</em> (Fear)</li>
<li>
<em>Adbhuta</em> (Wonder)</li>
</ul>

          
        
  <hr />
  <a href="https://nikhil.io/art/fc6ad34c2fff53b69018a89d6ab0eada/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Tree of Paradise by Séraphine Louis (c. 1928) ]]></title><id>tag:nikhil.io,2025://972e3411fe22524f8ac55159a7443ddd</id><updated>2025-12-07T17:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/24810eec17b35cdd9158e1d90b87f164/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Tree of Paradise" data-size="full" decoding="async" id="tree-of-paradise-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/tree-of-paradise__by__seraphine-louis-0.webp"/><img alt="Tree of Paradise" data-size="full" decoding="async" id="tree-of-paradise-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/tree-of-paradise__by__seraphine-louis-1.webp"/>
        <br />
        <br />
        <strong>Séraphine Louis</strong>
        
          <br />
          French, 1864–1942
          
        <br />
        <br />
        <strong><i>Tree of Paradise</i></strong> (c. 1928)
        <br />
        Oil on canvas
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/24810eec17b35cdd9158e1d90b87f164/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/seraphine%20louis/ title="All posts tagged 'seraphine louis'">seraphine louis</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Tree%20of%20Paradise">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Who’s the Illegal Alien, Pilgrim? by Yolanda M. López (1978) ]]></title><id>tag:nikhil.io,2025://8c93551a295c5d9297f2c510a5958bab</id><updated>2025-12-07T13:12:38.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/00329cac20c85353aed2aaab11ce0593/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Who’s the Illegal Alien, Pilgrim?" data-size="full" decoding="async" id="whos-the-illegal-alien-pilgrim-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/whos-the-illegal-alien-pilgrim__by__yolanda-m-lopez-0.webp"/><img alt="Who’s the Illegal Alien, Pilgrim?" data-size="full" decoding="async" id="whos-the-illegal-alien-pilgrim-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/whos-the-illegal-alien-pilgrim__by__yolanda-m-lopez-1.webp"/>
        <br />
        <br />
        <strong>Yolanda M. López</strong>
        
          <br />
          American, born 1942
          
        <br />
        <br />
        <strong><i>Who’s the Illegal Alien, Pilgrim?</i></strong> (1978)
        <br />
        Offset lithograph
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/00329cac20c85353aed2aaab11ce0593/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/yolanda%20m.%20lopez/ title="All posts tagged 'yolanda m. lopez'">yolanda m. lopez</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Who%E2%80%99s%20the%20Illegal%20Alien%2C%20Pilgrim%3F">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Note 0020 - Liquid Ass II ]]></title><id>tag:nikhil.io,2025://9cbbca913d0259d389a17ac3157bf17f</id><updated>2025-12-06T10:54:26.994-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0020/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
My part of the internet is abuzz with the departure of an Apple Exec named Alan Dye who just may be responsible for all the dogshit UI/UX decisions at the company over the last decade or so that heavily favored looks over functionality to a lot of unheeded frustration and dismay. John Gruber offers <a href="https://daringfireball.net/2025/12/bad_dye_job">a fascinating account of his seemingly ill-deserved accession</a> and shittiness as an design leader. Here’s a zinger from the footnotes:</p>
<blockquote>
<p>
I have good reason to believe that Ive, in private, would be the first person to admit that [he made a mistake promoting Dye]. A fan of Liquid Glass Jony Ive is not. I believe he sees Dye as a graphic designer, not a user interface designer — and not a good graphic designer at that. I don’t think Alan Dye could get a job as a barista at LoveFrom [Ive’s design shop].</p>
</blockquote>
<p>
Oof. Here are <a href="https://daringfireball.net/linked/2025/12/04/alan-dye-instagram-story">two</a> <a href="https://daringfireball.net/2025/12/dye_cook_blind_spot">other</a> posts on the drama.</p>
<p>
The absolute nuke is an encore by designer <a href="https://juanbuis.com/">Juan Buis</a> of “<a href="https://www.threads.com/@juanbuis/post/DKslqg5Nro7">Liquid Ass</a>” fame.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/liquid-ass.webp" alt="A rainbow-colored abstract background with a soft, rounded translucent box in the center displaying a quote about design that parodies Alan Dye's Liquid Glass" loading="lazy" decoding="async" width="1440" height="538"></p>
<div class="muted">
<p>
*Chef’s Kiss*. <a href="https://www.threads.com/@juanbuis/post/DR1vHS_FAHE">Source</a>. Via Catherine.</p>
</div>
<p>
Now I’m told it gets better:</p>
<figure class="quote">
<blockquote cite="https://news.ycombinator.com/item?id=46143343">
<p>
This is not the real news.</p>
<p>
The real news is that he is being replaced with Steve Lemay, one of the most OG interaction designers at Apple.</p>
<p>
Not someone with a marketing or packaging design background; someone who sweats over pixels and knows what “discoverability” and “affordance” and “feedback” and all those dirty human factors words mean.</p>
<p>
<a href="https://patents.google.com/?inventor=stephen+lemay">https://patents.google.com/?inventor=stephen+lemay</a></p>
</blockquote>
<figcaption>
<a href="https://news.ycombinator.com/item?id=46143343">@gyomu on <em>Hacker News</em></a></figcaption>
</figure>
<p>
Really hoping I <a href="/notes/0017/">smile at my nerdrage</a> over “bullshit visions borne of arrogance, fart-sniffing, and desperation” a year or two from now.</p>

  <hr />
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  Tagged <a href=https://nikhil.io/tags/apple/ title="All posts tagged 'apple'">apple</a>, <a href=https://nikhil.io/tags/design/ title="All posts tagged 'design'">design</a>, <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a>, <a href=https://nikhil.io/tags/macos/ title="All posts tagged 'macos'">macos</a>, <a href=https://nikhil.io/tags/the%20worst/ title="All posts tagged 'the worst'">the worst</a> and <a href=https://nikhil.io/tags/threads/ title="All posts tagged 'threads'">threads</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Note%200020">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Joyce Carol Oates on a Successful, Happy, and Well-Adjusted Person We Should All Continue to Look Up To ]]></title><id>tag:nikhil.io,2025://0d301b6b42b45f3f811def3d4fe0a5f9</id><updated>2025-11-30T13:14:34.217-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/3f694e7b361f522898b44d26b99d3e65/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="https://x.com/JoyceCarolOates/status/1987269465013428557">
<p>
So curious that such a wealthy man never posts anything that indicates that he enjoys or is even aware of what virtually everyone appreciates — scenes from nature, pet dog or cat, praise for a movie, music, a book (but doubt that he reads); pride in a friend’s or relative’s accomplishment; condolences for someone who has died; pleasure in sports, acclaim for a favorite team; references to history. In fact he seems totally uneducated, uncultured. The poorest persons on Twitter may have access to more beauty &amp; meaning in life than the “most wealthy person in the world.”</p>
<p>
“wherever he goes, he wants to leave” - that’s because when he gets there, he has brought his own self along; &amp; whatever club he’s invited to join has been devalued by the invitation.</p>
</blockquote>
<figcaption>
Sources <a href="https://x.com/JoyceCarolOates/status/1987269465013428557">One</a> and <a href="https://x.com/JoyceCarolOates/status/1988061482010259620">Two</a></figcaption>
</figure>
<p>
It’s always <em>The Hitchhiker’s Guide</em>. I don’t think this man has read the book or the series in its entirety. If he has, I suppose it must be “being on the spectrum” that would explain his abject inability to see that Adams is ridiculing (and <em>would</em> mercilessly ridicule) people exactly like him.</p>
<p>
Oates appears to have stirred him <a href="https://assets.log.nikhil.io/e/elon-joyce.jpeg">into critiquing film</a> (<a href="https://x.com/ConsciousNomad/status/1987982814331990144">source</a>). Can’t wait for him to be <a href="https://www.youtube.com/watch?v=8Ui4h0J1mIQ"><em>the</em> most trenchant presence here as well</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for November 2025 ]]></title><id>tag:nikhil.io,2025://dc3897d2037e5294a43568f55e2d8d39</id><updated>2025-11-30T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=mgkv6rKsrBM"><strong>YEDA YUNG (Instrumental)</strong></a> by YUNG DSA<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=bkRvTdkrs2I&amp;amp;list=OLAK5uy_nHtUxAtWb0TH001XKpRAR2vv8KX3larUY"><strong>Charlie Mulvihills / The Conspiracy</strong></a> by Joanie Madden<br/><span><p>
One of those <em>perfect</em> things to wake up and sip hot tea to on a winter weekend.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=JyKcDPOovSo"><strong>Islandman</strong></a> by Khepre<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=UcgNqHnjLK8"><strong>Djinn/Djiin</strong></a> by Sahale<br/><span><p>
Heard this at some bar in San Francisco. Reminded me of the Fremen from <em>Dune</em> (esp that cover art).</p>
</span></li><li><a href="https://www.youtube.com/watch?v=HgH-G4aYazQ&amp;amp;list=RDHgH-G4aYazQ&amp;amp;start_radio=1"><strong>Surf Rider</strong></a> by Il Est Vilane<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=eiUIGQI8RmM&amp;amp;list=RDeiUIGQI8RmM&amp;amp;start_radio=1"><strong>Patterns</strong></a> by Ahmad Jamal Trio<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=lF2_b6dxf5k&amp;amp;list=RDlF2_b6dxf5k&amp;amp;start_radio=1"><strong>Belisha Beacon</strong></a> by Funki Porcini<br/><span><p>
Heard this off a young person’s boombox on the subway.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=mwOuYoCoyaA&amp;amp;list=RDmwOuYoCoyaA&amp;amp;start_radio=1"><strong>Nova</strong></a> by Amon Tobin<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=2YDPsHznyRU&amp;amp;list=RD2YDPsHznyRU&amp;amp;start_radio=1"><strong>Privateering</strong></a> by Mark Knopfler<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=szB8ESdAgds&amp;amp;list=RDszB8ESdAgds"><strong>Trust Fades</strong></a> by Nine Inch Nails<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=5ElvpftgfOM&amp;amp;list=RD5ElvpftgfOM"><strong>Etre Une Femme</strong></a> by Anggun<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for November 2025 ]]></title><id>tag:nikhil.io,2025://382f5c75968755a292f5414e0c82a7d1</id><updated>2025-11-30T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://fonts.google.com/specimen/Alegreya"><strong>Alegreya is a lovely serif typeface</strong></a> <br/><span></span></li><li><a href="https://www.youtube.com/watch?v=7fGB-hjc2Gc"><strong>&quot;The worst programming language of all time&quot; is one of the best overviews of C++</strong></a> <br/><span></span></li><li><a href="https://github.com/yamadashy/repomix"><strong>Repomix will pack &quot;your entire repository into a single, AI-friendly file&quot;</strong></a> <br/><span><p>
And <a href="https://github.com/microsoft/LLMLingua">LLMLingua</a> (Microsoft) will compress things for context windows.</p>
</span></li><li><a href="https://github.com/B00merang-Project/Redmond-Themes?tab=readme-ov-file"><strong>A Set of Windows Themes for Linux</strong></a> <br/><span><p>
I was tickled to try out the Windows 3.11, Windows 95, and Windows 7 ones. Simpler, purer times.</p>
</span></li><li><a href="https://stream-wiki.notion.site/Stream-Go-10-Week-Backend-Eng-Onboarding-625363c8c3684753b7f2b7d829bcd67a#1dcc5f01027d4731be1c3ada162ae981"><strong>A 10-Week Golang Onboarding Doc</strong></a> <br/><span><p>
Covers testing/mocking, databases, Redis, performance. For engineers at <a href="https://getstream.io/">Stream</a>. <a href="https://assets.log.nikhil.io/g/golang-onboarding-10-weeks-stream.html">Cached</a>.</p>
</span></li><li><a href="https://dropoverapp.com/"><strong>Dropover enhances drag-and-drop with a simple mouse shake gesture</strong></a> <br/><span><p>
Obsessive organizer of things and see myself using this daily.</p>
</span></li><li><a href="https://github.com/jordanbaird/Ice"><strong>Ice is a menu bar manager and an alternative to Bartender</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Note 0019 - Only Burger ]]></title><id>tag:nikhil.io,2025://979d393b716659b1a67617a46407dec6</id><updated>2025-11-26T04:39:55.889-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0019/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
I go to a pizzeria at around 2:00AM.</p>
<p>
“Hey man can I get a slice?”<br>
“No man only burger.”</p>
<p>
<em>Turns around, gets back to putting trays away.</em></p>
<p>
Think before you speak, don’t waste peoples’ time, this most certainly ain’t Kansas.</p>
<p>
I ♥️ NY 🍕</p>
<p>
(Two large slices, cheese and pepperoni.)</p>

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 ]]></content></entry><entry><title><![CDATA[ MOMA01 ]]></title><id>tag:nikhil.io,2025://7e093b609efe55039ed7f46afb9af7b3</id><updated>2025-11-26T04:18:28.323-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/001101/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="MOMA01" data-size="full" decoding="async" id="moma01-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0011-IMG_2872.webp"/>
      <br /><small>Museum of Modern Art, NYC</small><br /<br />
      
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 ]]></content></entry><entry><title><![CDATA[ AMNH02 ]]></title><id>tag:nikhil.io,2025://0edc9c048faa5834a51909b69624bca2</id><updated>2025-11-26T04:18:28.323-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/001202/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="AMNH02" data-size="full" decoding="async" id="amnh02-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0011-IMG_2595.webp"/>
      <br /><small>Museum of Modern Art, NYC</small><br /<br />
      
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 ]]></content></entry><entry><title><![CDATA[ I now understand the point of fur-lined hoods ]]></title><id>tag:nikhil.io,2025://1df5849e534150209d4114fb9097c924</id><updated>2025-11-26T03:59:12.803-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://graphics.chicagotribune.com/fur-lined-hoods-2021/blurb.html"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/41d9b0a436cf5344a8230e3e4c29c213/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://graphics.chicagotribune.com/fur-lined-hoods-2021/blurb.html" title="I now understand the point of fur-lined hoods">https://graphics.chicagotribune.com/fur-lined-hoods-2021/blurb.html</a><p>
And why it was very silly of me to think of them as mere adornments:</p>
<blockquote>
<p>
The larger fur liner creates a larger boundary layer [a thin layer of air created by molecules bumping into each other].</p>
</blockquote>
<div class='gallery' style="--big-grid-count:2; --small-grid-count:1"><p>
<img src="https://assets.log.nikhil.io/_optimized/h/hoods-nofur.webp" alt="Hood without fur lining" loading="lazy" decoding="async" width="1212" height="1012"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hoods-fur.webp" alt="Hood with fur lining showing boundary separation" loading="lazy" decoding="async" width="1212" height="1012"></p>
</div>
<p>
(Cached: <a href="https://assets.log.nikhil.io/p/parka-fur.html">fur</a>, <a href="https://assets.log.nikhil.io/p/parka-nofur.html">no fur</a>)</p>

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 ]]></content></entry><entry><title><![CDATA[ Forest Goddess at the Whitney ]]></title><id>tag:nikhil.io,2025://2b2a7b9540565d3cb891977e6243edbb</id><updated>2025-11-17T03:59:24.428-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0010/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Forest Goddess at the Whitney" data-size="full" decoding="async" id="forest-goddess-at-the-whitney-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0010.webp"/>
      <br /><small>The Whitney, NYC</small><br /<br />
      <p>
I’ve never used an LUT, which stands for “<a href="https://designshack.net/articles/software/what-is-a-lut/">Look Up Table</a>”, and thought I’d give <a href="https://www.nuevo.tokyo/agbr">this one a try</a>. The work is <a href="https://whitney.org/collection/works/68509"><em>Fall</em> by Allison Saar</a> (2011). I cannot wait to take a picture of it when it snows.</p>

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 ]]></content></entry><entry><title><![CDATA[ Surf Rider ]]></title><id>tag:nikhil.io,2025://c469b2935454540eb0d7e890f0014ac3</id><updated>2025-11-15T07:25:22.813-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/04f11c496aca5ab7bae133f10b9cad5b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Thank you, Almighty Algorithm, for this absolutely <em>hypnotic</em> piece of music, choreography, and camerawork.</p>
<p>
<a href="https://www.youtube.com/watch?v=wducEKHKRvg">https://www.youtube.com/watch?v=wducEKHKRvg</a></p>
<p>
<a href="https://www.youtube.com/playlist?list=PLmEiNO5ZsejYtGU0Kf38r0nqJxQjdiJv_">More videos</a> by the conservatory. Song by <a href="https://www.youtube.com/watch?v=HgH-G4aYazQ">Il Est Vilaine</a>, choreography by <a href="https://www.instagram.com/nichols14/">Martha Nichols</a>, and camerawork by <a href="https://www.instagram.com/devinjamieson/">Devin Jamieson</a>.</p>
<p>
And here’s <a href="https://www.instagram.com/dallasbranham/">the Dancer in the Blue Shorts</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ Leica Binoculars ]]></title><id>tag:nikhil.io,2025://682e2597942d5fcaade7dd6a2ac6597d</id><updated>2025-11-14T03:33:25.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0009/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Leica Binoculars" data-size="full" decoding="async" id="leica-binoculars-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0009.webp"/>
      <br /><small>Chelsea, NYC</small><br /<br />
      <p>
At the Leica store in the Meatpacking District. Love me <a href="/links/799b911626ea56d6818700b68a42cde3/">a good cutaway</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ 4 Hours of Calming Ambient Music by Moby ]]></title><id>tag:nikhil.io,2025://253b04a0d53552ffbdb46da1b4b2af17</id><updated>2025-11-12T05:43:48.179-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=uWzlWvjv6LQ&amp;list=PLgRcuwLmqJ6koBnaW4pW0sv_PdO8TqVdC"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/0efea4911a0956eeb7989832a921ae47/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=uWzlWvjv6LQ&amp;list=PLgRcuwLmqJ6koBnaW4pW0sv_PdO8TqVdC" title="4 Hours of Calming Ambient Music by Moby">https://www.youtube.com/watch?v=uWzlWvjv6LQ&amp;list=PLgRcuwLmqJ6koBnaW4pW0sv_PdO8TqVdC</a><p>
Was looking for an alternative to my trusty “<a href="https://www.youtube.com/watch?v=ykxfJ70moV8"><em>10 Hours of IceBreaker Idling in the Arctic</em></a>” and found this.</p>
<blockquote>
<p>
over the last couple of years i’ve been making really really really quiet music to listen to when i do yoga or sleep or meditate or panic. i ended up with 4 hours of music and have decided to give it away.</p>
<p>
it’s really quiet: no drums, no vocals, just very slow calm pretty chords and sounds and things for sleeping and yoga and etc. and feel free to share it or give it away or whatever, it’s not protected or anything, or at least it shouldn’t be.</p>
<p>
thanks,<br>
moby</p>
</blockquote>
<p>
via <a href="https://www.openculture.com/2016/06/moby-lets-you-download-4-hours-of-ambient-music-to-help-you-sleep.html"><em>OpenCulture</em></a></p>

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 ]]></content></entry><entry><title><![CDATA[ On Showing Up ]]></title><id>tag:nikhil.io,2025://85ff2c03e9c358db9ffc018156a5490c</id><updated>2025-11-12T03:45:17.637-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/dca3dbf4fdd25a9cb7fb6e3a9495cd3b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Advice from an eminent scientist I worked for and looked up to (and still do) at my very first job after college.</p>
<blockquote>
<p>
Just showing up – on time, rested, clean, appropriately dressed, and well fed – is half the battle (50%).</p>
<p>
Having enthusiasm and maintaining a patient and positive attitude despite adversity is half of the remaining half (75%).</p>
<p>
Knowing your likes and dislikes (and your strengths and weaknesses) accurately enough that you can formulate some clear life goals that are well aligned with who you really are is half of the remaining half (87.5%).</p>
<p>
Using the clear image of these goals to guide your decisions in such a way that you spend most of your time doing things that you enjoy and are good at is half of the remaining half (93.75%).</p>
<p>
Surrounding yourself with people who are honest, optimistic, and who like you for who you are, is half of the remaining half (96.875%). Being honest with yourself and others – and obeying the ethic of reciprocity in everything you do – is half of the remaining half (98.4375%).</p>
<p>
If you do all of these things most of the time, it has been my experience that good fortune can be counted on to fill in any gaps that occur and to carry you well beyond your original dreams and goals.</p>
</blockquote>

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 ]]></content></entry><entry><title><![CDATA[ Thought Apple's new iPhone Pocket looked familiar... (NSFW) ]]></title><id>tag:nikhil.io,2025://d0597c81af0b5c2ea5e36003fd369102</id><updated>2025-11-11T11:17:36.663-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://assets.log.nikhil.io/b/borat-mankini.jpg"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/377493dd1e7253afa55b5e39deae45b8/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://assets.log.nikhil.io/b/borat-mankini.jpg" title="Thought Apple’s new iPhone Pocket looked familiar... (NSFW)">https://assets.log.nikhil.io/b/borat-mankini.jpg</a><p>
I read “iPhone Pocket” and got very excited about the prospect of an updated iPhone Mini (the best <a href="/uses/">phone I’ve used</a>). But lo, a $230 <em>mankini for your fucking phone</em> from a very unserious group of people at Apple:</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/a/apple-pocket.webp" alt="Three ribbed iphone sweater-like pockets shown side by side in blue, fluorescent green, and black." loading="lazy" decoding="async" width="1024" height="1024"></p>
<p>
“Courage” indeed.</p>

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 ]]></content></entry><entry><title><![CDATA[ Melanoteuthis Lucens by Louis Joubin (1920) ]]></title><id>tag:nikhil.io,2025://b70b9d273c7b5048bb8ffff8c9dece3c</id><updated>2025-11-08T12:04:19.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/1998b8f92c0c55cfb237b3ddf3e7f452/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Melanoteuthis Lucens" data-size="full" decoding="async" id="melanoteuthis-lucens-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/melanoteuthis-lucens__by__louis-joubin.webp"/>
        <br />
        <br />
        <strong>Louis Joubin</strong>
        
          <br />
          French, 1861–1935
          
        <br />
        <br />
        <strong><i>Melanoteuthis Lucens</i></strong> (1920)
        <br />
        Lithograph
        <br />
        Museum of Natural History, NYC
        
        
        
  <hr />
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 ]]></content></entry><entry><title><![CDATA[ The acrasped medusae of the German Deep-Sea Expedition by Ernst Vanhöffen (1898–1899) ]]></title><id>tag:nikhil.io,2025://b3f321072f525f3a90083b7dd13cf73b</id><updated>2025-11-08T12:04:19.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/febcddf4568f5f6bb21705cdbfcaee7c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The acrasped medusae of the German Deep-Sea Expedition" data-size="full" decoding="async" id="the-acrasped-medusae-of-the-german-deep-sea-expedition-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-acrasped-medusae-of-the-german-deep-sea-expedition__by__ernst-vanhoffen.webp"/>
        <br />
        <br />
        <strong>Ernst Vanhöffen</strong>
        
          <br />
          1858–1918
          
        <br />
        <br />
        <strong><i>The acrasped medusae of the German Deep-Sea Expedition</i></strong> (1898–1899)
        <br />
        Lithograph on paper
        <br />
        Museum of Natural History, NYC
        
        
        
  <hr />
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  Tagged <a href=https://nikhil.io/tags/ernst%20vanh%C3%B6ffen/ title="All posts tagged 'ernst vanhöffen'">ernst vanhöffen</a>, <a href=https://nikhil.io/tags/museum%20of%20natural%20history/ title="All posts tagged 'museum of natural history'">museum of natural history</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20acrasped%20medusae%20of%20the%20German%20Deep-Sea%20Expedition">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Antarctic Octopus by Fritz Winter (1904) ]]></title><id>tag:nikhil.io,2025://ca6b7eaa18f754708996b01546ebfe86</id><updated>2025-11-08T12:04:19.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/97faa757a9d159d6867f3d082df90db6/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Antarctic Octopus" data-size="full" decoding="async" id="antarctic-octopus-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-common-octopus-octopus-vulgaris__by__ernst-haeckel.webp"/>
        <br />
        <br />
        <strong>Fritz Winter</strong>
        
          <br />
          German, 1905 - 1976
          
        <br />
        <br />
        <strong><i>Antarctic Octopus</i></strong> (1904)
        <br />
        Lithograph on paper
        <br />
        Museum of Natural History, NYC
        
          <br />
          <br />
          Engraver Fritz Winter prepared this illustration of an Antarctic octopus for publication. Winter had accompanied the expedition and sketched many specimens while they were still alive, before their colors faded.

          
        
        
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  <a href="mailto:mail@nikhil.io?subject=About: Antarctic%20Octopus">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The fishes of Samoa by David Starr Jordan (1906) ]]></title><id>tag:nikhil.io,2025://61ad081ab3d65943b755d20621a033ee</id><updated>2025-11-08T12:04:19.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/6d5068be600055b98c9c465505537a4f/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The fishes of Samoa" data-size="full" decoding="async" id="the-fishes-of-samoa-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-fishes-of-samoa__by__david-starr-jordan.webp"/>
        <br />
        <br />
        <strong>David Starr Jordan</strong>
        
          <br />
          1851-1931
          
        <br />
        <br />
        <strong><i>The fishes of Samoa</i></strong> (1906)
        <br />
        Lithograph on paper
        <br />
        Museum of Natural History, NYC
        
          <br />
          <br />
          "The coral reefs of the South Seas literally swarm with fishes," wrote David Starr Jordan during a 1902 expedition to American Samoa. The U.S. government sponsored his trip, one of several undertaken to assess the country's marine resources. Jordan was America's most prominent ichthyologist, and it is said that virtually all North American biologists who specialize in fish can trace their professional pedigrees back to him. Jordan also was an influential educator, and the first president of Stanford University.

          
        
        
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  <a href="mailto:mail@nikhil.io?subject=About: The%20fishes%20of%20Samoa">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Heretic (2024) ]]></title><id>tag:nikhil.io,2025://6cce7ff5380d56918e326c286444d92f</id><updated>2025-11-05T09:04:49.909-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/8902527ac3e351da9977c4294884f647/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with the wife. <em>Phenomenal</em> cinematography, set and costume design, and suspense-building. Hugh Grant and Chloe East are just excellent. Very promising plot that was underserved by ill-informed, incomplete, and sophomoric arguments against Abrahamic traditions and religion writ large.</p>
<p>
Made me think of how insufferable I must have been in my early 20s, when <a href="https://en.wikipedia.org/wiki/New_Atheism">New Atheism</a> was in vogue, and I had <em>killer</em> arguments against faith and religion that were as necessary and delicate and nuanced as a loud fart in a cathedral. Not religious in the least but <em>that</em> me would’ve <em>really</em> loved Grant’s ramblings in this movie.</p>
<p>
Thing is, I don’t think the writers would have landed the plane even <em>if</em> they’d consulted an actual academic or theologian and didn’t just rely on a 3-hour YouTube speedrun of the Best of Hitchens and Dawkins.</p>
<p>
You can think whatever you’d like about Mormon missionaries and their obligations but it can be dangerous work. I remember two fellas visiting me in 2011. I gave them some water and we chatted. They were much younger than me but had a lot of stories to tell.</p>

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 ]]></content></entry><entry><title><![CDATA[ Canal Street Piers: Fake Men on the Stairs by Peter Hujar (1983) ]]></title><id>tag:nikhil.io,2025://37f66e40c2ce5cb1b9f52b1a4ab2d670</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/b4ff4f81b79d5067804bb420f38c399e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Canal Street Piers: Fake Men on the Stairs" data-size="full" decoding="async" id="canal-street-piers-fake-men-on-the-stairs-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/canal-street-piers-fake-men-on-the-stairs__by__peter-hujar-0.webp"/><img alt="Canal Street Piers: Fake Men on the Stairs" data-size="full" decoding="async" id="canal-street-piers-fake-men-on-the-stairs-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/canal-street-piers-fake-men-on-the-stairs__by__peter-hujar-1.webp"/>
        <br />
        <br />
        <strong>Peter Hujar</strong>
        
          <br />
          b. 1934; Trenton, NJ d. 1987; New York, NY
          
        <br />
        <br />
        <strong><i>Canal Street Piers: Fake Men on the Stairs</i></strong> (1983)
        <br />
        Gelatin silver print
        <br />
        The Whitney
        
        
        
  <hr />
  <a href="https://nikhil.io/art/b4ff4f81b79d5067804bb420f38c399e/" title="Link to this post on my log">Permalink</a>. <br />
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  <a href="mailto:mail@nikhil.io?subject=About: Canal%20Street%20Piers%3A%20Fake%20Men%20on%20the%20Stairs">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Candy Tray: Godiva 3, by Chuck Ramirez (2002 (printed 2021)) ]]></title><id>tag:nikhil.io,2025://021762ef9ffd551b80973608680957fb</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/c46180bac4875c0896f83a9b818901b8/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Candy Tray: Godiva 3," data-size="full" decoding="async" id="candy-tray-godiva-3-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/candy-tray-godiva-3__by__chuck-ramirez-0.webp"/><img alt="Candy Tray: Godiva 3," data-size="full" decoding="async" id="candy-tray-godiva-3-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/candy-tray-godiva-3__by__chuck-ramirez-1.webp"/>
        <br />
        <br />
        <strong>Chuck Ramirez</strong>
        
          <br />
          b. 1962; San Antonio, TX d. 2010; San Antonio, TX
          
        <br />
        <br />
        <strong><i>Candy Tray: Godiva 3,</i></strong> (2002 (printed 2021))
        <br />
        Pigmented inkjet print
        <br />
        The Whitney
        
          <br />
          <br />
          While working in commercial design for the H-E-B supermarket chain, Chuck Ramirez began making photographs of familiar, everyday objects—shrink-wrapped foods, jam-packed trash bags, hospital flower arrangements—which he captured in great detail against a white void and at life-size. Candy Tray: Godiva 3 is part of a series consisting of emptied chocolate boxes. Here, Ramirez transforms a chocolate tray from an object of mass consumption tied to feelings of love into a semi-abstract surface of dips and valleys left by the absent candy that may allude to loss. Borrowing from the tools of commercial advertising to highlight the luscious and shiny golden hues of a tray reminiscent of gilded coffered ceilings, Ramirez charges the object with a sense of mortality. As the candy tray faces the end of its lifespan as a utilitarian thing, the artist invites viewers to confront the fragility of time on this earth.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Case of Eggs (with Rainbow Wax Eggs) by Robert Watts (1964) ]]></title><id>tag:nikhil.io,2025://b49addbd7e00505d93218aea1c1bb140</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/2ba08cfe10f75c1eac5dda589dea6aaa/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Case of Eggs (with Rainbow Wax Eggs)" data-size="full" decoding="async" id="case-of-eggs-with-rainbow-wax-eggs-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/case-of-eggs-with-rainbow-wax-eggs__by__robert-watts-1.webp"/><img alt="Case of Eggs (with Rainbow Wax Eggs)" data-size="full" decoding="async" id="case-of-eggs-with-rainbow-wax-eggs-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/case-of-eggs-with-rainbow-wax-eggs__by__robert-watts-0.webp"/>
        <br />
        <br />
        <strong>Robert Watts</strong>
        
          <br />
          b. 1923; Burlington, IA d. 1988; Martins Creek, PA
          
        <br />
        <br />
        <strong><i>Case of Eggs (with Rainbow Wax Eggs)</i></strong> (1964)
        <br />
        Acrylic, vacuum formed plastic, wax
        <br />
        The Whitney
        
        
        
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  <a href="https://nikhil.io/art/2ba08cfe10f75c1eac5dda589dea6aaa/" title="Link to this post on my log">Permalink</a>. <br />
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 ]]></content></entry><entry><title><![CDATA[ Confessions for Myself by Barbara Chase-Riboud (1972) ]]></title><id>tag:nikhil.io,2025://dd539c202a4e5d83994dce390b270553</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/61490202be705375911d891caa160fc0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Confessions for Myself" data-size="full" decoding="async" id="confessions-for-myself-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/confessions-for-myself__by__barbara-chase-riboud-0.webp"/>
        <br />
        <br />
        <strong>Barbara Chase-Riboud</strong>
        
          <br />
          b. 1939; Philadelphia, PA
          
        <br />
        <br />
        <strong><i>Confessions for Myself</i></strong> (1972)
        <br />
        Bronze, paint, and wool
        <br />
        The Whitney
        
          <br />
          <br />
          The title of Barbara Chase-Riboud’s bronze and wool sculpture suggests a self-portrait: the artist’s figure is armored and draped in mourning black. This work relies on the artist’s observations of textile, metalworking, and casting techniques she encountered in China, India, and Egypt. By combining hard and soft materials with references to the body in her sculptures from the 1960s and 1970s, Chase-Riboud created works that she described as “visually surrealistic.” Curator Peter Selz—who organized the 1967 Funk exhibition—commissioned this sculpture, which was featured in Chase-Riboud’s first one-person exhibition at the University of California, Berkeley, Art Museum.

          
        
        
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  <a href="mailto:mail@nikhil.io?subject=About: Confessions%20for%20Myself">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Dempsey and Firpo by George Bellows (1924) ]]></title><id>tag:nikhil.io,2025://15da582367405c5bb684fe509ef1ba21</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/9445887b87c65a008320efed01ffe6a3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Dempsey and Firpo" data-size="full" decoding="async" id="dempsey-and-firpo-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/dempsey-and-firpo__by__george-bellows-0.webp"/><img alt="Dempsey and Firpo" data-size="full" decoding="async" id="dempsey-and-firpo-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/dempsey-and-firpo__by__george-bellows-1.webp"/>
        <br />
        <br />
        <strong>George Bellows</strong>
        
          <br />
          b. 1882; Columbus, OH d. 1925; New York, NY
          
        <br />
        <br />
        <strong><i>Dempsey and Firpo</i></strong> (1924)
        <br />
        Oil on canvas
        <br />
        The Whitney
        
        
        
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  <a href="https://nikhil.io/art/9445887b87c65a008320efed01ffe6a3/" title="Link to this post on my log">Permalink</a>. <br />
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  <a href="mailto:mail@nikhil.io?subject=About: Dempsey%20and%20Firpo">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Julio, José, and Junito by Rigoberto Torres (1991/1995) ]]></title><id>tag:nikhil.io,2025://7033a218bb2a56f2b6aadeceb1b97ffd</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/a699f44902e354209bf1666e28fea4cc/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Julio, José, and Junito" data-size="full" decoding="async" id="julio-jose-and-junito-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/julio-jose-and-junito__by__rigoberto-torres-0.webp"/>
        <br />
        <br />
        <strong>Rigoberto Torres</strong>
        
          <br />
          b. 1960; Aguadilla, Puerto Rico
          
        <br />
        <br />
        <strong><i>Julio, José, and Junito</i></strong> (1991/1995)
        <br />
        Acrylic on plaster
        <br />
        The Whitney
        
        
        
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  <a href="https://nikhil.io/art/a699f44902e354209bf1666e28fea4cc/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>, <a href=https://nikhil.io/tags/rigoberto%20torres/ title="All posts tagged 'rigoberto torres'">rigoberto torres</a> and <a href=https://nikhil.io/tags/the%20whitney/ title="All posts tagged 'the whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Julio%2C%20Jos%C3%A9%2C%20and%20Junito">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ New York Interior by Edward Hopper (c. 1921) ]]></title><id>tag:nikhil.io,2025://53253ba062a554578d1976db019c004c</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/6a9caf685e4753d3b8ae05cd5b748b2e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="New York Interior" data-size="full" decoding="async" id="new-york-interior-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/new-york-interior__by__edward-hopper-0.webp"/><img alt="New York Interior" data-size="full" decoding="async" id="new-york-interior-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/new-york-interior__by__edward-hopper-1.webp"/>
        <br />
        <br />
        <strong>Edward Hopper</strong>
        
          <br />
          b. 1882; Nyack, NY d. 1967; New York, NY
          
        <br />
        <br />
        <strong><i>New York Interior</i></strong> (c. 1921)
        <br />
        Oil on canvas
        <br />
        The Whitney
        
        
        
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  <a href="https://nikhil.io/art/6a9caf685e4753d3b8ae05cd5b748b2e/" title="Link to this post on my log">Permalink</a>. <br />
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  <a href="mailto:mail@nikhil.io?subject=About: New%20York%20Interior">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Saigon by Peter Saul (1967) ]]></title><id>tag:nikhil.io,2025://089368a58790515698f41f7c5c2c727b</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/ee64f1a4bf3e5bea85d7315789690261/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Saigon" data-size="full" decoding="async" id="saigon-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/saigon__by__peter-saul-0.webp"/><img alt="Saigon" data-size="full" decoding="async" id="saigon-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/saigon__by__peter-saul-1.webp"/>
        <br />
        <br />
        <strong>Peter Saul</strong>
        
          <br />
          b. 1934; San Francisco, CA
          
        <br />
        <br />
        <strong><i>Saigon</i></strong> (1967)
        <br />
        Acrylic, oil, enamel, and fiber-tipped pen on canvas
        <br />
        The Whitney, NYC
        
          <br />
          <br />
          In Saigon, Peter Saul relies on ugly stereotypes of both Vietnamese women and American soldiers to grab the viewer's attention. Saul drew on the power of the sensational to critique the American military propaganda that promoted such stereotypes. Two years after painting Saigon, Saul wrote that given the "newspaper accounts of recent American atrocities in Vietnam, that picture has ceased being a far-out and imaginative accusation." Events such as the My Lai massacre in March of 1968, during which hundreds of civilians were murdered, and the subsequent Pentagon cover-up proved that reality was even more shocking than the nightmare Saul had conjured.

          
        
        
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  <a href="mailto:mail@nikhil.io?subject=About: Saigon">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Screamin’ Jay Hawkins by Karl Wirsum (1968) ]]></title><id>tag:nikhil.io,2025://c26ffa9f87755df19ab0507aabd58f18</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/7af36052ba8d5b8dad50c916451c427c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Screamin’ Jay Hawkins" data-size="full" decoding="async" id="screamin-jay-hawkins-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/screamin-jay-hawkins__by__karl-wirsum-0.webp"/><img alt="Screamin’ Jay Hawkins" data-size="full" decoding="async" id="screamin-jay-hawkins-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/screamin-jay-hawkins__by__karl-wirsum-1.webp"/>
        <br />
        <br />
        <strong>Karl Wirsum</strong>
        
          <br />
          b. 1939; Chicago, IL d. 2021; Chicago, IL
          
        <br />
        <br />
        <strong><i>Screamin’ Jay Hawkins</i></strong> (1968)
        <br />
        Acrylic on canvas
        <br />
        The Whitney
        
          <br />
          <br />
          Karl Wirsum used the clean style of commercial graphics and the abstracted form of a dissected frog to paint the singer Screamin’ Jay Hawkins, who used this painting as the cover for his album Because Is in Your Mind (1970). Best known for his 1956 song “I Put a Spell on You” and his sensational live performances, Hawkins appears here in full song, raining amoeba-shaped sweat down on a man wearing “armpit rubber,” like old-fashioned galoshes, to keep the moisture at bay. Wirsum sought to visualize how he and his fellow audience members felt during Hawkins’s performances. A member of the Chicago exhibition group the Hairy Who, Wirsum has a distinctive figurative style that combines visual motifs from across cultures in densely layered references.

          
        
        
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  <a href="mailto:mail@nikhil.io?subject=About: Screamin%E2%80%99%20Jay%20Hawkins">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Seven A.M. by Edward Hopper (1948) ]]></title><id>tag:nikhil.io,2025://6562b467368c5d9e98c408921d1e4d3d</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/03fb8489698e5027b59eba34b805d792/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Seven A.M." data-size="full" decoding="async" id="seven-am-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/seven-am__by__edward-hopper-0.webp"/>
        <br />
        <br />
        <strong>Edward Hopper</strong>
        
          <br />
          b. 1882; Nyack, NY d. 1967; New York, NY
          
        <br />
        <br />
        <strong><i>Seven A.M.</i></strong> (1948)
        <br />
        Oil on canvas
        <br />
        The Whitney
        
        
        
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  <a href="https://nikhil.io/art/03fb8489698e5027b59eba34b805d792/" title="Link to this post on my log">Permalink</a>. <br />
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  <a href="mailto:mail@nikhil.io?subject=About: Seven%20A.M.">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Summer Days by Georgia O’Keeffe (1936) ]]></title><id>tag:nikhil.io,2025://83ca4da0d64754feae0473896307c85c</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/6b1e9ee019065a6ebddf2c96ae2b0803/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Summer Days" data-size="full" decoding="async" id="summer-days-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/summer-days__by__georgia-okeeffe-0.webp"/><img alt="Summer Days" data-size="full" decoding="async" id="summer-days-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/summer-days__by__georgia-okeeffe-1.webp"/>
        <br />
        <br />
        <strong>Georgia O’Keeffe</strong>
        
          <br />
          b. 1887; Sun Prairie, WI d. 1986; Santa Fe, NM
          
        <br />
        <br />
        <strong><i>Summer Days</i></strong> (1936)
        <br />
        Oil on canvas
        <br />
        The Whitney
        
        
        
  <hr />
  <a href="https://nikhil.io/art/6b1e9ee019065a6ebddf2c96ae2b0803/" title="Link to this post on my log">Permalink</a>. <br />
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 ]]></content></entry><entry><title><![CDATA[ Surrealism by Ed Ruscha (1966) ]]></title><id>tag:nikhil.io,2025://019482cc971e5c9fa3106ef0dd5016ef</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/27fe60b1bf605cc19def14bda1d0e666/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Surrealism" data-size="full" decoding="async" id="surrealism-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/surrealism__by__ed-ruscha-0.webp"/>
        <br />
        <br />
        <strong>Ed Ruscha</strong>
        
          <br />
          b. 1937; Omaha, NE
          
        <br />
        <br />
        <strong><i>Surrealism</i></strong> (1966)
        <br />
        Graphite and tempera on paper
        <br />
        The Whitney
        
          <br />
          <br />
          This is a working drawing for Ed Ruscha’s photograph <em>Surrealism Soaped and Scrubbed</em> (1966), which was on the cover of the September 1966 issue of the magazine Artforum (1962– ). This special issue included essays on Surrealism from historical, architectural, filmic, and personal perspectives, including those by critics Lucy Lippard and William Rubin. Using the pseudonym “Eddie Russia,” Ruscha worked as a production designer and art director at the magazine from 1965 to 1969, a time when he was leaning into the use of typography and language in his art. This sudsing of surrealism exemplifies Ruscha’s unique blend of Pop art’s lush stylization and Conceptual art’s removed austerity, along with his deadpan humor.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ The Artist and His Mother by Arshile Gorky (1926–c. 1936) ]]></title><id>tag:nikhil.io,2025://c78a4d5d09b6509da8a5e721d42b16f0</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/f523b7ece0d85e5b978446eaabc9f13b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Artist and His Mother" data-size="full" decoding="async" id="the-artist-and-his-mother-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-artist-and-his-mother__by__arshile-gorky-0.webp"/>
        <br />
        <br />
        <strong>Arshile Gorky</strong>
        
          <br />
          b. c. 1904; Khorkom, Armenia d. 1948; Sherman, CT
          
        <br />
        <br />
        <strong><i>The Artist and His Mother</i></strong> (1926–c. 1936)
        <br />
        Oil on canvas
        <br />
        The Whitney
        
          <br />
          <br />
          Arshile Gorky based this portrait of himself and his mother on a photograph taken in his native Armenia when he was a child. In 1919 his mother died after years of deprivation during the Ottoman Empire's genocide of the Armenian population. The following year Gorky immigrated to the United States as a refugee. He became preoccupied with the photograph as he established his career as an artist, working on this painting over a span of ten years. The broad areas of color and dry brushwork create a soft, blurred effect that evokes loss and tender memories and foreshadows his later, more abstract paintings.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ The Moon by Day by Margaret Hoening French (1939) ]]></title><id>tag:nikhil.io,2025://4e4006f1353354c598b0630fe652899b</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/21611dd5aa985bb3b718db6a168aa393/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Moon by Day" data-size="full" decoding="async" id="the-moon-by-day-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-moon-by-day__by__margaret-hoening-french-0.webp"/><img alt="The Moon by Day" data-size="full" decoding="async" id="the-moon-by-day-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-moon-by-day__by__margaret-hoening-french-1.webp"/>
        <br />
        <br />
        <strong>Margaret Hoening French</strong>
        
          <br />
          b. 1906; Hoboken, NJ d. 1998; New York, NY
          
        <br />
        <br />
        <strong><i>The Moon by Day</i></strong> (1939)
        <br />
        Tempera on canvas mounted on board
        <br />
        The Whitney
        
        
        
  <hr />
  <a href="https://nikhil.io/art/21611dd5aa985bb3b718db6a168aa393/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/margaret%20hoening%20french/ title="All posts tagged 'margaret hoening french'">margaret hoening french</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/the%20whitney/ title="All posts tagged 'the whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Moon%20by%20Day">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Subway by George Tooker (1950) ]]></title><id>tag:nikhil.io,2025://9d91b075e4a75a24a9f5ecc3799e148e</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/11058af632ce52f1a045d592fdfe117d/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Subway" data-size="full" decoding="async" id="the-subway-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-subway__by__george-tooker-0.webp"/><img alt="The Subway" data-size="full" decoding="async" id="the-subway-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-subway__by__george-tooker-1.webp"/>
        <br />
        <br />
        <strong>George Tooker</strong>
        
          <br />
          b. 1920; Brooklyn, NY d. 2011; Hartland, VT
          
        <br />
        <br />
        <strong><i>The Subway</i></strong> (1950)
        <br />
        Tempera on composition board
        <br />
        The Whitney
        
        
        
  <hr />
  <a href="https://nikhil.io/art/11058af632ce52f1a045d592fdfe117d/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/george%20tooker/ title="All posts tagged 'george tooker'">george tooker</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/the%20whitney/ title="All posts tagged 'the whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Subway">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Unfinished Man by Rupert Garcia (1968) ]]></title><id>tag:nikhil.io,2025://cbc21a6dc5d351ab8ceefecdfbc4c3b7</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/94e517ccc550519697f7b605bc36dbfa/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Unfinished Man" data-size="full" decoding="async" id="unfinished-man-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/unfinished-man__by__rupert-garcia-0.webp"/>
        <br />
        <br />
        <strong>Rupert Garcia</strong>
        
          <br />
          b. 1941; French Camp, CA
          
        <br />
        <br />
        <strong><i>Unfinished Man</i></strong> (1968)
        <br />
        Acrylic on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Rupert Garcia’s Unfinished Man relies on abstraction to capture the disorienting and jarring experience of a disillusioned soldier reintegrating into an American society roiling with anxiety. After serving in the Air Force during the Vietnam War, Garcia enrolled at San Francisco State College in 1966 to study art and sociology on the GI Bill. He initially focused on painting but, driven by his critical perspectives on the war and racial and economic inequality, eventually began a lifelong engagement with printmaking as a cheap and effective tool of protest after joining in the student strikes of 1968.

          
        
        
  <hr />
  <a href="https://nikhil.io/art/94e517ccc550519697f7b605bc36dbfa/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/rupert%20garcia/ title="All posts tagged 'rupert garcia'">rupert garcia</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Unfinished%20Man">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Untitled (Tabula Anemographica seu Pyxis Navtic) by Firelei Báez (2021) ]]></title><id>tag:nikhil.io,2025://c235a2a861ab53039d3aa47e5d927d61</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/6880d220c02153f2bd0e839dd5590fd7/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Untitled (Tabula Anemographica seu Pyxis Navtic)" data-size="full" decoding="async" id="untitled-tabula-anemographica-seu-pyxis-navtic-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/untitled-tabula-anemographica-seu-pyxis-navtic__by__firelei-baez-0.webp"/>
        <br />
        <br />
        <strong>Firelei Báez</strong>
        
          <br />
          b. 1981; Santiago de los Caballeros, Dominican Republic
          
        <br />
        <br />
        <strong><i>Untitled (Tabula Anemographica seu Pyxis Navtic)</i></strong> (2021)
        <br />
        Acrylic and oil on printed canvas
        <br />
        The Whitney
        
          <br />
          <br />
          In Firelei Báez's painting Untitled (Tabula Anemographica seu Pyxis Navtic) a furry brown body erupts from the center of the composition, decorated with an Afro-Brazilian penca de balangandã amulet around her waist and an assortment of flowers, beaded headdresses, and cowrie shells. A trickster creature from Dominican folklore with roots in Taíno mythology, the ciguapa is superimposed atop a barely visible old cartographic document: one of the earliest and most significant wind rose charts (or anemographs) from the seventeenth century. Functional navigational tools at one point in history, charts like this one trafficked in stereotypes; each wind was personified using a head of a figure bearing the racial characteristics associated with the region or direction represented. The ciguapa, however, rejects these Western methods of pictorializing knowledge by asserting her larger-than-life body as the originator of a new mapping system for a fictional alternative universe.

          
        
        
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  <a href="https://nikhil.io/art/6880d220c02153f2bd0e839dd5590fd7/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/firelei%20baez/ title="All posts tagged 'firelei baez'">firelei baez</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/the%20whitney/ title="All posts tagged 'the whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Untitled%20(Tabula%20Anemographica%20seu%20Pyxis%20Navtic)">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Untitled by Lee Bontecou (1961) ]]></title><id>tag:nikhil.io,2025://f73af30cd1f05177bcd70a9bbbe7f683</id><updated>2025-11-02T16:02:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/9881990697bc5050965a661f1f12bfe7/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Untitled" data-size="full" decoding="async" id="untitled-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/untitled__by__lee-bontecou-0.webp"/><img alt="Untitled" data-size="full" decoding="async" id="untitled-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/untitled__by__lee-bontecou-1.webp"/>
        <br />
        <br />
        <strong>Lee Bontecou</strong>
        
          <br />
          b. 1931; Providence, RI d. 2022; Florida (city unknown)
          
        <br />
        <br />
        <strong><i>Untitled</i></strong> (1961)
        <br />
        Steel, canvas, wire, and rope
        <br />
        The Whitney
        
        
        
  <hr />
  <a href="https://nikhil.io/art/9881990697bc5050965a661f1f12bfe7/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/lee%20bontecou/ title="All posts tagged 'lee bontecou'">lee bontecou</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/the%20whitney/ title="All posts tagged 'the whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Untitled">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Bride by Joan Brown (1970) ]]></title><id>tag:nikhil.io,2025://68929df49fd85a0d824de3ef78b78dbb</id><updated>2025-11-02T15:51:47.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/77999100e00f55e5947fcf04b5dde406/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Bride" data-size="full" decoding="async" id="the-bride-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-bride__by__joan-brown-0.webp"/>
        <br />
        <br />
        <strong>Joan Brown</strong>
        
          <br />
          b. 1938; San Francisco, CA d. 1990; Puttaparthi, India
          
        <br />
        <br />
        <strong><i>The Bride</i></strong> (1970)
        <br />
        Oil, enamel, and glitter on canvas
        <br />
        The Whitney, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/77999100e00f55e5947fcf04b5dde406/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/The%20Whitney/ title="All posts tagged 'The Whitney'">the whitney</a>, <a href=https://nikhil.io/tags/joan%20brown/ title="All posts tagged 'joan brown'">joan brown</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Bride">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The New Adam by Harold Stevenson (1962) ]]></title><id>tag:nikhil.io,2025://ba598d969be351e097440e7f2dca8aca</id><updated>2025-11-02T15:51:47.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/8079714c2140538faca3015c9d594a4d/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The New Adam" data-size="full" decoding="async" id="the-new-adam-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-new-adam__by__harold-stevenson-0.webp"/>
        <br />
        <br />
        <strong>Harold Stevenson</strong>
        
          <br />
          b. 1929; Idabel, OK d. 2018; Idabel, OK
          
        <br />
        <br />
        <strong><i>The New Adam</i></strong> (1962)
        <br />
        Oil on linen
        <br />
        The Whitney, NYC
        
          <br />
          <br />
          In this nine-panel, photorealistic painting, The New Adam, Harold Stevenson reimagines Michelangelo's famous Sistine Chapel fresco of Adam extending his finger toward the hand of God by redirecting the subject's gesture inward. Stevenson felt that advertising had reduced the human form to a prop for displaying clothes or selling appliances. He wanted to refocus the eye on the enormous significance of the body and the viewer's gaze. Through the warm glow that suffuses this image, Stevenson sought to evoke his belief in the human soul within each body. The queer film icon Sal Mineo modeled for the painting, which was an homage to Stevenson's lover Timothy Willoughby.

          
        
        
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  <a href="https://nikhil.io/art/8079714c2140538faca3015c9d594a4d/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/harold%20stevenson/ title="All posts tagged 'harold stevenson'">harold stevenson</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/the%20Whitney/ title="All posts tagged 'the Whitney'">the whitney</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20New%20Adam">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Vietnam Garden by Judith Bernstein (1967) ]]></title><id>tag:nikhil.io,2025://d435c02412d653a5a878b0b648882c83</id><updated>2025-11-02T15:51:47.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/897916bb438d59bc8c3b1517a42479b6/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Vietnam Garden" data-size="full" decoding="async" id="vietnam-garden-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/vietnam-garden__by__judith-bernstein-0.webp"/>
        <br />
        <br />
        <strong>Judith Bernstein</strong>
        
          <br />
          b. 1942; Newark, NJ
          
        <br />
        <br />
        <strong><i>Vietnam Garden</i></strong> (1967)
        <br />
        Charcoal, oil stick, and steel wool on paper
        <br />
        The Whitney, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/897916bb438d59bc8c3b1517a42479b6/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/The%20Whitney/ title="All posts tagged 'The Whitney'">the whitney</a>, <a href=https://nikhil.io/tags/judith%20bernstein/ title="All posts tagged 'judith bernstein'">judith bernstein</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Vietnam%20Garden">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Vivian by Niki de Saint Phalle (1965) ]]></title><id>tag:nikhil.io,2025://3996448ea6755239aaf4a40691b2d6e1</id><updated>2025-11-02T15:51:47.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/cfeaf13bf20251378ffa6cb9448edfc6/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Vivian" data-size="full" decoding="async" id="vivian-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/vivian__by__niki-de-saint-phalle-0.webp"/><img alt="Vivian" data-size="full" decoding="async" id="vivian-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/vivian__by__niki-de-saint-phalle-1.webp"/>
        <br />
        <br />
        <strong>Niki de Saint Phalle</strong>
        
          <br />
          b. 1930; Neuilly-sur-Seine, France d. 2002; San Diego, CA
          
        <br />
        <br />
        <strong><i>Vivian</i></strong> (1965)
        <br />
        Yarn, fabric, paper, and epoxy
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/cfeaf13bf20251378ffa6cb9448edfc6/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a> and <a href=https://nikhil.io/tags/nyc%20niki%20de%20saint%20phalle/ title="All posts tagged 'nyc niki de saint phalle'">nyc niki de saint phalle</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Vivian">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Four Darks in Red by Mark Rothko (1958) ]]></title><id>tag:nikhil.io,2025://86a5ef811df75c468870af405fa007b1</id><updated>2025-11-02T12:03:08.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/78dfcb288629506a84a4b9f3d6b87683/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Four Darks in Red" data-size="full" decoding="async" id="four-darks-in-red-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/four-darks-in-red__by__mark-rothko-0.webp"/><img alt="Four Darks in Red" data-size="full" decoding="async" id="four-darks-in-red-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/four-darks-in-red__by__mark-rothko-1.webp"/>
        <br />
        <br />
        <strong>Mark Rothko</strong>
        
          <br />
          American, born Russia (Latvia), 1903–1970
          
        <br />
        <br />
        <strong><i>Four Darks in Red</i></strong> (1958)
        <br />
        Oil on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Four Darks in Red exemplifies Mark Rothko's dark palette of the late 1950s, when he increasingly used red, maroon, and velvety black hues. When seen up close (as the artist intended), this nearly ten-foot-wide canvas engulfs the viewer in an atmosphere of color and intense visual sensations. The weightiest dark color is at the top of the canvas while a softer, roseate glow emanates from below, creating a reversal of visual gravity. Rothko believed that such abstract perceptual forces had the ability to summon what he called "the basic human emotions-tragedy, ecstasy, doom."

          
        
        
  <hr />
  <a href="https://nikhil.io/art/78dfcb288629506a84a4b9f3d6b87683/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/mark%20rothko/ title="All posts tagged 'mark rothko'">mark rothko</a>, <a href=https://nikhil.io/tags/moma%20nyc/ title="All posts tagged 'moma nyc'">moma nyc</a> and <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Four%20Darks%20in%20Red">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ I’ve Got Rhythm by Beyte Saar (1972) ]]></title><id>tag:nikhil.io,2025://7c4e19179c2c53db9bf0c83c72506f14</id><updated>2025-11-02T12:03:08.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/a2d5d01a4cfd5cb387d04245a092986b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="I’ve Got Rhythm" data-size="full" decoding="async" id="ive-got-rhythm-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/ive-got-rhythm__by__beyte-saar.webp"/><img alt="I’ve Got Rhythm" data-size="full" decoding="async" id="ive-got-rhythm-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/ive-got-rhythm__by__beyte-saar-1.webp"/>
        <br />
        <br />
        <strong>Beyte Saar</strong>
        
          <br />
          b. 1926; Los Angeles, CA
          
        <br />
        <br />
        <strong><i>I’ve Got Rhythm</i></strong> (1972)
        <br />
        Mechanical metronome with wood case, plastic toy, American flag pin, paint, and paper collage
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Four Darks in Red exemplifies Mark Rothko’s dark palette of the late 1950s, when he increasingly used red, maroon, and velvety black hues. When seen up close (as the artist intended), this nearly ten-foot-wide canvas engulfs the viewer in an atmosphere of color and intense visual sensations. The weightiest dark color is at the top of the canvas while a softer, roseate glow emanates from below, creating a reversal of visual gravity. Rothko believed that such abstract perceptual forces had the ability to summon what he called “the basic human emotions—tragedy, ecstasy, doom.”

          
        
        
  <hr />
  <a href="https://nikhil.io/art/a2d5d01a4cfd5cb387d04245a092986b/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/beyte%20saar/ title="All posts tagged 'beyte saar'">beyte saar</a> and <a href=https://nikhil.io/tags/metronomes/ title="All posts tagged 'metronomes'">metronomes</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: I%E2%80%99ve%20Got%20Rhythm">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Sun by Florine Stettheimer (1931) ]]></title><id>tag:nikhil.io,2025://a83047d468835412a83f86fd1b9c42cd</id><updated>2025-11-02T12:03:08.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/a6de7347b4cd5203b2782e8b4d2209c3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Sun" data-size="full" decoding="async" id="sun-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/sun__by__florine-stettheimer.webp"/><img alt="Sun" data-size="full" decoding="async" id="sun-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/sun__by__florine-stettheimer-1.webp"/>
        <br />
        <br />
        <strong>Florine Stettheimer</strong>
        
          <br />
          b. 1871; Rochester, NY - d. 1944; New York, NY
          
        <br />
        <br />
        <strong><i>Sun</i></strong> (1931)
        <br />
        Oil on canvas
        <br />
        MoMA, NYC
        
        
        
  <hr />
  <a href="https://nikhil.io/art/a6de7347b4cd5203b2782e8b4d2209c3/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/florine%20stettheimer/ title="All posts tagged 'florine stettheimer'">florine stettheimer</a>, <a href=https://nikhil.io/tags/moma/ title="All posts tagged 'moma'">moma</a>, <a href=https://nikhil.io/tags/nyc/ title="All posts tagged 'nyc'">nyc</a> and <a href=https://nikhil.io/tags/oil%20paintings/ title="All posts tagged 'oil paintings'">oil paintings</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Sun">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Rose by Jay DeFeo (1958–66) ]]></title><id>tag:nikhil.io,2025://d3d6648f7f825ad58ac64711fde8107c</id><updated>2025-11-02T12:03:08.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/8cc2860e905d5de0ad31d844b82480c5/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="The Rose" data-size="full" decoding="async" id="the-rose-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-rose__by__jay-defeo-1.webp"/><img alt="The Rose" data-size="full" decoding="async" id="the-rose-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-rose__by__jay-defeo-2.webp"/><img alt="The Rose" data-size="full" decoding="async" id="the-rose-3" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/the-rose__by__jay-defeo-3.webp"/>
        <br />
        <br />
        <strong>Jay DeFeo</strong>
        
          <br />
          b. 1929; Hanover, NH, d. 1989; Oakland, CA 
          
        <br />
        <br />
        <strong><i>The Rose</i></strong> (1958–66)
        <br />
        Oil with wood and mica on canvas
        <br />
        MoMA, NYC
        
          <br />
          <br />
          Jay DeFeo described this monumental work as “a marriage between painting and sculpture.” Built almost entirely from thick layers of paint supported in some areas by wooden dowels, the work weighs more than 1,500 pounds. DeFeo worked on it for nearly eight years using a laborious process of building up, carving back, and repainting. Her original idea was simply to produce a painting that had “a center.” As she worked and reworked the painting she extended its length and width. In the end, The Rose had to be removed from her second-story studio through a partially dismantled window using a forklift.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Note 0018 - Spam and Socialism ]]></title><id>tag:nikhil.io,2025://475f8cfbd72a533c8f45f9f8e32925e2</id><updated>2025-11-01T09:50:26.255-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0018/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
I get around 8-10 calls from 1-8xx numbers every single day, most of them pertaining to financial scams (I get as many text messages as well). A few leave voicemail and the GIF at the end of this note shows about two weeks’ worth. I’ve taken to <a href="https://support.apple.com/guide/iphone/screen-and-block-calls-iphe4b3f7823/ios">silencing unknown numbers</a> on my iPhone. The <a href="https://www.donotcall.gov/">Do Not Call Registry</a> is on a quick little break right now.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/do-not-call-shutdown.webp" alt="Screenshot of the Do Not Call registry" loading="lazy" decoding="async" width="1372" height="1564"></p>
<figure class="quote">
<blockquote>
<p>
Americans have received 4.1 billion robocalls so far this year, or around 135 million each day. A recent survey by Talker Research of 10,500 general population adults indicates that Americans get twice as many scam calls and texts as any other country (and even more than countries that have passed useful consumer protection laws and have functional regulators).</p>
</blockquote>
<figcaption>
<em>TechDirt</em></figcaption>
</figure>
<p>
Actually <em>doing</em> something about a problem everyone agrees is awful would be antithetical to Free Market principles, a blot on the idea of <em>Freedom</em> itself, and would precipitate the demise of our thriving republic. Because all regulation is evil, I’ll just sack up and wait for The Market to sort it all out 🥰</p>
<h3 id="a-sample-of-laissez-faire-blessings-delivered-daily" tabindex="-1">
A Sample of Laissez-Faire Blessings, Delivered Daily <a class="header-anchor" href="#a-sample-of-laissez-faire-blessings-delivered-daily"><span aria-hidden="true">#</span></a></h3>
<p>
<img src="https://assets.log.nikhil.io/v/voicemail-hell.gif" alt="An animated GIF showing me scrolling through the spam voicemail on my phone" loading="lazy" decoding="async" width="320" height="693"></p>

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  Tagged <a href=https://nikhil.io/tags/spam/ title="All posts tagged 'spam'">spam</a>, <a href=https://nikhil.io/tags/technology/ title="All posts tagged 'technology'">technology</a> and <a href=https://nikhil.io/tags/the%20worst/ title="All posts tagged 'the worst'">the worst</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Note%200018">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Koba by Jean Dufaux and Régis Penet ]]></title><id>tag:nikhil.io,2025://931dde9357bf5316acd4bdb27c6265d8</id><updated>2025-11-01T08:30:26.450-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/726e7e8dbb6b5c72af784efa4e9a45b7/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
<em>Spoilers!</em></p>
<p>
A most odd thing. Can’t find who recommended it to me. It’s only around 70 pages and is a magical realist retelling of Stalin’s ascent to power and his horrible and bloody legacy due to his involvement with a <em>very</em> licentious<sup class="footnote-ref"><a href="#fn-koba-1" id="fnref-koba-1" title="Link to Footenote koba-1">1</a></sup> and decently interesting vampire coven<sup class="footnote-ref"><a href="#fn-koba-2" id="fnref-koba-2" title="Link to Footenote koba-2">2</a></sup>. There’s this <em>Dorian Gray</em> angle to the story that was rather confusing and I think unnnecessary. I really didn’t understand the ending (or maybe just don’t want to accept it).</p>
<p>
Régis Penet captures the hopelessness, danger, and decrepitude very well.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/k/koba-sample01.webp" alt="A sample page from the book showing artwork by Regis Penet" loading="lazy" decoding="async" width="1788" height="2403"></p>
<div class="footnotes"><ol><li id="fn-koba-1"><p>
Because “<a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/VampiresAreSexGods">Vampires Are Sex Gods</a>” (<em>TV Tropes</em>)<a title="Back to footnote reference" href="#fnref-koba-1" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-koba-2"><p>
They’re all connected to each other (spiritually and otherwise) and share everything; think <em>Sinners</em>.<a title="Back to footnote reference" href="#fnref-koba-2" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
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  Tagged <a href=https://nikhil.io/tags/communism/ title="All posts tagged 'communism'">communism</a>, <a href=https://nikhil.io/tags/french%20graphic%20novels/ title="All posts tagged 'french graphic novels'">french graphic novels</a>, <a href=https://nikhil.io/tags/magical%20realism/ title="All posts tagged 'magical realism'">magical realism</a>, <a href=https://nikhil.io/tags/russia/ title="All posts tagged 'russia'">russia</a>, <a href=https://nikhil.io/tags/ussr/ title="All posts tagged 'ussr'">ussr</a>, <a href=https://nikhil.io/tags/vampires/ title="All posts tagged 'vampires'">vampires</a> and <a href=https://nikhil.io/tags/zombies/ title="All posts tagged 'zombies'">zombies</a>.<br />
  ISBN <a href="https://isbnsearch.org/isbn/9782756035475" title="Look up this ISBN">9782756035475</a>.<br />
  <a href="mailto:mail@nikhil.io?subject=About: Koba">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Asset (2025) ]]></title><id>tag:nikhil.io,2025://206a31f91597545bb1ac55cf8e774439</id><updated>2025-11-01T08:14:20.423-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/449dbc9fa2c05a29a8278c2eeb0f03e3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Pretty average cop infiltrates crime boss’ family story. Like enjoying a Burger King double (with large fries and a coke) instead of a gourmet <em>The Wire</em>. Nice cinematography, great performance by Maria Cordsen as Ashley. There might be a second season.</p>
<p>
Whoever did <a href="https://what-song.com/Tvshow/103237/The-Asset/s/209867">the soundtrack</a> deserves a giant raise. Here’s <a href="https://www.youtube.com/watch?v=e3gwQgjUQ_8&amp;list=RDe3gwQgjUQ_8&amp;start_radio=1">the opening track</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for October 2025 ]]></title><id>tag:nikhil.io,2025://0b573a60491f5a34ae92dd2533b46ba6</id><updated>2025-10-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=zBf4kKoqnDc"><strong>Chloe</strong></a> by Joe Pass<br/><span><p>
I was walking around some place in Manhattan at sunset and took a small break to just stare at things and people and The Algorithm played this and it was a perfect few minutes.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=1cJjkSKEA0w&amp;amp;list=RD1cJjkSKEA0w&amp;amp;start_radio=1"><strong>Like It Is</strong></a> by COEO<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=WJvtX-Ec1S8&amp;amp;list=RDWJvtX-Ec1S8&amp;amp;start_radio=1"><strong>Deep Down (Remix)</strong></a> by Alok x Ella Eyre x Kenny Dope feat. Never Dull<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=YuGe533mWiA"><strong>Ramalama (Bang Bang)</strong></a> by Róisín Murphy<br/><span><p>
And here’s dancer <a href="https://www.instagram.com/angelatrimbur/">Angela Trimbur</a>’s <a href="https://www.youtube.com/watch?v=EYDicQfJQoY">really, <em>really</em> emphatic interpretation</a>. Love it. Reminds me of Rosamund Pike in this <a href="https://www.youtube.com/watch?v=ElvLZMsYXlo&amp;list=RDElvLZMsYXlo&amp;start_radio=1">Massive Attack video</a> (“<em>Voodoo in My Blood</em>”).</p>
</span></li></ol>
  <hr />
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for October 2025 ]]></title><id>tag:nikhil.io,2025://f6ad8297651c5a07bbb10da8f24aca27</id><updated>2025-10-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://github.com/rs/curlie"><strong>curlie = curl + httpie</strong></a> <br/><span><p>
Or maybe I should STFU and <a href="https://lobste.rs/s/kltrqx/just_use_curl">just use cURL</a>…</p>
</span></li><li><a href="https://cmaiolino.wordpress.com/dosbian/"><strong>DOSBian will let you run DOSBox, Windows 95/98 on your Raspberry Pi</strong></a> <br/><span></span></li><li><a href="https://grumpy.website/"><strong>Grumpy.Website is a list of UI/UX Abhorrences</strong></a> <br/><span><p>
Quite a few of them are designed to confuse and/or furstrate the user into increasing Shareholder Value™ but there are many that are firmly in “<a href="https://www.brainyquote.com/quotes/charles_babbage_141832">confusion of ideas</a>” territory.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Next Floor (2008) ]]></title><id>tag:nikhil.io,2025://569e761b869c510c97d5f57b916fda17</id><updated>2025-10-26T06:50:19.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/f1bf60fdc49a5e91a13020b49b1b674e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Short film by a young Villeneuve. One of the nicer gifts of The Almighty Algorithm. You can watch it here:</p>
<p>
<a href="https://www.youtube.com/watch?v=t60MMJH_1ds">https://www.youtube.com/watch?v=t60MMJH_1ds</a></p>
<p>
<em>Spoilers!</em></p>
<p>
I’m glad I saw it on a projector. Not sure if it’s a political statement (e.g. the chandeleir being their elite privilege (a ridiculous idea, untethered to anything ‘real’ or ‘permanent’) following them or one about the human condition and our fraught, parasitic relationationship with nature or just both. We never know how tall the building is: greed is a bottomless pit. This was <em>years</em> before <em>Sicario</em> and <em>Dune</em> and you can just see Villeneuve’s ease with and penchant for creating huge atmospheres and settings<sup class="footnote-ref"><a href="#fn-no-words" id="fnref-no-words" title="Link to Footenote no-words">1</a></sup>.</p>
<div class="footnotes"><ol><li id="fn-no-words"><p>
I’m sure there’s a fancier Film Studies way to say this.<a title="Back to footnote reference" href="#fnref-no-words" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ House of Dynamite (2025) ]]></title><id>tag:nikhil.io,2025://89b6d3d59160511d99dfd5f7c94d8d64</id><updated>2025-10-26T06:43:53.814-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/5b69721a662d5076ba2bbfb974b59a7e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
<em>Spoilers!</em></p>
<p>
I sincerely hope that we’re not as abjectly unprepared for some apocalyptic geopolitical event as depicted in the movie, strategically or <a href="https://en.wikipedia.org/wiki/Vasily_Arkhipov">temperamentally</a>. People just yell at each other, crumble at the smallest setback, and don’t project the kind of professionalism and nerves of steel we assume they’d have in their position, particularly, and dismayingly, those in leadership.</p>
<p>
<a href="https://www.independent.co.uk/news/world/americas/us-politics/karoline-leavitt-trump-putin-meeting-budapest-b2847669.html">It’s totally, totally different</a> in real life.</p>
<!-- > When HuffPost asked the White House who chose the location for the meeting, White House Press Secretary Karoline Leavitt replied, “Your mom did.” White House Communications Director Steven Cheung also followed up with, “Your mom,” the outlet reports.
>
> [. . .] When The Independent asked the White House if “your mom” was an appropriate answer, spokesperson Taylor Rogers responded that it was “more than appropriate.”
>
> “The individual who received these texts is not a real reporter, they’re a Democrat activist. As a result, the response they received was more than appropriate,” Rogers said. “The White House press team fields and responds to hundreds of serious requests every day from actual reporters – we don’t have time to waste on partisan hacks!”
>
> -- [The Independent](https://www.independent.co.uk/news/world/americas/us-politics/karoline-leavitt-trump-putin-meeting-budapest-b2847669.html) -->
<p>
The most shocking part of the movie was when an analyst mentions that China was experimenting with AI to manage their defense. I know nothing but hope we continue to stick to Boring Software™ (and floppy disks) in this department.</p>
<p>
It’s trying to say something profound or drop a very challenging ‘exercise left up to reader/viewer’ but fails spectacularly with how scattered it is and how much it’s up its own ‘somber’ and ‘meditative’ arse. Tension, TENSION, tension, <em>tension</em> leading up to… nothing at all! And my complaint isn’t the lack of resolution. Like the tension, the monotonous and super-ominous background score befits the script by getting pretty annoying after the first 150 loops.</p>
<p>
At least got to see Jared Harris being excellent as usual. “INCLINATION HAS FLATTENED” is a weird sentence.</p>

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 ]]></content></entry><entry><title><![CDATA[ The Fuzzy Empress ]]></title><id>tag:nikhil.io,2025://69f598a12aa45d1cb88eef0ddcca02a4</id><updated>2025-10-22T10:25:59.251-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0008/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="The Fuzzy Empress" data-size="full" decoding="async" id="the-fuzzy-empress-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0008.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      <p>
I’m one of those people who inadvertently <a href="https://assets.log.nikhil.io/d/dog-camera-roll.jpg">dedicate a good chunk of their phone’s storage to pictures of their doggy</a>. This might be the best of the lot.</p>
<p>
For now.</p>

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 ]]></content></entry><entry><title><![CDATA[ On Desiging to Optimize for Ego (and Shareholder Value™) ]]></title><id>tag:nikhil.io,2025://6a01a17e6732595e8eeda5d0d54a1f39</id><updated>2025-10-22T08:48:06.210-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/d71b94b55fc453a3bb23fbb4185b2669/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Saving some snippets here but <a href="https://designobserver.com/the-compound-interest-of-design-what-not-to-build/">Dave Snyder’s article</a> is worth reading, bookmarking, and meditating over (<a href="https://assets.log.nikhil.io/p/plant-the-fucking-tree.html">cached</a>).</p>
<figure class="quote">
<blockquote cite="https://designobserver.com/the-compound-interest-of-design-what-not-to-build/">
<p>
Trees don’t pay off tomorrow. They pay off in a decade. They compound quietly, making everything around them better, shade, value, beauty, longevity. Most products? We treat them like shrubs. Plant twenty features, hope one sticks. Feature bloat dressed up as “innovation.” It’s impatient, and it’s stupid. The smarter play is restraint. Plant the tree. Solve the one core problem. Put the craft in. Then let time and real user behavior do the work.</p>
<p>
[. . .] The hardest part isn’t identifying what to build, it’s identifying what not to build.</p>
<p>
[. . .] This is design as compound interest, not just the financial kind, but the human kind. Good foundational choices create returns that multiply over time. They generate the kind of interest that keeps users coming back, digging deeper, telling friends. Most teams think compound interest means building features that stack on top of each other. But I’ve learned it actually means investing in the foundational details that make users want to return.</p>
<p>
[. . .] Every guess you make upfront is a liability. Every deliberate act of restraint is an investment. The things that matter take time, which is exactly why nobody wants to invest in them. But twenty-five years of watching products succeed and fail has taught me this: don’t be clever, don’t be greedy. Pick the thing that matters, do it well, and let evolution beat prediction.</p>
</blockquote>
<figcaption>
“<a href="https://designobserver.com/the-compound-interest-of-design-what-not-to-build/">The compound interest of design: what not to build</a>”, <em>Design Observer</em></figcaption>
</figure>
<p>
See also: “<a href="/posts/eeb1b944f88e5eb49e5c08da4d905866/">Because God Can See</a>”</p>
<h3 id="sorry-youre-too-stupid-for-monads-bro" tabindex="-1">
Sorry you’re too stupid for Monads bro <a class="header-anchor" href="#sorry-youre-too-stupid-for-monads-bro"><span aria-hidden="true">#</span></a></h3>
<p>
This reminds me of one of the worst design decisions in React: <code>useEffect</code><sup class="footnote-ref"><a href="#fn-abramov" id="fnref-abramov" title="Link to Footenote abramov">1</a></sup>. I’ve worked with it for a long while and find that I’m always <a href="https://www.epicreact.dev/myths-about-useeffect">doing it wrong and worse <em>thinking</em> about it wrong</a>. <em>It’s so simple! You’re just syncing side-effects bro!</em></p>
<figure class="quote">
<blockquote cite="https://www.theregister.com/2025/09/18/cloudflare_ddosed_itself/">
<p>
Cloudflare has confessed to a coding error using a React useEffect hook, notorious for being problematic if not handled carefully, that caused an outage for the platform’s dashboard and many of its APIs.</p>
<p>
The outage was on September 12, lasted for over an hour, and was triggered by a bug in the dashboard, which caused “repeated, unnecessary calls to the Tenant Service API,” according to VP of engineering Tom Lianza. This API is part of the API request authorization logic and therefore affected other APIs.</p>
</blockquote>
<figcaption>
“<a href="https://www.theregister.com/2025/09/18/cloudflare_ddosed_itself/">Cloudflare DDoSed itself with React useEffect hook blunder</a>”, <em>The Register</em></figcaption>
</figure>
<p>
It would’ve taken the kind of restraint Dave talks about for an Engineering Leader/Manager to say “I’m glad you’re high on your Functional Programming classes and ambient hype but we’re not doing it, at least not this way. It may be clever, it may simple, but it’s not easy. People who use what we make have a job to do.”</p>
<p>
Anyway. All hail <a href="https://jquery.com/">jQuery</a>.</p>
<div class="footnotes"><ol><li id="fn-abramov"><p>
Here’s <a href="https://overreacted.io/a-complete-guide-to-useeffect/">a long article</a> on this epochal paradigm by Dan Abramov. I’m positive he’d be on a yacht if he’d placed ads on it.<a title="Back to footnote reference" href="#fnref-abramov" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Frankenstein by Guillermo del Toro ]]></title><id>tag:nikhil.io,2025://ccf2af1d9041588bba2503534a7eddc2</id><updated>2025-10-22T08:10:55.513-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/3cdfd6357db456c38738b7d100959999/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
The words that came to mind when I saw this poster were <em>exquisite</em> and <em>breathtaking</em>. Wow.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/f/frakenstein-2025.webp" alt="Poster for the upcoming movie Frankenstein by Guillermo del Toro" loading="lazy" decoding="async" width="2000" height="3000"></p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0017 - Liquid Ass ]]></title><id>tag:nikhil.io,2025://9ce99ce97b9f524f96393941ab56cb6d</id><updated>2025-10-19T15:52:13.209-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0017/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
I would be very dismayed if I spent my creative and professional energies on a half-baked <em>abjectly unnecessary</em> UI and UX abomination that neither adds to nor improves my users’ lives, causes confusion and squinting in many, elicits &quot;meh&quot;s from the rest, and <a href="https://tidbits.com/2025/10/09/how-to-turn-liquid-glass-into-a-solid-interface/">leads to lengthy articles on how to disable my disruptive work</a> so the people I purport to serve can get theirs done.</p>
<p>
Via <a href="https://daringfireball.net/linked/2025/10/14/engst-liquid-glass">DaringFireball</a> with the observation:</p>
<blockquote>
<p>
A useful guide for today  –  and, I bet, a useful look back at the first versions of Liquid Glass for the future.</p>
</blockquote>
<p>
Indeed. Looking forward to when Apple <a href="https://www.cnet.com/tech/computing/apple-to-bring-back-magsafe-charging-in-macbook-pro-upgrade-report-says/">admits to making good things worse for no reason</a> and doesn’t double-down on bullshit visions borne of <a href="https://www.businessinsider.com/jony-ives-thinness-obsession-apple-butterfly-keyboard-issues-2019-7?op=1">arrogance, fart-sniffing</a>, and <a href="https://mashable.com/article/apple-ai-search-head-poached-by-meta">desperation</a>.</p>
<div class="update">
<p>
Update</p>
</div>
<p>
“<a href="https://www.macrumors.com/2025/10/20/ios-26-1-liquid-glass-toggle/">iOS 26.1 Beta 4 Lets Users Control Liquid Glass Transparency with New Toggle</a>” (<em>MacRumors</em>). I still think they should’ve had an option (perhaps a slider) that allowed me to turn off translucency entirely.</p>

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 ]]></content></entry><entry><title><![CDATA[ Vertigo (1958) ]]></title><id>tag:nikhil.io,2025://ca8d52f06db9542e86e527da02b0131d</id><updated>2025-10-17T07:51:30.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/45aaa4ebd1f85385be9da8557c9d5e4c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
I saw this with my Dad twenty-nine years ago. He thought it was Hitchcock’s greatest movie. I’d forgotten all about it until Catherine and I were trying to find something to watch and consulted the <a href="https://www.afi.com/afis-10-top-10/">AFI’s 10 Top 10 list</a> for the best mysteries (<a href="/tags/mystery">of course</a>). I’ve read that people love rewatching it and I can totally see why. Some assorted notes and spoilers. I’ll watch this again in a year.</p>
<h3 id="boo" tabindex="-1">
Boo <a class="header-anchor" href="#boo"><span aria-hidden="true">#</span></a></h3>
<p>
Wouldn’t have any reservations calling this a ghost story. It’s at least a reverie (to the point I was wondering if Mr. Alfred would pull a “<em>And then he woke up</em>” towards the end) and I’m sure this was intentional. I am 51% sure that Scottie’s actually dead or in a coma in the second half.</p>
<h3 id="scottie-the-alpha" tabindex="-1">
Scottie The Alpha <a class="header-anchor" href="#scottie-the-alpha"><span aria-hidden="true">#</span></a></h3>
<p>
Scottie is pathetic, weak, creepy, overconfident, and domineering and would make <em>millions</em> on YouTube and/or the podcast circuit.</p>
<p>
He pines after a mirage of a woman even when he has a chance to appreciate her in her literal colorful exuberance and cannot brook her as a partner<sup class="footnote-ref"><a href="#fn-partner" id="fnref-partner" title="Link to Footenote partner">1</a></sup> just as she is. He must ‘reset’ her and turn her into a bland object, this canvas he can project himself onto that absorbs all his insecurities and faults.</p>
<p>
Now while Judy is pliant, Midge is a strong independent woman who need no man (almost) and has this vibrant and cool apartment full of art. She has several interests, tries different careers, is funny, and likes our boy and cares a lot for him. But nope: He <em>needs</em> her to be devoid of color and personality and ambition to return her affections.</p>
<p>
Even my dog appreciated Hitchcock’s self-examination as the Man Who Must Control Women in the belltower scene. Maybe the scope was “as a director” 🤷‍♂️</p>
<h3 id="falling" tabindex="-1">
Falling <a class="header-anchor" href="#falling"><span aria-hidden="true">#</span></a></h3>
<p>
There’s a lot of ‘falling’ here (well duh): in love, off buildings, into graves, into darkness, into madness. I can’t remember a single scene of our hero driving <em>uphill</em> and don’t know what this means but wonder if this is why they picked hilly San Francisco. Speaking of, I love me a good then-and-now and wanted to see what Scottie’s apartment looks like today. That led me to this lovely website called <em>Reels SF</em> maintained by someone who’s been “movie location hunting” in San Francisco for over twenty years! Here’s <a href="https://reelsf.com/vertigo-1958">the <em>Vertigo</em> page</a>.</p>
<h3 id="disorientation" tabindex="-1">
Disorientation <a class="header-anchor" href="#disorientation"><span aria-hidden="true">#</span></a></h3>
<p>
Quite a few to pick from but this might be my favorite shot in the movie. I’m trying to learn perspective drawing and this one’s a fantastic exercise.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/v/vertigo-scene.webp" alt="My favorite scene from the movie. A dizzying top-down shot of a tall mission-style bell tower and red-tiled roof." loading="lazy" decoding="async" width="2708" height="1464"></p>
<div class="footnotes"><ol><li id="fn-partner"><p>
We’re talking the 50s so let’s omit “and equals”.<a title="Back to footnote reference" href="#fnref-partner" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Andor (2022 - 2025) ]]></title><id>tag:nikhil.io,2025://a6f5ac52a1455eafb78e118d70aeb8a9</id><updated>2025-10-17T07:18:13.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/8905e8b10acb562b83ec5d9fb1277283/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
The writing is beyond excellent and the show is perfection. Reminds me of a perfectly built and tuned watch movement. Goes through a lot of hands but each person handling it knows their place in the overall scheme and is world-class at what they do. Consider, for example, how much you learn about the Ghorman people and their pride and persuasions in just a few episodes. Consider how much is embedded in this important exchange:</p>
<blockquote>
<p>
<strong>MOTHMA</strong><br>
You realize what you’ve set in motion?</p>
<p>
<strong>LUTHEN</strong><br>
It’s time for that as well.</p>
<p>
<strong>MOTHMA</strong><br>
Palpatine won’t hesitate now.</p>
<p>
<strong>LUTHEN</strong><br>
Exactly! We need it, we need the fear, we need them to overreact.</p>
<p>
<strong>MOTHMA</strong><br>
You can’t be serious.</p>
<p>
<strong>LUTHEN</strong><br>
The Empire has been choking us so slowly we’re starting not to notice. The time has come to force<br>
their hand.</p>
<p>
<strong>MOTHMA</strong><br>
People will suffer.</p>
<p>
<strong>LUTHEN</strong><br>
That’s the plan. You’re not angry with me. I’m just saying out loud what you already know. There will<br>
be no rules going forward. If you’re not willing to risk your conscience then surrender and be done with it.</p>
</blockquote>
<p>
The show’s fierce with its experimentation and appears to have no regard for political neutrality and corporate oversight (even in spite of a <a href="https://www.forbes.com/sites/carolinereid/2024/12/22/disney-reveals-645-million-spending-on-star-wars-show-andor/">staggering budget of $650M</a>); it’s an examination of of how authoritarian regimes evolve and behave, and how they need to destroy our humanity to survive, including that of the people who uphold them because of blind ambition, greed, or rent money. Anyone who kvetches about getting politics out of <em>Star Wars</em> (or Sci-Fi in general) is a prize idiot.</p>
<p>
I wonder how many years we’ll have to wait for something like this.</p>

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 ]]></content></entry><entry><title><![CDATA[ On What Matters ]]></title><id>tag:nikhil.io,2025://089414122d795b9fba5ebd7d43a3557e</id><updated>2025-10-03T16:09:07.869-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/5a2987dadab8519fac64ce64d74f3379/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html>
        <video
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          <source src="https://assets.log.nikhil.io/l/love-matters.mp4" type="video/mp4">
          <p>
            Your browser doesn't support HTML5 video. Here is a <a href="https://assets.log.nikhil.io/l/love-matters.mp4">link to the video</a> instead.
          </p>
        </video>
        
<p>
By <a href="https://en.wikipedia.org/wiki/Alan_Lightman">Alan Lightman</a>, from the very lovely documentary <a href="https://en.wikipedia.org/wiki/A_Trip_to_Infinity"><em>A Trip to Infinity</em></a>.</p>
<p>
I fog up every time I see this. His smile towards the end is an emotional nuke and I’m a blubbery teary happy mess. I think of the Love I have in my life and am so very grateful. Here’s a transcript.</p>
<blockquote>
<p>
I was looking up at the sky one night when I was about ten years old. And I felt like my life didn’t matter. And I guess it was converting large space to large time. One star after another star after another star and wondering whether that would keep going forever.</p>
<p>
I had this sense that the universe existed a long time before I was born, and it would exist a long time after I was dead. And I was just a speck that didn’t matter. I don’t matter. My parents don’t matter. Nothing matters. We’re all just specks. We’re just living in this brief moment.</p>
<p>
None of us were here a million years ago. None of us will be here a million years from now. And the Universe doesn’t care. It just goes on and on and on. So, why are we wasting time, you know, going to school, having dentist appointments? All of that.</p>
<p>
Why are we wasting our time? Because none of it matters.</p>
<p>
And then I fell in love. And that changed everything. That mattered. Even though we might both be specks in the cosmos.</p>
</blockquote>

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 ]]></content></entry><entry><title><![CDATA[ Songs for September 2025 ]]></title><id>tag:nikhil.io,2025://535d9a20f5795a0cbcb2e5e3c0b2b6b5</id><updated>2025-09-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=31Vz6Hxqpf4"><strong>Lose My Cool (Franc Moody Remix)</strong></a> by Amber Mark<br/><span><p>
Listened at Le Cheile in Washington Heights.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=EFImka6XdVU&amp;amp;list=RDEFImka6XdVU&amp;amp;start_radio=1"><strong>Do You Think We'll Last Forever?</strong></a> by Caroline Rose <br/><span></span></li><li><a href="https://www.youtube.com/watch?v=_EBvXpjudf8"><strong>Cherry Bomb</strong></a> by The Runaways<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=rNrt1FWmPA4"><strong>Lambent Rag</strong></a> by Clark<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for September 2025 ]]></title><id>tag:nikhil.io,2025://44c9649fdc915e8cad3de157c887bfa4</id><updated>2025-09-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://hacker-laws.com/"><strong>Hacker Laws: A Collection of Wise, Pithy, and Funny Laws for Nerds</strong></a> <br/><span><p>
(<a href="https://assets.log.nikhil.io/h/hacker-laws.html">Cached</a>)</p>
</span></li><li><a href="https://posthog.com/"><strong>PostHog's website looks like an OS</strong></a> <br/><span><p>
And a classic one at that (OS/2 and BeOS vibes). Amazing. <a href="https://posthog.com/handbook/engineering/posthog-com/how-posthog-website-works">Here’s how they did it</a>. Gatsby!</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Goldfish for Sale ]]></title><id>tag:nikhil.io,2025://fe04174390405ca2bccc8ed089199f20</id><updated>2025-09-25T10:06:36.867-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/b7c05626a1c154f097afcb65dd2f8d4b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I found <a href="https://assets.log.nikhil.io/g/Goldfish-for-Sale.pdf">this short story</a> on my laptop and have no idea who sent it to me or where I might have downloaded it from. It’s funny and I imagine it would make for a nice children’s book and/or cartoon adaptation.</p>
<p>
The document says it’s by Kyr Bylychev. The only search result I get is a <a href="https://en.wikipedia.org/wiki/Kir_Bulychev">Russian sci-fi and fantasy author</a>. It was translated by Seva Gunitsky, who appears to be <a href="https://en.wikipedia.org/wiki/Seva_Gunitsky">an American politican scientist</a>.</p>
<p>
🤷‍♂️</p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0016 - Immigrants ]]></title><id>tag:nikhil.io,2025://8a9ddc518e1a570caa9efd7cd059f4dc</id><updated>2025-09-17T04:20:00.480-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0016/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
<img src="https://assets.log.nikhil.io/_optimized/i/immigrants.webp" alt="Comic of a politician shouting “Immigrants!” who mutates into a tentacled monster, while the audience responds, “I like him!”" loading="lazy" decoding="async" width="2000" height="2000"></p>

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  Tagged <a href=https://nikhil.io/tags/cartoons/ title="All posts tagged 'cartoons'">cartoons</a>, <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a>, <a href=https://nikhil.io/tags/immigration/ title="All posts tagged 'immigration'">immigration</a> and <a href=https://nikhil.io/tags/politics/ title="All posts tagged 'politics'">politics</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ USS Callister (Parts I and II) (2017, 2025) ]]></title><id>tag:nikhil.io,2025://4c91e51bad795e77af64c3af1ca3bf14</id><updated>2025-09-14T04:45:15.887-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/a1cfb403262b578f9682655db75e1fa2/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
I had a lot of work to do so decided to watch both episodes back-to-back.</p>
<p>
<em>Star Trek</em>, unbridled TechBro arrogance, rapid and unchecked technological progress, meditations on ancient questions of consciousness, identity, and dynamics of power, gamer culture, <em>very</em> satisfying comeuppance for the baddies… <em>all</em> folded into a funny and whip-smart script, executed with fantastic production value and brought to life by phenomenal acting (Jimmi Simpson, Cristin Milioti, and Jesse Plemons especially).</p>
<p>
What else could one want? I’d put these on my <a href="https://duckduckgo.com/?t=ffab&amp;q=best+black+mirror+episodes&amp;ia=web">Top Ten <em>Black Mirror</em> episode list</a><sup class="footnote-ref"><a href="#fn-emmy" id="fnref-emmy" title="Link to Footenote emmy">1</a></sup> too. I hope they make a third but the second had a pretty conclusive and satisfying ending. Fantastic stuff.</p>
<div class="footnotes"><ol><li id="fn-emmy"><p>
And apparently <a href="https://www.imdb.com/news/ni62201377/">hand the first episode four Emmys</a> too…<a title="Back to footnote reference" href="#fnref-emmy" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ The Match (2025) ]]></title><id>tag:nikhil.io,2025://d5cd46cf28a4520f8fb79fdf8b64fbf9</id><updated>2025-09-14T04:14:01.941-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/e5d126b52ca15aabb873957bb4ed8b60/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Like if you picked some familiar tropes and asked an AI to write a screenplay.</p>
<ul>
<li>
Weary master who’s really, really good at something.</li>
<li>
Master is aloof, introverted, irascible. Nobody’s interesting enough.</li>
<li>
Enter precocious, young, <a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/TheApprentice">raw apprentice</a>. They meet by random chance.</li>
<li>
Cue <a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/TrainingMontage">training montage</a>.</li>
<li>
Apprentice <a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/SurpassedTheTeacher">surpasses Master</a>.</li>
<li>
Master <a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/GreenEyedMonster">deals with</a> the defeat/affront poorly. <a href="https://tvtropes.org/pmwiki/pmwiki.php/Main/DrowningMySorrows">Substance abuse</a> is triggered. May be brief but must be intense.</li>
<li>
Reconciliation and Wisdom. May occur at Master’s deathbed.</li>
</ul>
<p>
These are all covered in this movie, which is about a Go master and his genius pupil. Based on real-life pair <a href="https://en.wikipedia.org/wiki/Cho_Hun-hyun">Cho Hun-Hyun</a> and <a href="https://en.wikipedia.org/wiki/Lee_Chang-ho">Lee Chang-ho</a>. I know absolutely nothing about the game so thoroughly enjoyed the “Hmmm, his opening gambit is unconventional and rabbit-like” dialogue. In the movie, players in Go world append rank to others’ names. Not sure if that’s the case in real life.</p>
<p>
Browsing <em>Wikipedia</em> led me to these quotes by world champion Lee Sedol who turned pro at age 12 (!) and retired after he felt his “world collapsing” due to AI:</p>
<figure class="quote">
<blockquote cite="https://archive.is/9FO9z">
<p>
Mr. Lee, now 41, retired three years later, convinced that humans could no longer compete with computers at Go. Artificial intelligence, he said, had changed the very nature of a game that originated in China more than 2,500 years ago.</p>
<p>
“I faced the issues of A.I. early, but it will happen for others,” Mr. Lee said recently at a community education fair in Seoul to a crowd of students and parents. “It may not be a happy ending.”</p>
<p>
“People used to be in awe of creativity, originality and innovation,” he said. “But since A.I. came, a lot of that has disappeared.”</p>
</blockquote>
<figcaption>
“<a href="https://archive.is/9FO9z">Defeated by A.I., a Legend in the Board Game Go Warns: Get Ready for What’s Next</a>”, <em>The New York Times</em> (<a href="https://assets.log.nikhil.io/l/lee-sedol-go.html">Cached</a>)</figcaption>
</figure>
<p>
Indeed.</p>
<p>
He famously played AlphaGo and was defeated 4-1. Here’s the whole documentary. I liked it better than this movie and you may, too.</p>
<p>
<a href="https://www.youtube.com/watch?v=WXuK6gekU1Y">https://www.youtube.com/watch?v=WXuK6gekU1Y</a></p>

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 ]]></content></entry><entry><title><![CDATA[ Morals and Dogma by Deathprod (2004) ]]></title><id>tag:nikhil.io,2025://f41c3c7b1b55591e852b5b5d093c6499</id><updated>2025-09-12T13:41:46.738-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/albums/361132241f2e5978a017c7bdc3a9090f/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/albums"><![CDATA[ 
      <p>
Solo act of Norwegian musician <a href="https://en.wikipedia.org/wiki/Deathprod">Helge Sten</a>. Dark, like you’re witnessing an occult or preternatural thing, like a coven assembling. You can work to this or just meditate with it.</p>

      <p>Overall rating: B+. <a href=https://album.link/us/i/1499156361 title="Ways to listen to this album">Listen to this album</a>.</p>
      <h3>Tracks</h3>
      <!DOCTYPE html><ul><li><div><span>Tron</span> <div class="stars " style="--rating: 4;"><span>Rating: </span><span>B+</span></div></div><div class="prose no-margin"><p>
It’s just you inside a giant, empty, grain silo at night somewhere in Northwest Iowa. Three giant, white hot lights far up on the ceiling.</p>
</div></li><li><div><span>Dead People's Things</span> <div class="stars " style="--rating: 4;"><span>Rating: </span><span>B+</span></div></div><div class="prose no-margin"><p>
An 18 minute-long lamentation. Reminded me of some tracks from <a href="https://en.wikipedia.org/wiki/Ghosts_I%E2%80%93IV"><em>Ghosts I-IV</em></a> by Reznor and Ross.</p>
</div></li><li><div><span>Orgone Donor</span> <div class="stars " style="--rating: 4;"><span>Rating: </span><span>B+</span></div></div><div class="prose no-margin"><p>
This one <em>will</em> arrest your attention. Reminded me of <a href="https://www.youtube.com/watch?v=qm2FzOSQcsE">the opening scene of <em>Macbeth</em></a> (2015, soundtrack by Jed Kurzel). It’s many orders more intense.</p>
</div></li><li><div><span>Cloud Chamber</span> <div class="stars " style="--rating: 4;"><span>Rating: </span><span>B+</span></div></div><div class="prose no-margin"><p>
A most fitting, beautiful end.</p>
</div></li></ul>
    
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 ]]></content></entry><entry><title><![CDATA[ The Cutaway Illustrations of Fred Freeman ]]></title><id>tag:nikhil.io,2025://88069af5859b5a53a475b6304016ec50</id><updated>2025-09-11T09:56:23.873-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://5wgraphicsblog.com/2016/10/24/the-cutaway-illustrations-of-fred-freeman/"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/799b911626ea56d6818700b68a42cde3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://5wgraphicsblog.com/2016/10/24/the-cutaway-illustrations-of-fred-freeman/" title="The Cutaway Illustrations of Fred Freeman">https://5wgraphicsblog.com/2016/10/24/the-cutaway-illustrations-of-fred-freeman/</a><p>
Like a lot of kids I loved cutaway books (if that’s what they’re called). I would pester my parents for these and had quite a collection. Couldn’t and still can’t imagine the skill it takes to make them. So when I <a href="https://5wgraphicsblog.com/2016/10/24/the-cutaway-illustrations-of-fred-freeman/">came by these high-res images</a> by an illustrator from the 30s named Fred Freeman, I explored them posthaste on my iPad and saved them here to savor again at a later time.</p>
<p>
Might be a tenuous connection but I think my deep love of miniatures might be related to my love of cutaways as 2D/flat dollhouses.</p>
<p>
That blog’s a trove of cutaways. The folks who author it run a design agency and have published their own book on such illustrations called <a href="https://www.dexigner.com/news/29434"><em>Look Inside</em></a>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-05.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="6793" height="4353"></p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-01.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-01.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="4250" height="5500"></a><a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-02.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-02.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="3400" height="4400"></a></p>
</div>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-03.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-03.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="3392" height="4400"></a><a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-04.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-04.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="3392" height="4368"></a></p>
</div>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-06.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-06.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="3375" height="4343"></a><a href="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-07.webp" title="An illustration by Fred Freeman"><img src="https://assets.log.nikhil.io/_optimized/f/fred-freeman/fred-freeman-07.webp" alt="An illustration by Fred Freeman" loading="lazy" decoding="async" width="3376" height="4362"></a></p>
</div>

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 ]]></content></entry><entry><title><![CDATA[ iPhone Air ]]></title><id>tag:nikhil.io,2025://5dbf5eca39c75ca48858b091c01baccc</id><updated>2025-09-11T09:24:32.779-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/95e0c9235fd6540985af47403c812b67/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I did like the mood (and soft-spoken narration) of <a href="https://www.youtube.com/watch?v=M0au92yebLQ">the introduction</a> but I absolutely <em>loved</em> that background music. It’s called <em>Lambent Rag</em> by Clark and is worth a listen and a watch<sup class="footnote-ref"><a href="#fn-commercial-song" id="fnref-commercial-song" title="Link to Footenote commercial-song">1</a></sup>.</p>
<p>
<a href="https://www.youtube.com/watch?v=rNrt1FWmPA4">https://www.youtube.com/watch?v=rNrt1FWmPA4</a></p>
<p>
The Air looks nice<sup class="footnote-ref"><a href="#fn-fold" id="fnref-fold" title="Link to Footenote fold">2</a></sup> but I’ll baby my iPhone 13 Mini, perfection as far as smartphones go, for as long as I can. It was released around this time <a href="https://en.wikipedia.org/wiki/IPhone_13">four years ago</a> and is still going strong.</p>
<div class="footnotes"><ol><li id="fn-commercial-song"><p>
Found it <a href="https://commercial-song.net/">here</a>.<a title="Back to footnote reference" href="#fnref-commercial-song" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-fold"><p>
Looks like they’re on-track to make the ultimate foldable.<a title="Back to footnote reference" href="#fnref-fold" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ The Posters of Vasilis Marmatakis ]]></title><id>tag:nikhil.io,2025://c32886aa199c5b60a2005c70d2a6379f</id><updated>2025-09-10T09:32:25.029-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/78fa6c191ee954b382640e64be094b34/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I was completely mesmerized by the poster for the upcoming movie <em>Bugonia</em>, a “satirical absurdist science fiction dark comedy” (<a href="https://en.wikipedia.org/wiki/Bugonia_(film)"><em>Wikipedia</em></a>). It was designed by Vasilis Marmatakis who collaborates frequently with the movie’s director, Yorgos Lanthimos. The only film I’ve seen (and twice) by the latter is the eerie <em>Killing of a Sacred Deer</em>.</p>
<p>
I went looking for Marmatakis’ other work because I had pressing and important things bearing down upon me and was delighted with my excursion. Thought I’d collect some favorites (could be his entire oeuvre down there). Other favorites are his posters for <em>Nimic</em> and <em>Bleat</em>.</p>
<p>
Here’s <a href="https://www.motionpictures.org/2024/01/the-fittingly-frankenstein-creations-of-poor-things-poster-designer-vasilis-marmatakis/">an interview</a> with him about his process and work on <em>Poor Things</em><sup class="footnote-ref"><a href="#fn-poor-things-download" id="fnref-poor-things-download" title="Link to Footenote poor-things-download">1</a></sup>. Here are <a href="https://mubi.com/en/notebook/posts/movie-poster-of-the-week-nimic-and-the-top-ten-favorite-posters-of-designer-vasilis-marmatakis">his Top Ten favorite posters</a>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/bogonia.webp" alt="A poster from the movie Bugonia by Marmatakis" loading="lazy" decoding="async" width="2000" height="3000"></p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/poor-2.webp" title="A poster from the movie Poor by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/poor-2.webp" alt="A poster from the movie Poor by Marmatakis" loading="lazy" decoding="async" width="999" height="1503"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/poor-1.webp" title="Another poster from the movie Poor by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/poor-1.webp" alt="Another poster from the movie Poor by Marmatakis" loading="lazy" decoding="async" width="713" height="1024"></a></p>
</div>
<div class="small">
<p>
The lettering was <a href="https://old.reddit.com/r/identifythisfont/comments/1432zed/font_used_in_poor_thing/kjznb3u/">done</a> by Vladimir Radibratovic (<a href="https://www.instagram.com/vladimirrart/">Instagram</a>)</p>
</div>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/dog-2.webp" title="A poster from the movie Dog by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/dog-2.webp" alt="A poster from the movie Dog by Marmatakis" loading="lazy" decoding="async" width="1022" height="1519"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/dog-1.webp" title="Another poster from the movie Dog by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/dog-1.webp" alt="Another poster from the movie Dog by Marmatakis" loading="lazy" decoding="async" width="1440" height="1795"></a></p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/nimic.webp" alt="A poster from the movie Nimic by Marmatakis" loading="lazy" decoding="async" width="1400" height="1961"></p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/lobster-2.webp" title="A poster from the movie Lobster by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/lobster-2.webp" alt="A poster from the movie Lobster by Marmatakis" loading="lazy" decoding="async" width="569" height="806"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/lobster-1.webp" title="Another poster from the movie Lobster by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/lobster-1.webp" alt="Another poster from the movie Lobster by Marmatakis" loading="lazy" decoding="async" width="1440" height="1798"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/alps.webp" title="A poster from the movie Alps by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/alps.webp" alt="A poster from the movie Alps by Marmatakis" loading="lazy" decoding="async" width="998" height="1499"></a></p>
</div>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/kindness.webp" title="A poster from the movie Kindness by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/kindness.webp" alt="A poster from the movie Kindness by Marmatakis" loading="lazy" decoding="async" width="1001" height="1498"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/deer-2.webp" title="A poster from the movie Deer by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/deer-2.webp" alt="A poster from the movie Deer by Marmatakis" loading="lazy" decoding="async" width="1000" height="1499"></a><a href="https://assets.log.nikhil.io/_optimized/m/marmatakis/deer-1.webp" title="Another poster from the movie Deer by Marmatakis"><img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/deer-1.webp" alt="Another poster from the movie Deer by Marmatakis" loading="lazy" decoding="async" width="1280" height="1897"></a></p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/marmatakis/bleat.webp" alt="A poster from the movie Bleat by Marmatakis" loading="lazy" decoding="async" width="1001" height="1500"></p>
<!-- :::row
![A poster from the movie Favorite by Marmatakis](/misc/m/marmatakis/favorite.jpg)
::: -->
<div class="footnotes"><ol><li id="fn-poor-things-download"><p>
And <a href="https://assets.log.nikhil.io/p/poor-things-font.ttf">a font download</a>.<a title="Back to footnote reference" href="#fnref-poor-things-download" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Untitled by Antoinette B. Hervey (Unknown) ]]></title><id>tag:nikhil.io,2025://f73af30cd1f05177bcd70a9bbbe7f683</id><updated>2025-09-04T16:06:05.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/2bb9d114fac85c0fb3af486fea308525/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Untitled" data-size="full" decoding="async" id="untitled-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/untitled__by__antoinette-b-hervey-0.webp"/>
        <br />
        <br />
        <strong>Antoinette B. Hervey</strong>
        
          <br />
          American,  1857 - 1945
          
        <br />
        <br />
        <strong><i>Untitled</i></strong> (Unknown)
        <br />
        elatin silver print
        <br />
        Cathedral of St. John the Divine
        
        
        
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 ]]></content></entry><entry><title><![CDATA[ We Don’t Turn Out Perfect by Sister Mary Corita Kent (1966) ]]></title><id>tag:nikhil.io,2025://4b6854a9982f5626a55efc07d1d4fb08</id><updated>2025-09-04T16:06:05.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/32b34f518c4b598bbc00191546616516/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="We Don’t Turn Out Perfect" data-size="full" decoding="async" id="we-dont-turn-out-perfect-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/we-dont-turn-out-perfect__by__sister-mary-corita-kent-0.webp"/><img alt="We Don’t Turn Out Perfect" data-size="full" decoding="async" id="we-dont-turn-out-perfect-2" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/we-dont-turn-out-perfect__by__sister-mary-corita-kent-1.webp"/>
        <br />
        <br />
        <strong>Sister Mary Corita Kent</strong>
        
          <br />
          1918–1986
          
        <br />
        <br />
        <strong><i>We Don’t Turn Out Perfect</i></strong> (1966)
        <br />
        Serigraph print
        <br />
        Cathedral of St. John the Divine
        
          <br />
          <br />
          Sister Mary Corita Kent, known as the “Rebel Nun” in the 1960s, was a member of the Sisters of the Immaculate Heart, a Catholic order known for its progressive stance. She earned a master’s degree in art from the University of Southern California and later became head of the art department at Immaculate Heart College in Los Angeles, where her primary medium was screen printing (serigraphy). <br /><br /> After the Second Vatican Council (1962–1965), Kent’s work grew increasingly political, addressing the antiwar movement, civil rights, and women’s rights through messages of love and peace. Her art functioned as activism: spiritually grounded social commentary that promoted love and tolerance. She left the order in 1968.

          
        
        
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 ]]></content></entry><entry><title><![CDATA[ Note 0015 - George ]]></title><id>tag:nikhil.io,2025://0b0d4833e0705505bbee5b12098ba431</id><updated>2025-09-04T08:27:04.527-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0015/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Was getting to know a fellow graduate student.</p>
<p>
<strong>HIM</strong>: I found a cockroach in my apartment.<br>
<strong>ME</strong>: Me too! Mine is named George. You?<br>
<strong>HIM</strong>: Mine is Dead.</p>
<p>
I ♥️ NY 🪳</p>

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 ]]></content></entry><entry><title><![CDATA[ Lunabear Watches a Movie ]]></title><id>tag:nikhil.io,2025://0e4933e822145a3eac5246e023952b9b</id><updated>2025-08-31T09:14:29.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0007/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Lunabear Watches a Movie" data-size="full" decoding="async" id="lunabear-watches-a-movie-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0007.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      
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 ]]></content></entry><entry><title><![CDATA[ Songs for August 2025 ]]></title><id>tag:nikhil.io,2025://140d7a4e38aa545b85b99be2ac6ab7e3</id><updated>2025-08-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=JRnDYB28bL8"><strong>Music To Refine To</strong></a> by ODESZA<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for August 2025 ]]></title><id>tag:nikhil.io,2025://099b6307b43558f99879580167940c0d</id><updated>2025-08-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://lyra.horse/blog/2025/08/you-dont-need-js/"><strong>Some Amazing Things You can do with Modern CSS</strong></a> <br/><span><p>
Plenty of good stuff on there but <a href="https://bsky.app/profile/rebane2001.bsky.social/post/3lmc4ax3m7k2y">this</a> totally blew my mind. Consider this custom tag (should be lowercased and contain hyphens. Emojis are allowed!):</p>
<pre class="language-html"><code class="language-html"><span class="token tag"><span class="token tag"><span class="token punctuation">&lt;</span>cool-thing</span> <span class="token attr-name">shadow</span><span class="token punctuation">></span></span>wow<span class="token tag"><span class="token tag"><span class="token punctuation">&lt;/</span>cool-thing</span><span class="token punctuation">></span></span>
</code></pre>
<p>
and this valid CSS:</p>
<pre class="language-css"><code class="language-css"><span class="token selector">cool-thing</span> <span class="token punctuation">{</span>
    <span class="token property">display</span><span class="token punctuation">:</span> flex<span class="token punctuation">;</span>

    <span class="token selector">&amp;[shadow]</span> <span class="token punctuation">{</span>
        <span class="token property">box-shadow</span><span class="token punctuation">:</span> 1px 1px #0007<span class="token punctuation">;</span>
    <span class="token punctuation">}</span>

    <span class="token atrule"><span class="token rule">@media</span> <span class="token punctuation">(</span>screen &lt; 480px<span class="token punctuation">)</span></span> <span class="token punctuation">{</span>
        <span class="token property">flex-direction</span><span class="token punctuation">:</span> column<span class="token punctuation">;</span>
    <span class="token punctuation">}</span>
<span class="token punctuation">}</span>
</code></pre>
<p>
The only thing missing from my beloved SASS are mixins but I suppose you can achieve that by composing attributes (like <code>shadow</code> above). Super cool.</p>
</span></li><li><a href="https://pyro.ai/examples/intro_long.html"><strong>Pyro is a &quot;Probabilistic Programming&quot; Library for Python</strong></a> <br/><span></span></li><li><a href="https://vgr.land/content/posts/20250821.xml"><strong>XSL Reference</strong></a> <br/><span><p>
View the source and the <a href="view-source:https://vgr.land/xslt/site.xsl">stylesheet</a>. Really nice idea to tinker with. The last time I played with XSLT was in 2001!</p>
</span></li><li><a href="https://menial.co.uk/base/"><strong>Base is a beautiful SQLite GUI for macOS</strong></a> <br/><span><p>
Been using the excellent <a href="https://tableplus.com">TablePlus</a> for a while but this one seems nice too.</p>
</span></li><li><a href="https://fstrings.wtf/"><strong>fStrings.wtf</strong></a> <br/><span></span></li><li><a href="https://www.ohyaml.wtf/"><strong>OhYAML.wtf</strong></a> <br/><span></span></li><li><a href="https://librivox.org/"><strong>LibriVox is a lovely collection of public domain audiobooks</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Saare Jahaan Se Accha (2025) ]]></title><id>tag:nikhil.io,2025://b1535a87b10c574e8766f181addbab8f</id><updated>2025-08-30T10:42:05.493-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/197f6c9b6c3f5c5f89154f5b458f9621/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Six-episode historically fictive miniseries about how nameless and faceless officers with <a href="https://en.wikipedia.org/wiki/Research_and_Analysis_Wing">India’s intelligence agency</a> thwarted the development of The Bomb by Pakistan (at least <a href="https://en.wikipedia.org/wiki/Chagai-I">for a little while</a>).</p>
<p>
I didn’t bother to fact-check the show but I was rather surprised at the relative lack of jingoism and mostly measured portrayal of Pakistani characters as normal people. Let’s just say I didn’t hear as much highbrow and/or phlegm-y Urdu. I also didn’t see as many prayer beads, skullcaps, henna’d beards, or sinister-looking people as I’d expected. Indian productions tend to tell you who the Bad Guys are by deploying unreasonable amounts of eyeliner/kohl onto unpleasant countenances. Didn’t see much of that either.</p>
<p>
Excellent work by Sunny Hinduja as intelligence honcho Ali Murtaza and Suhail Nayyar as Rafiq, with a really standout performance by Kapil Radha as Rizwan. Wish they gave Rajat Kapoor more screen-time but he did play <a href="https://en.wikipedia.org/wiki/R._N._Kao">a highly private and secretive character</a>.</p>
<p>
Nice set design. Average, enjoyable.</p>

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 ]]></content></entry><entry><title><![CDATA[ As of August 2025 ]]></title><id>tag:nikhil.io,2025://824d9da51f045a3c87b7e467f28e4220</id><updated>2025-08-29T22:17:33.590-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/now/2025-08/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/now"><![CDATA[ <!DOCTYPE html><img src="https://assets.log.nikhil.io/_optimized/n/now/cover-2025-08.webp" alt="Looking South from New York Presbyterian" loading="lazy" decoding="async"/><br/><small>Looking South from New York Presbyterian</small><hr/><p>
On August 15<sup>th</sup>, I quit my job<sup class="footnote-ref"><a href="#fn-corteva" id="fnref-corteva" title="Link to Footenote corteva">1</a></sup> and moved to New York City to start graduate school at <a href="https://www.cuimc.columbia.edu/">Columbia University’s Medical Center</a>. Des Moines is still my home base and I’ll be coming back between semesters and over summers.</p>
<p>
I will regret not trying this and am very grateful that I am able to do so. This is more of a reorientation of my skills and interests towards a domain I care about deeply<sup class="footnote-ref"><a href="#fn-bakery" id="fnref-bakery" title="Link to Footenote bakery">2</a></sup>. I still love writing software but want to do something that makes healthcare providers’ and recipients’ lives better.</p>
<p>
I am way too old and eccentric to have roommates and found University housing in the Washington Heights neighborhood. My studio is ~190ft<sup>2</sup> and I am thrilled by the rent, location, and amenities.</p>
<p>
As of this writing, I’ve been here for about two weeks and it’s already been pretty extraordinary. This city is a hive like none other. I am on schedule to annoy my wife and NYC friends when I turn into <a href="https://www.instagram.com/reel/C-8QW4OJWmW/">this person</a> by the end of the month (<a href="https://assets.log.nikhil.io/n/new-york-insufferable.mp4">cached</a>). I’m publishing <a href="https://grad.nikhil.io/">my notes from the program here</a>. It’s all very exciting.</p>
<h3 id="grandma" tabindex="-1">
Grandma <a class="header-anchor" href="#grandma"><span aria-hidden="true">#</span></a></h3>
<p>
My grandmother passed away peacefully at the age of 91. She was my last surviving grandparent. She had a full life and was a good person and a Force of Nature. She was fiercely inquisitive and intelligent and we always wonder what she’d have achieved if she were allowed an education.</p>
<p>
I regret not talking to her as much as I should have. I will try and do as much good as I can for other people and dedicate these deeds to her memory.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/a/ammamma.webp" alt="My Grandma and I in 1989" loading="lazy" decoding="async" width="2939" height="2063"></p>
<div class="small">
<p>
Me chilling with my Grandma, circa 1989</p>
</div>
<div class="footnotes"><ol><li id="fn-corteva"><p>
I’d been at my company for nearly 13 years, almost <em>a third of my life</em>! It’s truly amazing how quickly time passes. Like many people my age, I have a lot more respect for the time I have left.<a title="Back to footnote reference" href="#fnref-corteva" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-bakery"><p>
And, as I indicated on my application, not a scheduled midlife crisis. I won’t be selling my <a href="https://www.youtube.com/watch?v=UBPT1pgByqc">jewelry or baked goods anytime soon</a>.<a title="Back to footnote reference" href="#fnref-bakery" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
  <a href="https://nikhil.io/now/2025-08/" title="Link to this post on my log">Permalink</a>. <br />
  
  
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 ]]></content></entry><entry><title><![CDATA[ These Were Not Serious People ]]></title><id>tag:nikhil.io,2025://4055de26ec405de38916311f7132c0cf</id><updated>2025-08-29T10:19:10.140-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/aeae34c64a7e535284708cf6c415fb42/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
My buddy GT is reading <a href="https://en.wikipedia.org/wiki/Emily_Wilson_(classicist)">Emily Wilson</a>’s translation of <em>The Odyssey</em> (“easy reading, accurate translation, and iambic pentameter throughout”). He noted that Christopher Nolan is making a film about it and worried about the Gods getting excised from the adaptation. Here’s a poster.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/o/odyssey-poster.webp" alt="Poster of the upcoming adaptation of the Odyssey by Christopher Nolan" loading="lazy" decoding="async" width="600" height="950"></p>
<p>
Noting the subtitle, he continues:</p>
<blockquote>
<p>
No, Chris. Don’t “Defy the gods.”</p>
<p>
Athena, Hermes, and Zeus actively help him throughout. Sure, Helios and Poseidon try to kill him but, well, that was because “Odysseus had the dumbest fucking crew of anyone who ever sailed the goddamn ocean” (to quote one of my professors).</p>
</blockquote>
<p>
adding that he wished he could communicate the “total venom” the Professor injected into “dumbest fucking crew”. I find mediocrity, innate or exercised, <a href="/pasta/ad3e25841b995f9995c9fc70c5e9296c/"><em>exceedingly</em> funny</a>. My friend knows this and goes on to make my afternoon.</p>
<blockquote>
<p>
&quot;Hey, guys. This bag is a gift from those magic people. It holds every possible wind that would oppose our trip home. We’ll be home in a few hours. Don’t fuck with it.”</p>
<p>
<strong>Later</strong>: “He’s sleeping. Maybe there’s treasure in the bag.”</p>
<p>
*<em>Ship is blown disastrously off course. Two hours of sailing becomes ten years.</em>*</p>
</blockquote>
<blockquote>
<p>
“Hey, guys. Athena says don’t slaughter and eat those cattle. They belong to <em>the fucking god who controls the goddamn sun.</em> Look, I also have a shitload of fruit and nuts to tide us over.”</p>
<p>
<strong>Later</strong>: “He’s sleeping. Let’s eat them cows.”</p>
<p>
*<em>They all get murdered by a hot, angry sun god and their ship gets destroyed.</em>*</p>
</blockquote>
<blockquote>
<p>
Dumbest. Fucking. Crew. That professor also pointed out that every single horrible thing happens when Odysseus falls asleep.</p>
<p>
“I’m gonna take a nap.”</p>
<p>
<strong>Later</strong>: “What did you dumbasses do now?”</p>
</blockquote>
<blockquote>
<p>
It’s like King Agamemnon said, “Alright, everyone, let’s pack up our shit and take our fleets home. Hey, Odysseus, a word: you’re the smartest guy I’ve ever met. Let’s, uh, balance out the fleets’ IQs. You take these guys.”</p>
<p>
*<em>Odysseus looks over and sees them bending over and devouring sand from the beach.</em>*</p>
<p>
“Oh, Athena, help me.”</p>
</blockquote>
<p>
I imagine this is what that last scene looked like.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/o/odysseus-facepalm.webp" alt="Athena flipping off Odysseus from the clouds as his seamen devour sand from the beach" loading="lazy" decoding="async" width="1024" height="1536"></p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0014 - Reservation ]]></title><id>tag:nikhil.io,2025://80c24dd1f7be50b0a78412927622835c</id><updated>2025-08-24T13:51:32.819-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0014/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
“Do you take reservations?”<br>
“How many?”<br>
“Two”<br>
“Just come in. Bye.” <em>*Click*</em></p>
<p>
I ♥️ NY</p>
<p>
My friend ML adds “That or it’s ‘earliest booking we have is 2028’.”</p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0013 - Guinness ]]></title><id>tag:nikhil.io,2025://3d711818c38a54f3be95b2e2e4982140</id><updated>2025-08-24T08:20:12.947-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0013/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Last night, I told the bartender that I needed to step out for a bit and if he needed my card.</p>
<p>
“If you fuck off I’ll just have a Guinness won’t I?” and walks away.</p>
<p>
I ♥️ NY 🍺</p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0012 - Batteries ]]></title><id>tag:nikhil.io,2025://a29e4cba18fe50deaea2fa6ba644166a</id><updated>2025-08-22T05:38:54.074-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0012/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Here’s <a href="https://www.call2recycle.org/locator/">one way to recycle batteries</a> (<a href="https://catskull.net/how-to-recycle-batteries.html">via</a>). I remember BestBuy having a battery dropoff but they don’t <a href="https://www.bestbuy.com/site/services/recycling/pcmcat149900050025.c?id=pcmcat149900050025">appear</a> to accept them anymore.</p>
<p>
I’ve used Panasonic’s <a href="https://www.panasonic.com/global/energy/products/eneloop/en/lineup/eneloop.html">Eneloop rechargeable batteries</a> for a long while with very few complaints. The last ‘regular’ battery I purchased was an <a href="https://www.newegg.com/energizer-4-pack-aa-lithium-aa-batteries/p/N82E16803001360">Energizer Ultimate Lithium</a> for a <a href="https://www.amazon.com/dp/B0D1M4H7S6?ref=ppx_yo2ov_dt_b_fed_asin_title">10-year AirTag</a> in my traveling suitcase.</p>

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  Tagged <a href=https://nikhil.io/tags/batteries/ title="All posts tagged 'batteries'">batteries</a>, <a href=https://nikhil.io/tags/environment/ title="All posts tagged 'environment'">environment</a>, <a href=https://nikhil.io/tags/recycling/ title="All posts tagged 'recycling'">recycling</a> and <a href=https://nikhil.io/tags/technology/ title="All posts tagged 'technology'">technology</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ On Wealth and Accomplishment ]]></title><id>tag:nikhil.io,2025://410db01dc0a55900a6e6b0c982ed6bd9</id><updated>2025-08-15T12:02:49.788-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/11f939ec44b05c1e9e8604b2d7136355/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="https://yro.slashdot.org/comments.pl?sid=23765914&amp;cid=65583466">
<p>
I gave all my Apple wealth away because wealth and power are not what I live for. I have a lot of fun and happiness. I funded a lot of important museums and arts groups in San Jose, the city of my birth, and they named a street after me for being good. I now speak publicly and have risen to the top. I have no idea how much I have but after speaking for 20 years it might be $10M plus a couple of homes. I never look for any type of tax dodge. I earn money from my labor and pay something like 55% combined tax on it. I am the happiest person ever. Life to me was never about accomplishment, but about Happiness, which is Smiles minus Frowns. I developed these philosophies when I was 18-20 years old and I never sold out.</p>
</blockquote>
<figcaption>
Steve Wozniak, <a href="https://yro.slashdot.org/comments.pl?sid=23765914&amp;cid=65583466">replying</a> to a <em>SlashDot</em> comment about his “bad decision” to sell Apple stock.</figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Some Lovely Photos Set to Miles Davis ]]></title><id>tag:nikhil.io,2025://b35f1b439692559da5aeed108366f253</id><updated>2025-08-09T08:41:46.556-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/6c94970cefda5f5ab07836c3cbe58d87/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
A short meditation my friend Greg Bal. The very first one is of the Pedestrian Mall in Iowa City and I absolutely love it.</p>
<p>
<a href="https://www.youtube.com/watch?v=NNmbDg5UV_c">https://www.youtube.com/watch?v=NNmbDg5UV_c</a></p>

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 ]]></content></entry><entry><title><![CDATA[ Witness for the Proscecution (1957) ]]></title><id>tag:nikhil.io,2025://60488e2133215acc9b09541b222dc86b</id><updated>2025-08-02T17:09:27.120-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/d2c36fb0f34a56479f6b2028874579e3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Easy-peasy, thoroughly enjoyable Agatha Christie story. Charles Laughton is an unforgettable powerhouse and is perfectly cast for his character. You can’t get your eyes off him. He plays Sir Wilfrid, an upper-class twit version of Gary Oldman’s Jackson Lamb in <em>Slow Horses</em>. Made me wish Christie wrote more stories with his character.</p>
<p>
It’s also a big, indulgent celebration of Britishness and the country’s Justice System (just noting; feature, not bug).</p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for July 2025 ]]></title><id>tag:nikhil.io,2025://7bb2e31b80835877acee5dbb10ef71ae</id><updated>2025-07-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=riMqamMcStA"><strong>#18</strong></a> by Aphex Twin<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=xCKcrBMQ9Jc"><strong>Polyrhythmic</strong></a> by Phil Kieran<br/><span><p>
Heard this on my favorite movie this year, <em>Black Bag</em>. The <a href="https://en.wikipedia.org/wiki/David_Holmes_(musician)">movie’s composer</a> makes a cameo as the DJ who plays this song in the opening scene.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=u31thuMehjM"><strong>Losing It</strong></a> by FISHER<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=iLKoiq6Su-8"><strong>The Last Goodbye (feat. Bettye LaVette)</strong></a> by ODESZA<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=eKZD2mPBFyw"><strong>Unakkum Enakkum Anandam (Remix)</strong></a> by Chitra Priya<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=L1Q2Emhvx5c"><strong>Deva Devam Bhaje</strong></a> by MS Subbulakshmi<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=DQT8t2ADmbc"><strong>Sheolha Sheila</strong></a> by Miami Band<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for July 2025 ]]></title><id>tag:nikhil.io,2025://bd1ef0c33dda5ac882d8791d4668bd38</id><updated>2025-07-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://mtlynch.io/raidz1-to-raidz2/"><strong>How to Migrate from RaidZ1 to RaidZ2</strong></a> <br/><span><p>
There is the purposeful degradation of the pool but I don’t know how else one would do it without buying more disks for a separate pool entirely. Author helpfully provides a lot of links to places you can back up your stuff to (with prices!)</p>
<p>
(<a href="https://assets.log.nikhil.io/m/migrating-raidz.html">Cached</a>)</p>
</span></li><li><a href="https://www.youtube.com/watch?v=KvwpF_aMgBA&amp;amp;list=PLskEYe1TobZfnJ8oUYZ4TA3W3T_wGRdcw"><strong>Epified is a Collection of Indian Hindu Mythologies in an Illustration Style I Absolutely Love</strong></a> <br/><span><p>
That’s a link to the <em>Mahabharata</em>, quite possibly my favorite story ever.</p>
</span></li><li><a href="https://github.com/googlefonts/googlesans-code?tab=readme-ov-file#about"><strong>Google Sans Code is my new favorite programming font</strong></a> <br/><span></span></li><li><a href="https://flyonui.com/"><strong>FlyonUI is a Tailwind-based UI Component Library</strong></a> <br/><span></span></li><li><a href="https://exploringjs.com/js/downloads/exploring-js-cards-topics-preview.html"><strong>Dr. Axel's JavaScript Flashcards</strong></a> <br/><span><p>
He’s also written and published <a href="https://exploringjs.com/js/book/index.html">this amazing book</a>.</p>
</span></li><li><a href="https://www.fffuel.co/"><strong>fffuel.co is a lovely collection of CSS and SVG tools</strong></a> <br/><span><p>
Here’s a lovely <a href="https://www.fffuel.co/nnnoise/">noise generator</a>, for example.</p>
</span></li><li><a href="https://github.com/robinmoisson/staticrypt"><strong>StatiCrypt will do client-side encryption of static html pages using JavaScript</strong></a> <br/><span></span></li></ol>
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  <a href="mailto:mail@nikhil.io?subject=About: Bookmarks%20for%20July%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Hermes Baby 1967 ]]></title><id>tag:nikhil.io,2025://c43254a7cdd055c4ab4d109cf015da06</id><updated>2025-07-12T15:15:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/db1c161829775d0c9632fadc8cb97ddb/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
After many years of searching, I <em>finally</em> found the make and model of my childhood typewriter and am beside myself with joy. Anthropic’s free-tier Claude was of tremendous help and I am much obliged.</p>
<p>
Behold, and in <em>cursive</em>!</p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/h/hermes-baby-13.webp" title="A photo of the Hermes Baby 1967 Typewriter 13"><img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-13.webp" alt="A photo of the Hermes Baby 1967 Typewriter 13" loading="lazy" decoding="async" width="3024" height="4032"></a><a href="https://assets.log.nikhil.io/_optimized/h/hermes-baby-12.webp" title="A photo of the Hermes Baby 1967 Typewriter 12"><img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-12.webp" alt="A photo of the Hermes Baby 1967 Typewriter 12" loading="lazy" decoding="async" width="720" height="960"></a></p>
</div>
<div class="muted">
<p>
Source: This old <a href="https://www.ebay.com/itm/135580917014">eBay listing</a>.</p>
</div>
<p>
I spent many hours taking it apart (as much as I could), studying it (as much I could), getting scolded by my Dad, and helping him put it back together. I spent untold hours writing stories and letters on this thing. One of the last things I remember authoring was a <em>Sherlock Holmes</em> short story, a thrilling three-pager, double-sided, written in furious haste after I found out that I’d read the entire canon<sup class="footnote-ref"><a href="#fn-story" id="fnref-story" title="Link to Footenote story">1</a></sup>.</p>
<p>
It was a beautiful machine. I don’t remember what happened to it and wish I still had it. Here are a few more gorgeous glamour shots.</p>
<div class='gallery' style="--big-grid-count:6; --small-grid-count:3"><p>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-01.webp" alt="A photo of the Hermes Baby 1967 Typewriter 01" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-02.webp" alt="A photo of the Hermes Baby 1967 Typewriter 02" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-03.webp" alt="A photo of the Hermes Baby 1967 Typewriter 03" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-04.webp" alt="A photo of the Hermes Baby 1967 Typewriter 04" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-05.webp" alt="A photo of the Hermes Baby 1967 Typewriter 05" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-06.webp" alt="A photo of the Hermes Baby 1967 Typewriter 06" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-07.webp" alt="A photo of the Hermes Baby 1967 Typewriter 07" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-08.webp" alt="A photo of the Hermes Baby 1967 Typewriter 08" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-09.webp" alt="A photo of the Hermes Baby 1967 Typewriter 09" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-10.webp" alt="A photo of the Hermes Baby 1967 Typewriter 10" loading="lazy" decoding="async" width="1600" height="1600"><br>
<img src="https://assets.log.nikhil.io/_optimized/h/hermes-baby-11.webp" alt="A photo of the Hermes Baby 1967 Typewriter 11" loading="lazy" decoding="async" width="1600" height="1600"></p>
</div>
<div class="muted">
<p>
Source: This other, old <a href="https://www.ebay.com/itm/335772112453">eBay listing</a>.</p>
</div>
<h3 id="elsewhere" tabindex="-1">
Elsewhere <a class="header-anchor" href="#elsewhere"><span aria-hidden="true">#</span></a></h3>
<p>
Here’s a <a href="https://old.reddit.com/r/typewriters/comments/s2s0z6/a_beautiful_cursive_hermes_baby_1967/">Reddit post</a> on the Typewriter, and its <a href="https://typewriterdatabase.com/1967-hermes-baby.14332.typewriter">entry</a> on the Typewriter Database.</p>
<div class="footnotes"><ol><li id="fn-story"><p>
Holmes retired to Oxford to become a professor. Watson had passed but not without issue: He had a daugher named Elizabeth who was at least as smart as Holmes but consulted with the (tenured) professor on a particularly vexing case involving the murder of her bestie. The mystery was fully, succinctly resolved in the final paragraph.<a title="Back to footnote reference" href="#fnref-story" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  <a href="mailto:mail@nikhil.io?subject=About: The%20Hermes%20Baby%201967">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Shivah by Wadjet Eye Games ]]></title><id>tag:nikhil.io,2025://58b7cabc8b1258d192e4fa5d84061b6a</id><updated>2025-07-12T10:26:12.652-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.wadjeteyegames.com/games/the-shivah/"/><link rel="alternate" type="text/html" href="https://nikhil.io/games/7f48d385064a5e87a7f6842c216ac685/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/games"><![CDATA[ <p>
Came out in 2006 and was re-released as a <em>Kosher Edition</em> in 2013<sup class="footnote-ref"><a href="#fn-kosher-edition" id="fnref-kosher-edition" title="Link to Footenote kosher-edition">1</a></sup> which is when I found it after looking for “mystery games” on Steam. Been on my list since then and I finally finished it.</p>
<p>
Haven’t played a good point-and-click adventure/mystery game in a long while and this one brought back a flood of memories of my sister and I playing the excellent <a href="https://en.wikipedia.org/wiki/Gabriel_Knight:_Sins_of_the_Fathers"><em>Gabriel Knight: Sins of the Fathers</em></a>. Made me wonder if there’s an open-source engine one could use to make games like these (e.g. the SCUMM engine used in the <em>Monkey Island</em> games) and found out that the creators use the free <a href="https://www.adventuregamestudio.co.uk/">Adventure Game Studio Engine</a> for their titles.</p>
<p>
This is a short and clever game. You can finish it, with all its alternate endings, in about an hour. Like <em>Gabriel Knight</em> and <em>Monkey Island</em>, the emphasis is more on the storytelling than anything flashy. And this is a fantastic and short story that’s serious and funny at the same time: deep spiritual questions and conundrums, Talmudic combat, Rabbinical banter, small business struggles, life in NYC, and so on.</p>
<p>
Here’s the plot:</p>
<blockquote>
<p>
A former member of his congregation has died and left the Rabbi a significant amount of money. A blessing? Or the start of something far more sinister? Can Rabbi Stone just accept the money and move on? His conscience says no. Step into his shoes as he travels all over Manhattan in his attempt to uncover the truth.</p>
</blockquote>
<p>
I’ll be playing a lot more games by Wadjet Eye, perhaps starting with <a href="https://www.wadjeteyegames.com/games/the-excavation-of-hobs-barrow/">this one</a>. They’re a <a href="https://www.wadjeteyegames.com/about/">two-person studio</a> in Brooklyn and appear to be <a href="https://x.com/WadjetEyeGames/status/1745105446275268655">cool people</a>.</p>
<h3 id="screenshots" tabindex="-1">
Screenshots <a class="header-anchor" href="#screenshots"><span aria-hidden="true">#</span></a></h3>
<p>
<img src="https://assets.log.nikhil.io/_optimized/s/shivah-01.webp" alt="A screenshot from the game 01" loading="lazy" decoding="async" width="2595" height="1600"></p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/s/shivah-03.webp" title="A screenshot from the game 03"><img src="https://assets.log.nikhil.io/_optimized/s/shivah-03.webp" alt="A screenshot from the game 03" loading="lazy" decoding="async" width="2595" height="1600"></a><a href="https://assets.log.nikhil.io/_optimized/s/shivah-02.webp" title="A screenshot from the game 02"><img src="https://assets.log.nikhil.io/_optimized/s/shivah-02.webp" alt="A screenshot from the game 02" loading="lazy" decoding="async" width="2595" height="1600"></a></p>
</div>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/s/shivah-06.webp" title="A screenshot from the game 06"><img src="https://assets.log.nikhil.io/_optimized/s/shivah-06.webp" alt="A screenshot from the game 06" loading="lazy" decoding="async" width="2595" height="1600"></a><a href="https://assets.log.nikhil.io/_optimized/s/shivah-05.webp" title="A screenshot from the game 05"><img src="https://assets.log.nikhil.io/_optimized/s/shivah-05.webp" alt="A screenshot from the game 05" loading="lazy" decoding="async" width="2595" height="1600"></a><a href="https://assets.log.nikhil.io/_optimized/s/shivah-04.webp" title="A screenshot from the game 04"><img src="https://assets.log.nikhil.io/_optimized/s/shivah-04.webp" alt="A screenshot from the game 04" loading="lazy" decoding="async" width="2595" height="1600"></a></p>
</div>
<div class="muted">
<p>
I am pretty amazed by the lighting treatment on the floors.</p>
</div>
<h3 id="some-yiddish-words-from-the-game" tabindex="-1">
Some Yiddish Words from The Game <a class="header-anchor" href="#some-yiddish-words-from-the-game"><span aria-hidden="true">#</span></a></h3>
<div class="table-wrapper"><table>
<thead>
<tr>
<th>
Word</th>
<th>
Meaning</th>
</tr>
</thead>
<tbody>
<tr>
<td>
<em>Shivah</em></td>
<td>
Period of mourning</td>
</tr>
<tr>
<td>
<em>Goy</em></td>
<td>
Non-Jewish person (plural <em>goyim</em>)</td>
</tr>
<tr>
<td>
<em>Heflekh</em></td>
<td>
Courteous</td>
</tr>
<tr>
<td>
<em>Kemfer</em></td>
<td>
Fighter</td>
</tr>
<tr>
<td>
<em>Klug</em></td>
<td>
Too smart <a href="https://en.wikipedia.org/wiki/Kludge#Germanic_sources">by half</a></td>
</tr>
<tr>
<td>
<em>Maven</em></td>
<td>
An expert, connoisseur, <a href="https://jel.jewish-languages.org/words/347">specialist</a>.</td>
</tr>
<tr>
<td>
<em>Mensch</em></td>
<td>
A helpful person</td>
</tr>
<tr>
<td>
<em>Meshugga</em></td>
<td>
Crazy</td>
</tr>
<tr>
<td>
<em>Momzer</em></td>
<td>
Bastard. Son of a bitch.</td>
</tr>
<tr>
<td>
<em>Mutshe</em></td>
<td>
To harass, torment, bother, <a href="https://jel.jewish-languages.org/words/1626">annoy, nag</a>.</td>
</tr>
<tr>
<td>
<em>Nebbish</em></td>
<td>
Weakling</td>
</tr>
<tr>
<td>
<em>Shikse</em></td>
<td>
Non-Jewish woman</td>
</tr>
<tr>
<td>
<em>Shmulky</em></td>
<td>
A sad sack</td>
</tr>
<tr>
<td>
<em>Shonda</em></td>
<td>
Scandal, <a href="https://jel.jewish-languages.org/words/499">shame</a></td>
</tr>
<tr>
<td>
<em>Yenta</em></td>
<td>
A busybody</td>
</tr>
</tbody>
</table></div><div class="footnotes"><ol><li id="fn-kosher-edition"><p>
With updated graphics, music, voiceovers, and three separate endings.<a title="Back to footnote reference" href="#fnref-kosher-edition" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Note 0011 - Connecting People ]]></title><id>tag:nikhil.io,2025://1b762779fa155829bd9e87c92c6aacb8</id><updated>2025-07-09T04:59:41.926-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0011/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
I accidentally committed the faux pas of hitting reply-all on a message yesterday. One of the affected participants replied-to-all starting with a “Dear Nikhil: Thank you for connecting <em>all</em> of us over this issue.”</p>
<p>
A masterclass in civility 🤌</p>

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  Tagged <a href=https://nikhil.io/tags/email/ title="All posts tagged 'email'">email</a>, <a href=https://nikhil.io/tags/faux%20pas/ title="All posts tagged 'faux pas'">faux pas</a> and <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ The Best Cookie Recipe I've Heard ]]></title><id>tag:nikhil.io,2025://a6b324f2a4df5d76b355f9b009332b7c</id><updated>2025-07-06T14:42:36.530-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=82XqhHYwB-Q"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/aded0b5228bd5516b23113eccae6ed8b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=82XqhHYwB-Q" title="The Best Cookie Recipe I’ve Heard">https://www.youtube.com/watch?v=82XqhHYwB-Q</a><p>
In German so I needed <a href="https://genius.com/Tool-die-eier-von-satan-lyrics">a translation</a>.</p>

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  Tagged <a href=https://nikhil.io/tags/cookies/ title="All posts tagged 'cookies'">cookies</a>, <a href=https://nikhil.io/tags/food/ title="All posts tagged 'food'">food</a>, <a href=https://nikhil.io/tags/industrial%20music/ title="All posts tagged 'industrial music'">industrial music</a>, <a href=https://nikhil.io/tags/music/ title="All posts tagged 'music'">music</a>, <a href=https://nikhil.io/tags/recipes/ title="All posts tagged 'recipes'">recipes</a> and <a href=https://nikhil.io/tags/tool/ title="All posts tagged 'tool'">tool</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Note 0010 ]]></title><id>tag:nikhil.io,2025://fa72772eeef5595fa514b839f101fdb4</id><updated>2025-07-06T14:02:34.981-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0010/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
I have spent a lot of time trying to kill a tube of toothpaste and am now convinced that the last 10% of the tube hosts 90% of its payload. The Pareto Principle in action, in defiance of physical laws.</p>
<p>
What I say <em>each time</em> I engage with the cornucopia of paste:</p>

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          <p>
            Your browser doesn't support HTML5 video. Here is a <a href="https://assets.log.nikhil.io/w/why-wont-you-die.mp4">link to the video</a> instead.
          </p>
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  <a href="mailto:mail@nikhil.io?subject=About: Note%200010">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ "Oh What Fresh Hell is This?" ]]></title><id>tag:nikhil.io,2025://e944938baf685084bd4552da0585d3b7</id><updated>2025-07-05T12:24:41.633-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/0aba4a6853295351aa4a534d3036d3f8/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
My personal record is nine bills for the same, minor urgentcare visit.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/h/hospital-bills.webp" alt="A cartoon by Mr. Lovenstein about Hospital Bills" loading="lazy" decoding="async" width="1125" height="1120"></p>
<p>
Things I’ve learned: It’s not your provider’s job to deal with insurance, it’s yours. Don’t pay outright<sup class="footnote-ref"><a href="#fn-cpfb" id="fnref-cpfb" title="Link to Footenote cpfb">1</a></sup>. You’ll keep getting clobbered until every single service provider has billed you. <em>Call them</em> whenever you get billed. Be polite. Request a proper itemized statement with as much detail as possible. Takes a while for things to catch up.</p>
<p>
This is what you are to do with the limited time you have on this planet. Make sure you enjoy the Free Market ♥️</p>
<div class="footnotes"><ol><li id="fn-cpfb"><p>
<a href="https://www.consumerfinance.gov/about-us/newsroom/cfpb-finalizes-rule-to-remove-medical-bills-from-credit-reports/">As of now at least</a>, your credit won’t be affected by bills smaller than $500.<a title="Back to footnote reference" href="#fnref-cpfb" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
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 ]]></content></entry><entry><title><![CDATA[ The Center of Our Galaxy ]]></title><id>tag:nikhil.io,2025://8f0e2ebf280c55d791ce3b96898c444f</id><updated>2025-07-04T12:26:03.145-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/1728087e4ce05020bd164b22c356f172/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Behold this stunning 3D model of some of the activity around the really massive Black Hole at the center of our lovely galaxy. It’s called <a href="https://en.wikipedia.org/wiki/Sagittarius_A*">Sagittarius A*</a> and is some 4 million times more massive than our Sun.</p>
<p>
Humanity banded together to take a ‘photo’ of it in 2017. This video’s from that year. The data involved in making it<sup class="footnote-ref"><a href="#fn-keck" id="fnref-keck" title="Link to Footenote keck">1</a></sup> was proof-positive that there’s a Black Hole at the center of our galaxy. Professors Andrea Ghez and Reinhard Genzel shared a Nobel Prize (with Roger Penrose) in 2020 for their work leading up to this discovery.</p>
<p>
Each second of this is two years and it’s happening ~25,000 light years away from us. Young stars are in green, old ones are in orange. We do not know the age of the stars in magenta.</p>

        <video
          controls
          src="https://assets.log.nikhil.io/g/ghez-galactic-center.mp4"
          preload="metadata"
        >
          <source src="https://assets.log.nikhil.io/g/ghez-galactic-center.mp4" type="video/mp4">
          <p>
            Your browser doesn't support HTML5 video. Here is a <a href="https://assets.log.nikhil.io/g/ghez-galactic-center.mp4">link to the video</a> instead.
          </p>
        </video>
        
<div class="muted">
<p>
via <a href="https://galacticcenter.astro.ucla.edu/black-hole-science.html">The UCLA Galactic Center Group</a></p>
</div>
<h3 id="s2" tabindex="-1">
S2 <a class="header-anchor" href="#s2"><span aria-hidden="true">#</span></a></h3>
<p>
At the end of the video, you see “Orbits extrapolated from 1893 - 2013”. There are two star orbits that they did <em>not</em> extrapolate and actually observed completely. These stars are named <a href="https://en.wikipedia.org/wiki/S2_(star)">S2</a>, which makes a full loop in ~16 years, and S102, which does this is ~12 years. <a href="https://assets.log.nikhil.io/s/stellar-orbits.mp4">Here’s a video showing S2</a> (note the top right!)</p>
<p>
This is space and the numbers are always crazy so here goes: S2 has a highly egg-shaped orbit and gets to ~120 times the distance between us and the Sun<sup class="footnote-ref"><a href="#fn-au" id="fnref-au" title="Link to Footenote au">2</a></sup> at its closest approach where, this enormous thing that’s <em>~14 times the mass of our Sun</em> is moving at <em>3% the speed of light</em> (~5,600 miles/second, ~9,000 km/second). At highway speeds, it would take you 10 million years to complete its orbit.</p>
<p>
I wonder if we’ll ever truly comprehend the truly staggering scales involved in the architecture of existence. Electrons, atoms, galaxies, Black Holes. Like teaching a gnat calculus. Oh well. Here’s a guy driving to the nearest star:</p>
<p>
<a href="https://www.youtube.com/watch?v=vcJHHU9upyE">https://www.youtube.com/watch?v=vcJHHU9upyE</a></p>
<h3 id="update" tabindex="-1">
Update <a class="header-anchor" href="#update"><span aria-hidden="true">#</span></a></h3>
<p>
Here’s a video from the European Southern Observatory that zooms in to the Giant Black Hole at The Center of Our Galaxy that shows the aforementioned star (S2) looping around it.</p>
<p>
<a href="https://www.youtube.com/watch?v=DRCD-zx5QFA">https://www.youtube.com/watch?v=DRCD-zx5QFA</a></p>
<!-- https://www.sciencefriday.com/segments/center-of-milky-way/ -->
<!-- https://www.space.com/ginormous-black-holes-could-lurk-in-universe.html -->
<div class="footnotes"><ol><li id="fn-keck"><p>
Gathered by the W. M. Keck Telescopes between 1995 and 2012, with images from 1995 to 2016 used to track specific stars.<a title="Back to footnote reference" href="#fnref-keck" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-au"><p>
1 AU is the distance from the Earth to the Sun. Pluto is ~40 AU away. It took the <em>New Horizons</em> probe, one of the fastest things we’ve put into space, 9 years and 5 months to fly past Pluto.<a title="Back to footnote reference" href="#fnref-au" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Aapla Manus (2018) ]]></title><id>tag:nikhil.io,2025://f5734fd831975ae780e9c55e757380c5</id><updated>2025-07-04T09:02:14.904-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/994ddfd2a6975068bd585c1fcba75001/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
<a href="/tags/mystery">Inveterate mystery movie addict</a> so decided to watch this immediately after seeing the word in the description. Nana Patekar’s a phenomenal actor. How bad could it be?</p>
<p>
Pretty bad.</p>
<p>
Not issuing a spoiler warning will save you time. The writers might as well have ended this limping and interminable whodunnit with “<em>And then he woke up</em>” to the same effect. It’s adapted from <a href="https://yenforblue.com/2010/03/27/katkon-trikon/">a play</a> which I haven’t read.</p>
<p>
What it <em>really</em> is, however, is a (many times hectoring) ultra-conservative commentary on parent-child relationships. The normative here is unhealthy and lopsided: parents and elders are to have no limits or boundaries in speech or action, and are to be obeyed and served immediately and without protest. Your plans for your life and career are inextricably tied to their whims and sanction, even when they’re a model of health. Pursuing your goals is tantamount to egregious neglect. At least in this universe, personal space, phone and video calls, regular visits, and healthy and respectful communication are poor substitutes to the obedience and groveling mandated by culture and tradition.</p>
<p>
It’s an abandonment fantasy for affluent 65+ Indian parents, essentially that curse of a movie <a href="https://en.wikipedia.org/wiki/Baghban_(2003_film)"><em>Baghban</em></a> wrapped in a threadbare and dogshit ‘mystery’.</p>
<p>
Patekar’s still got it though 💯</p>

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 ]]></content></entry><entry><title><![CDATA[ Squid Game (2021-2025) ]]></title><id>tag:nikhil.io,2025://d120414c07685f78b93ab701f9238274</id><updated>2025-07-04T08:55:05.272-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/3119d673718453a8b27ab28f14ebff73/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
I’d never seen anything like the first season. A supremely well-crafted nailbiter when it was not a meditation on the human condition and gross socioeconomic disparities (and their brazen exploitation). Grim magnificence. Stood very well by itself.</p>
<p>
Never really understood the protagonist’s motivation in the second season. There were several ways in which he could’ve achieved his objectives without resorting to the stupidest course of action possible. But then again, the show was a global sensation and needed to be milked for every ounce of shareholder value it could generate. There <em>needed</em> to be an entire new season. So let’s pepper some sense of justice and moral immediacy over the moronic masterplan our jaded boy chooses to resolve his trauma from Season One and pull more episodes. People are here for the rollercoaster, they won’t care. I certainly didn’t.</p>
<p>
<strong>(Spoiler below)</strong></p>
<p>
The third season was as unnecessary as it was terrible. A self-indulgent, nonsensical plotline afraid of a terminus (Steven Moffat pulled the same garbage at the finale of <em>Sherlock</em>). It’s abundantly clear that they blew the budget by the time it came to hiring actors for the sadistic “VIPs”. Also features the calmest CGI baby ever<sup class="footnote-ref"><a href="#fn-renesmee" id="fnref-renesmee" title="Link to Footenote renesmee">1</a></sup>. His highly likely dimwittedness aside, there was <em>zero</em> logical need for our hero to sacrifice himself. Even within the improbable world of the show, very little of the plot made sense in this season.</p>
<p>
<a href="https://www.forbes.com/sites/paultassi/2025/07/04/squid-game-creators-alternate-season-3-ending-is-way-better/">There’s talk</a> of a prequel (of course). I’m getting off this rollercoaster. Enough’s enough 🎢</p>
<div class="footnotes"><ol><li id="fn-renesmee"><p>
Reminded me of <a href="https://twilightsaga.fandom.com/wiki/Renesmee_Cullen">this one</a>.<a title="Back to footnote reference" href="#fnref-renesmee" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ The Best Potato Chips in the World ]]></title><id>tag:nikhil.io,2025://58150b3e2d0558f791c9027c397da8dd</id><updated>2025-07-03T14:20:37.355-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/8c17000c7ee7534098a50b6c3fa681fa/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
<em>Old Dutch Ripples All-Dressed</em> (left) are the best potato chips you can and should eat. Exquisite texture, volume, and flavor. The peer Ketchup chips (right) are a worthy second.</p>
<div class='row'><p>
<a href="https://assets.log.nikhil.io/_optimized/p/potato-chips-2.webp" title="Old Dutch Potato Chips - All Dressed Flavor"><img src="https://assets.log.nikhil.io/_optimized/p/potato-chips-2.webp" alt="Old Dutch Potato Chips - All Dressed Flavor" loading="lazy" decoding="async" width="290" height="370"></a><a href="https://assets.log.nikhil.io/_optimized/p/potato-chips-1.webp" title="Old Dutch Potato Chips - Ketchup Flavor"><img src="https://assets.log.nikhil.io/_optimized/p/potato-chips-1.webp" alt="Old Dutch Potato Chips - Ketchup Flavor" loading="lazy" decoding="async" width="290" height="370"></a></p>
</div>
<p>
I am truly in awe of <em>Old Dutch</em>’s commitment and execution: they’re not messing around when they say “savory”. These are not meant to be consumed absent-mindedly and <em>will</em> arrest your attention. Every other chip is a bland and greasy bleh compared to what I’m talking about here.</p>
<p>
Fat claim but I remain firm. You may disagree but you’d be wrong (and unsatisfied).</p>

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 ]]></content></entry><entry><title><![CDATA[ On Nothingness (Kinda) ]]></title><id>tag:nikhil.io,2025://720ed23a3e145adba3f61b11163d5575</id><updated>2025-07-02T08:38:38.935-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/2da67aff12f55738990cb4a8ddd247df/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote>
<p>
An electron is a particular type of <em>regularity</em> that appears among measurements and observations that we <em>make</em>. It is more pattern than a substance. It is <em>order</em>…</p>
<p>
Thus we arrive at a strange place. We break things down into smaller and smaller pieces, but then the pieces, when examined, are not there. Just the arrangements of them are. What then, are <em>things</em>, like the boat, or its sails, or your fingernails? What <em>are</em> they? If things are forms of forms of forms of forms, and if forms are order, and order is defined by us… they exist, it would appear, only as created by, and <em>in relation to</em>, us and the Universe. They are, the Buddha might say, emptiness.</p>
</blockquote>
<figcaption>
Anthony Aguirre, <em>Cosmological Koans</em></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ On Non-Being ]]></title><id>tag:nikhil.io,2025://f1a912851a1a56e59d8a56d819218f56</id><updated>2025-07-01T04:10:53.141-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/3f5e257aec9558659f6479250d59276c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="https://www.abebooks.com/9780981977935/Tao-Ching-Poetry-Nature-Hohne-0981977936/plp">
<p>
Thirty spokes share the hub of a wheel;<br>
yet it is its center that makes it useful.</p>
<p>
You can mould clay into a vessel;<br>
yet, it is its emptiness that makes it useful.</p>
<p>
Cut doors and windows from the walls of a house;<br>
but the ultimate use of the house<br>
will depend on that part where nothing exists.</p>
<p>
Therefore, something is shaped into what is;<br>
but its usefulness comes from what is not.</p>
</blockquote>
<figcaption>
<em>Tao Te Ching</em>, as translated <a href="https://www.abebooks.com/9780981977935/Tao-Ching-Poetry-Nature-Hohne-0981977936/plp">by Kari Hohne</a></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Songs for June 2025 ]]></title><id>tag:nikhil.io,2025://fb739cfd9431595b83392542fcb1dd57</id><updated>2025-06-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=COKb4YKh3rw"><strong>Guncha Koi</strong></a> by Mohit Chauhan<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=_TJZaE0FkKs"><strong>Dil Toh Baccha Hai Ji</strong></a> by Rahat Fateh Ali Khan<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=csL8eJOYaxw"><strong>Toura Toura (Remix)</strong></a> by DJ Cheb i Sabbah<br/><span></span></li></ol>
  <hr />
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for June 2025 ]]></title><id>tag:nikhil.io,2025://7c2607c953115f1f9d0cca67cdf280cf</id><updated>2025-06-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.shell-tips.com/bash/math-arithmetic-calculation/#gsc.tab=0"><strong>Everything You Need to do Math in Bash</strong></a> <br/><span></span></li><li><a href="https://lisperator.net/pltut/"><strong>How to Write a Programming Language in JavaScript</strong></a> <br/><span></span></li><li><a href="https://theuselessweb.com"><strong>The Useless Web is a lovely collection of games and creative stuff</strong></a> <br/><span></span></li><li><a href="https://www.honeybadger.io/blog/import-maps/"><strong>Everything You Need to Know About Import Maps</strong></a> <br/><span><p>
(<a href="https://assets.log.nikhil.io/i/import-maps.html">Cached</a>)</p>
</span></li><li><a href="https://ubu.com/index.html"><strong>UbuWeb is a large collection of avant-garde art and media</strong></a> <br/><span><p>
Been around since 1996!</p>
</span></li><li><a href="https://www.canidev.tools/"><strong>CanIDev.tools is a publicly curated list of things you can do with Web Developer Tools across all major browsers</strong></a> <br/><span></span></li><li><a href="https://nuqs.47ng.com/"><strong>nuqs is a nice little query param library for React</strong></a> <br/><span></span></li><li><a href="https://goodlinks.app/"><strong>Goodlinks is an Instapaper Alternative with mobile and desktop UIs</strong></a> <br/><span><p>
Looks lovely. $9.99 on the App Store, one-time purchase, sort of: you purchase up to a year of feature updates.</p>
</span></li><li><a href="https://github.com/alexzielenski/Mousecape"><strong>Mousecape is a Cursor Manager for macOS</strong></a> <br/><span><p>
Good old-school fun. I miss being able to theme OS X. <a href="https://macthemes.garden/">How much fun is this</a>? I hope Apple doesn’t bork whatever makes this work.</p>
</span></li><li><a href="https://github.com/ChrisBuilds/terminaltexteffects"><strong>Some Glorious Terminal Text Effects</strong></a> <br/><span><p>
Written in Python. Not sure where I’d use them. Reminded me of <a href="https://charm.sh/libs/">Charm</a>.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ A Widow's Game (2025) ]]></title><id>tag:nikhil.io,2025://40c06f43e7e151468b71116733d6dfac</id><updated>2025-06-27T05:30:54.235-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/ea30febd627a5f5dbe742eeb64c4f413/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Based on a real story. Should’ve been a 45-minute episode of a “<em>True Stories of Marital Horror</em>” show than a full 2-hour movie. I last saw Ivana Baquero in <em>Pan’s Labyrinth</em>.</p>
<h3 id="spoilers" tabindex="-1">
Spoilers! <a class="header-anchor" href="#spoilers"><span aria-hidden="true">#</span></a></h3>
<p>
Tristan Ulloa is dismayingly excellent as the vulnerable, love-struck, randy, manipulated, and jilted lover Salva, who finally confesses to the plot after finding out that his paramour, the “Black Widow of Patraix”, started a relationship with another inmate (because of course). There’s also this unfortunate turn of events:</p>
<figure class="quote">
<blockquote cite="https://time.com/7289932/a-widows-game-true-story-netflix/">
<p>
In July 2023, she gave birth at the General Hospital of Alicante under police custody. After the delivery, she was transferred to the mother-child unit at Fontcalent prison, where she can stay with her baby until the child turns three years old.</p>
<p>
The baby’s father is David, a prisoner convicted of a 2008 murder. Maje and David met during her previous time at Picassent prison, where they began a relationship.</p>
</blockquote>
<figcaption>
“<a href="https://time.com/7289932/a-widows-game-true-story-netflix/">The Shocking True Story Behind Netflix’s A Widow’s Game</a>”, <em>Time</em></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ I Am Not a Robot (2025) ]]></title><id>tag:nikhil.io,2025://f420583b554b5a0581d23366d5b460e4</id><updated>2025-06-23T15:34:06.243-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/4d93daf42a7e5bbfba16df3ff03feea4/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Found this after typing a clever “nice short films” into YouTube. I had no idea that <em>The New Yorker</em> <a href="https://www.newyorker.com/culture/screening-room">released short films</a> and have nineteen Academy Award nominations (here’s <a href="https://www.youtube.com/playlist?list=PLo1TdazaYsorOnCxdERXhvWyN4GhuotSW">a playlist</a>). This one’s the second film to win<sup class="footnote-ref"><a href="#fn-first-ny-winnder" id="fnref-first-ny-winnder" title="Link to Footenote first-ny-winnder">1</a></sup> (“Best Live Action Short”).</p>
<p>
The setup is pretty funny. I love the director’s style. Ellen Parren is excellent as Lara. Nothing particularly remarkable or original about the story: “What if machines were sapient?” is a pretty old question to explore. The kind of intelligence you see in movies and stories like these is far, far away, regardless of TechBro promises. I am more interested in the behaviour of the humans towards these artificial beings. Tends to be pretty shitty most of the time and I do wonder why (there <a href="https://assets.log.nikhil.io/e/engaged-to-chatbot.html">are exceptions</a>).</p>
<p>
Here it is on YouTube:</p>
<p>
<a href="https://www.youtube.com/watch?v=4VrLQXR7mKU">https://www.youtube.com/watch?v=4VrLQXR7mKU</a></p>
<div class="footnotes"><ol><li id="fn-first-ny-winnder"><p>
Could not for the life of me find out the first.<a title="Back to footnote reference" href="#fnref-first-ny-winnder" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Monument Valley III by Ustwo Games ]]></title><id>tag:nikhil.io,2025://554b25abe1b55521be32f8606423ac68</id><updated>2025-06-21T15:51:42.174-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.monumentvalleygame.com/mv3"/><link rel="alternate" type="text/html" href="https://nikhil.io/games/1c10c284c05752e482d3ba46bbd49c92/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/games"><![CDATA[ <p>
I played the very first one in 2014 on a lovely little iPad Mini and finished it in about an hour or so. It was <em>so beautiful</em> an MC Escher-esque puzzler. I remember taking so many screenshots, just marveling at the art and sound work. Got my Mum, who still maintains that video games are a waste of time, to play it as well. She liked it (“Very Pretty”).</p>
<p>
This installment is a lot more flow-y and organic and twisty than the first one (still haven’t played the second) and it’s still exceedingly beautiful. There’s also <a href="https://www.youtube.com/watch?v=nR6Pf-8i6lw">this delightful animated short</a> they released to whet appetites before launch. And that’s really the word: This series continues to be a <em>delightful</em> work.</p>
<p>
I was told that I should play the 2008 <a href="https://www.youtube.com/watch?v=_o9tlsEA1cU"><em>Echochrome</em></a> next. It looks like if you crossed <em>Monument Valley</em> and <a href="https://en.wikipedia.org/wiki/Antichamber"><em>Antichamber</em></a>.</p>
<h3 id="netflix" tabindex="-1">
Netflix <a class="header-anchor" href="#netflix"><span aria-hidden="true">#</span></a></h3>
<p>
Was rather surprised to see Netflix branding. <a href="https://www.gamedeveloper.com/business/monument-valley-3-is-heading-to-netflix-games-to-avoid-app-store-compromise-">The TL;DR</a> as far as I can tell (and in order): They got Netflix money, didn’t want to pay the Apple tax, and state that they wanted to avoid making creative compromises to be visible in a horribly curated, spam and garbage-filled App Store. That may be the case but, given the original and its sequel’s immense success, I do not find that last part believable. Good on them for getting paid though 💸</p>
<h3 id="screenshots-etc-because-i-couldnt-help-myself" tabindex="-1">
Screenshots etc because I couldn’t help myself <a class="header-anchor" href="#screenshots-etc-because-i-couldnt-help-myself"><span aria-hidden="true">#</span></a></h3>
<div class='gallery' style="--big-grid-count:6; --small-grid-count:3"><p>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-01.webp" alt="Screenshot 01 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-02.webp" alt="Screenshot 02 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-03.webp" alt="Screenshot 03 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-04.webp" alt="Screenshot 04 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-05.webp" alt="Screenshot 05 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-06.webp" alt="Screenshot 06 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-07.webp" alt="Screenshot 07 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-08.webp" alt="Screenshot 08 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-09.webp" alt="Screenshot 09 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-10.webp" alt="Screenshot 10 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-11.webp" alt="Screenshot 11 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-12.webp" alt="Screenshot 12 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-13.webp" alt="Screenshot 13 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-14.webp" alt="Screenshot 14 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-15.webp" alt="Screenshot 15 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-16.webp" alt="Screenshot 16 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-17.webp" alt="Screenshot 17 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-18.webp" alt="Screenshot 18 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-19.webp" alt="Screenshot 19 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-20.webp" alt="Screenshot 20 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/monument-valley/monument-valley-3-21.webp" alt="Screenshot 21 from Monument Valley III" loading="lazy" decoding="async" width="2048" height="2732"></p>
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 ]]></content></entry><entry><title><![CDATA[ 486DX2-66 4MB RAM 250MB HDD 4x CD-ROM Sound Blaster 16 ]]></title><id>tag:nikhil.io,2025://2dfa681ad1ee544aa4f8fcada81aa22e</id><updated>2025-06-21T15:10:24.434-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/acf87ac07f2158628761648e1e344360/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
My brain issued lots of happy chemicals when I saw this illustration by <a href="https://www.instagram.com/tarantadongkalbo/">Kevin Eric Raymundo</a> AKA <em>Kalbo</em>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/k/kalbo-childhood.webp" alt="A little kid in front of a 90s style computer with a monitor, speakers, and tower" loading="lazy" decoding="async" width="1440" height="1800"></p>
<div class="muted">
<p>
© Kevin Eric Raymundo (@<a href="https://www.instagram.com/tarantadongkalbo/">tarantadongkalbo</a>)</p>
</div>
<p>
Could be a popular setup for 90s kids but he might as well have found an old photo of our family computer setup: that entire frame, wheels, dot-matrix printer, 14&quot; monitor, tower, mouse (<em>with trackball</em>), mouse pad with the edges lifted off slightly, a keyboard you could kill a wild boar with, boxy underpowered speakers, single CD-ROM and 3.5&quot; disk drives.</p>
<p>
Uncanny.</p>
<p>
I love that the kid just turned it on and it’s the boot screen<sup class="footnote-ref"><a href="#fn-energy-star" id="fnref-energy-star" title="Link to Footenote energy-star">1</a></sup>. Hours of fun and exploration are to follow. What a lovely time.</p>
<p>
Unrelated but I also love this <a href="https://assets.log.nikhil.io/k/kalbo-pope.png">illustration of the Late Pope</a> by the same artist 😇</p>
<div class="footnotes"><ol><li id="fn-energy-star"><p>
Never knew what that “Energy Star” meant until I came to the US. Had to search for this to refresh my memory but: The blue guy is the <a href="https://wiki.softhistory.org/wiki/AwardBIOS">Award Modular BIOS</a> logo. There’s also this skipping <code>COMMAND.COM</code> thing I had to do to play <em>Doom</em> properly.<a title="Back to footnote reference" href="#fnref-energy-star" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ If Les Grossman Negotiated with Hans Gruber ]]></title><id>tag:nikhil.io,2025://726a44c68f8f52fc8aba0393fc68b2a8</id><updated>2025-06-21T11:22:12.137-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=gi4WIJkwEeU"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/e72adc0fe8695f8c80ca640d0e4e051e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=gi4WIJkwEeU" title="If Les Grossman Negotiated with Hans Gruber">https://www.youtube.com/watch?v=gi4WIJkwEeU</a><p>
Featuring several seasoned negotiators listening in on the master class.</p>

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 ]]></content></entry><entry><title><![CDATA[ On What to Work On ]]></title><id>tag:nikhil.io,2025://5730122897c05dc9a14776ef2902f512</id><updated>2025-06-21T07:06:00.492-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/a754d440f7bd50fe98d090491b7db008/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote cite="https://www.youtube.com/watch?v=x32Zq-XvID4">
<p>
So you might think, why bother solving this problem? Why not work on some big problem that we know is important?</p>
<p>
But I think that misses the point. What if the Goldbach Conjecture, turns out it is opening up a whole new part of the multiverse of mathematical ideas. We don’t really know 'cause we don’t have the bird’s eye view, or the God’s eye view, of math. […] So, I tend to dislike this picture of certain things are central and other things are peripheral.</p>
<p>
People should do what fires them up. Because if you do that, you’ll be passionate, you’ll think about it all the time. You’ll do it when you’re in the shower. You’ll think about it when you’re driving. And you might do something remarkable because of that passion. And if you’re just doing something 'cause you think it’s important, I think you’ll tend to be second rate, honestly.</p>
<p>
<mark>I like the modest view that we don’t know what’s necessarily important, but we do know what we love. So work on that.</mark></p>
</blockquote>
<figcaption>
Steven Strogatz on <a href="https://www.youtube.com/watch?v=x32Zq-XvID4"><em>Veritasium</em></a></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Feldspar, Quartz, Mica ]]></title><id>tag:nikhil.io,2025://ab07f748fdd452e8a3b1348c607e14c8</id><updated>2025-06-07T16:27:44.260-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/7f73d36b584d50b7a9dfa9606e4f85f4/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Forget where I saw this illustration but I love it and had a lovely time drawing some versions of it myself, experimenting with various shadings.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/f/feldspar-mica-quartz.webp" alt="An illustration called 'Feldspar, Quartz, Mica'" loading="lazy" decoding="async" width="1440" height="1528"></p>
<p>
It’s from a book called <em>Géologie</em> by <a href="https://gallica.bnf.fr/ark:/12148/bpt6k14227815.texteImage">Marcel Oria</a>, published by Hatier press in 1958. This is <a href="https://assets.log.nikhil.io/f/feldspar-mica-quartz-book.jpg">what its cover looks like</a>.</p>
<!-- ![The book the illustration is from, “Géologie” by M. Oria, published by Hatier in 1958)]() -->

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  Tagged <a href=https://nikhil.io/tags/calligraphy/ title="All posts tagged 'calligraphy'">calligraphy</a>, <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a>, <a href=https://nikhil.io/tags/french/ title="All posts tagged 'french'">french</a>, <a href=https://nikhil.io/tags/geology/ title="All posts tagged 'geology'">geology</a>, <a href=https://nikhil.io/tags/illustration/ title="All posts tagged 'illustration'">illustration</a> and <a href=https://nikhil.io/tags/science/ title="All posts tagged 'science'">science</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Feldspar%2C%20Quartz%2C%20Mica">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Medea by Nancy Pena and Blandine Le Callet ]]></title><id>tag:nikhil.io,2025://1b9b5ba74e6354e0a65b935d4cd6a01e</id><updated>2025-06-07T13:58:17.008-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/9eda79dc5d9f5b2eb9f8fd4cd10a609e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
This is one of <a href="https://en.wikipedia.org/wiki/Medea_(play)#Modern_productions_and_adaptations">many adaptations of the classic tragedy</a> by Euripedes. I highly recommend this treatment<sup class="footnote-ref"><a href="#fn-french" id="fnref-french" title="Link to Footenote french">1</a></sup> to anyone as a first appreciation.</p>
<p>
And it’s <em>quite</em> the story: love, lust, betrayal, spirituality, filicide, redemption, wisdom, general chicanery, geopolitics, racism. The artwork is fantastic and hypnotic<sup class="footnote-ref"><a href="#fn-snake" id="fnref-snake" title="Link to Footenote snake">2</a></sup>.</p>
<blockquote>
<p>
In a thousand years, I’ve heard of hundreds of wars and massacres, most of which have been forgotten. An evil force is at work in the world, a terrible law that requires the weak, the dreamers, and the gentle souls to disappear to benefit the powerful. In the end, there will be nothing left but a hardened, greedy race, drunk on the power it has acquired over the centuries. An iron-fisted race, a thousand times more violent than it is today. And I’m glad to know I won’t be here to see it.</p>
</blockquote>
<p>
I mean… <a href="/books/58df1c6a37cc5c1e9e54697aa2b0198a">silly stories</a>, right?</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/medea/Medea-0246.webp" alt="Page 246 from the book" loading="lazy" decoding="async" width="896" height="1280"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/medea/Medea-0269.webp" alt="Page 269 from the book" loading="lazy" decoding="async" width="896" height="1280"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/medea/Medea-0279.webp" alt="Page 279 from the book" loading="lazy" decoding="async" width="896" height="1280"><br>
<img src="https://assets.log.nikhil.io/_optimized/m/medea/Medea-0289.webp" alt="Page 289 from the book" loading="lazy" decoding="async" width="2613" height="1334"></p>
<div class="footnotes"><ol><li id="fn-french"><p>
Originally published in French.<a title="Back to footnote reference" href="#fnref-french" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-snake"><p>
I really, really love what the author and artist did with the Snake Armlet 🐍<a title="Back to footnote reference" href="#fnref-snake" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
  <a href="https://nikhil.io/books/9eda79dc5d9f5b2eb9f8fd4cd10a609e/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/ancient%20greece/ title="All posts tagged 'ancient greece'">ancient greece</a>, <a href=https://nikhil.io/tags/books/ title="All posts tagged 'books'">books</a>, <a href=https://nikhil.io/tags/comic%20books/ title="All posts tagged 'comic books'">comic books</a>, <a href=https://nikhil.io/tags/euripedes/ title="All posts tagged 'euripedes'">euripedes</a>, <a href=https://nikhil.io/tags/feminism/ title="All posts tagged 'feminism'">feminism</a>, <a href=https://nikhil.io/tags/greek%20tragedies/ title="All posts tagged 'greek tragedies'">greek tragedies</a>, <a href=https://nikhil.io/tags/medea/ title="All posts tagged 'medea'">medea</a> and <a href=https://nikhil.io/tags/tragedies/ title="All posts tagged 'tragedies'">tragedies</a>.<br />
  ISBN <a href="https://isbnsearch.org/isbn/978-1-50674-268-7" title="Look up this ISBN">978-1-50674-268-7</a>.<br />
  <a href="mailto:mail@nikhil.io?subject=About: Medea">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ V (Telugu) (2020) ]]></title><id>tag:nikhil.io,2025://70acc94418595becac4b8605225b9e59</id><updated>2025-06-07T05:09:01.082-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/36bca23d423f56bea5d4868d81822931/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with the family. Well-produced and mostly predictable. Nice to see actors who’re at and outside the edge of nepotism for a change. Nani is fantastic and steals the show. Got to listen to music Amit Trivedi might have knocked out over a single trip to the restroom.</p>
<h3 id="spoilers-sort-of" tabindex="-1">
SPOILERS (SORT OF) <a class="header-anchor" href="#spoilers-sort-of"><span aria-hidden="true">#</span></a></h3>
<blockquote>
<p>
“I don’t think you’re a killer. You seem like the kind of guy who’d willingly donate blood to a mosquito.”</p>
</blockquote>
<p>
and</p>
<blockquote>
<p>
“I don’t have a good feeling about him. He’s overcompensating like a Telugu movie comedian in his debut film. Tap his phone and have him tailed.”</p>
</blockquote>

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 ]]></content></entry><entry><title><![CDATA[ Birds With Hats ]]></title><id>tag:nikhil.io,2025://a38a68663a205d608ab1dcc3ab0b7dba</id><updated>2025-06-06T10:35:29.216-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/130516a9047c5e928cfe1b7a3d59b70f/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I <em>love</em> these drawings by <a href="https://www.instagram.com/decker0909/">Matt Decker</a>. I saw a an entire sheet of them at the Minneapolis-Saint Paul International Airport (the artist’s from Rochester) and am glad to note <a href="https://www.etsy.com/shop/birdswithhats">they’re available through his Etsy page</a>. They’re all giclée fine art prints, signed by the artist.</p>
<p>
Here are a few favorites. Three dames and two very Minnesotan bros.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/decker-bird-01.webp" alt="Drawing by Matt Decker - No.12 - &quot;Tufted Titmouse with Cloche&quot; " loading="lazy" decoding="async" width="1588" height="1270"></p>
<div class="muted">
<p>
No.12 - “Tufted Titmouse with Cloche”</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/decker-bird-02.webp" alt="Drawing by Matt Decker - " loading="lazy" decoding="async" width="1588" height="1270"></p>
<div class="muted">
<p>
No.10 - “House Wren with Fancy Hat”</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/decker-bird-03.webp" alt="Drawing by Matt Decker - " loading="lazy" decoding="async" width="1588" height="1270"></p>
<div class="muted">
<p>
No.18 - “American Robin with Floppy Hat”</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/decker-bird-04.webp" alt="Drawing by Matt Decker - No.24 - &quot;Common Loon with Flap Cap&quot;" loading="lazy" decoding="async" width="1588" height="1270"></p>
<div class="muted">
<p>
No.24 - “Common Loon with Flap Cap”</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/decker-bird-05.webp" alt="Drawing by Matt Decker - " loading="lazy" decoding="async" width="1588" height="1270"></p>
<div class="muted">
<p>
No.16 - “Cardinal with Stocking Cap”</p>
</div>

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  <a href="https://nikhil.io/posts/130516a9047c5e928cfe1b7a3d59b70f/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/art/ title="All posts tagged 'art'">art</a>, <a href=https://nikhil.io/tags/birds/ title="All posts tagged 'birds'">birds</a>, <a href=https://nikhil.io/tags/cute/ title="All posts tagged 'cute'">cute</a>, <a href=https://nikhil.io/tags/matt%20decker/ title="All posts tagged 'matt decker'">matt decker</a> and <a href=https://nikhil.io/tags/ornithology/ title="All posts tagged 'ornithology'">ornithology</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Rift Widens Between Elon Musk, Anyone Who Ever Met Him ]]></title><id>tag:nikhil.io,2025://0a015719e5ce53ee9d64cdffafc6a921</id><updated>2025-06-05T14:41:12.665-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://theonion.com/rift-widens-between-elon-musk-anyone-who-ever-met-him/"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/fff3e0075ed559e0bec95b2f2f1e15a0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://theonion.com/rift-widens-between-elon-musk-anyone-who-ever-met-him/" title="Rift Widens Between Elon Musk, Anyone Who Ever Met Him">https://theonion.com/rift-widens-between-elon-musk-anyone-who-ever-met-him/</a><blockquote>
<p>
AUSTIN, TX—Stressing that the billionaire’s completely erratic behavior had strained the already fraught relationships, sources confirmed Thursday that a rift was widening between Elon Musk and anyone who had ever met him. “Elon’s megalomania and tendency to lash out indiscriminately seem to have soured things with every person he’s encountered in his entire life,” said an anonymous source close to the embattled tech mogul, adding that Musk’s staunch refusal to engage in self-reflection or address his many off-putting personal tics had so far estranged him from the White House, his business partners, his neighbors, the mothers of his children, the children themselves, interviewers, investors, restaurant waitstaff, and all others who had directly interacted with him in any manner for any length of time. “These acquaintances are making every effort to distance themselves from Elon, whom they have come to see as a liability and a hindrance to their goals. Even those who have only briefly dealt with him over social media say they no longer wish to be associated. It’s obviously a bad look to have blown up every last one of his interpersonal connections, but knowing Elon, that’ll only make him dig in his heels and make things even worse.” The source added that while the acrimony between Musk and everyone he had ever met was likely irreversible, the falling out had only strengthened his relationship with ketamine.</p>
</blockquote>
<p>
These are our idols. What a world.</p>

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  Tagged <a href=https://nikhil.io/tags/elon%20musk/ title="All posts tagged 'elon musk'">elon musk</a>, <a href=https://nikhil.io/tags/oligarchs/ title="All posts tagged 'oligarchs'">oligarchs</a>, <a href=https://nikhil.io/tags/politics/ title="All posts tagged 'politics'">politics</a>, <a href=https://nikhil.io/tags/technology/ title="All posts tagged 'technology'">technology</a>, <a href=https://nikhil.io/tags/the%20onion/ title="All posts tagged 'the onion'">the onion</a> and <a href=https://nikhil.io/tags/the%20worst/ title="All posts tagged 'the worst'">the worst</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Songs for May 2025 ]]></title><id>tag:nikhil.io,2025://3d8897b5db7e51b09c6786e91b823a53</id><updated>2025-05-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=82PsUyCKuUc"><strong>Touch It (Deep Remix)</strong></a> by Busta Rhymes<br/><span><p>
Here’s <a href="https://www.youtube.com/watch?v=dknjwDyXPf0">the version I heard on Instagram</a>. Fantastic stuff.</p>
</span></li></ol>
  <hr />
  <a href="null" title="Link to this post on my log">Permalink</a>. <br />
  
  
  <a href="mailto:mail@nikhil.io?subject=About: Songs%20for%20May%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Bookmarks for May 2025 ]]></title><id>tag:nikhil.io,2025://1f10311029fc59bfb107401fc4e7cacf</id><updated>2025-05-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://postmarketos.org/"><strong>postmarketOS is Linux for your Smartphone</strong></a> <br/><span></span></li><li><a href="https://hereby.js.org/"><strong>Hereby is a Task Runner for Node</strong></a> <br/><span></span></li><li><a href="https://re-amp.ru/"><strong>reAMP is WinAMP for macOS</strong></a> <br/><span><p>
Written in Swift. Last update was in 2020. There’s also <a href="https://webamp.org/">WebAMP</a>, whose <a href="https://skins.webamp.org/">Skin Gallery</a> puts a smile on my face.</p>
</span></li><li><a href="https://www.keka.io/en/"><strong>Keka, an Unarchiver for macOS</strong></a> <br/><span><p>
Because <a href="https://theunarchiver.com/">The Unarchiver</a> now shows fucking ads.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/u/unarchiver-ads.webp" alt="Ads in the Unarchiver" loading="lazy" decoding="async" width="1156" height="526"></p>
<p>
Yes, I am complaining about a free thing. I have zero problem paying for the application and/or for the ads to go away. We drown in enough shit as it is. Does make me think why I need a separate unarchiver… perhaps for RAR files?</p>
</span></li></ol>
  <hr />
  <a href="null" title="Link to this post on my log">Permalink</a>. <br />
  
  
  <a href="mailto:mail@nikhil.io?subject=About: Bookmarks%20for%20May%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Note 0009 ]]></title><id>tag:nikhil.io,2025://845a5ecda71e5c209887bf938f408dda</id><updated>2025-05-24T10:41:38.055-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0009/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Read <a href="https://archive.is/zXMvK">these</a> <a href="https://archive.is/NuKuV">two</a> articles on the OpenAI and Jony Ive collab. Smelled some familiar bullshit first and felt some déjà vu next.</p>
<figure class="quote">
<blockquote cite="https://archive.is/zXMvK">
<p>
Altman told employees that they had “the chance to do the biggest thing we’ve ever done as a company here,” he said after announcing OpenAI’s plans to purchase Ive’s startup, named io, and give him an expansive creative and design role.</p>
</blockquote>
<figcaption>
Berber Jin, “<a href="https://archive.is/zXMvK">What Sam Altman Told OpenAI About the Secret Device He’s Making With Jony Ive</a>”, <em>Wall Street Journal</em></figcaption>
</figure>
<p>
Thought the biggest thing you set out to do was Artificial <s>General</s> <em>Super</em> Intelligence (for the <a href="https://www.newsweek.com/sam-altman-net-worth-openai-billionaire-1922848">benefit of all humankind</a>, of course).</p>
<p>
Anyway. Ive’s company has a “staff of roughly 55 engineers, scientists, researchers, physicists and product development specialists” (<a href="https://archive.is/NuKuV">source</a>) who appear to be experimenting furiously with what to make, for this is what we’re told the thing will do:</p>
<blockquote>
<p>
The product will be capable of being fully aware of a user’s surroundings and life, will be unobtrusive, able to rest in one’s pocket or on one’s desk, and would be a third core device a person would put on their desk after a MacBook Pro and an iPhone.</p>
<p>
The Wall Street Journal earlier reported that the device won’t be a phone, and that Ive and Altman’s intent is to help wean users off of screens. Altman said the device also isn’t a pair of glasses, and that Ive had been skeptical about building something to wear on the body.</p>
</blockquote>
<p>
Sounds like a sleeker version of this <s>flaming piece of shit</s> daring foray into the future of artificial intelligence and human-computer interaction:</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/rabbit-r1.webp" alt="Rabbit R1" loading="lazy" decoding="async" width="1280" height="720"></p>
<div class="muted">
<p>
Marques Brownlee thought it was “<a href="https://www.youtube.com/watch?v=ddTV12hErTc">Barely Reviewable</a>”. I do like how it looks though.</p>
</div>
<p>
Can’t wait for the Ive video introducing it. And he wouldn’t be the first ex-Apple person with <a href="https://techcrunch.com/2025/02/18/humanes-ai-pin-is-dead-as-hp-buys-startups-assets-for-116m/">too much money who had an idea</a> on how to transform our relationship with our computers. Altman <a href="https://archive.is/lGuSM">invested in that disaster</a> too.</p>
<p>
But I’m a know-nothing curmedgeon and it’s certainly possible that this will be an unalloyed success in the hands of these wizened titans of industry (even if <em>Uber</em>-Curmudgeon <a href="https://www.youtube.com/watch?v=zTQBMtWEm34">Ed Zitron doesn’t think so</a>.) I wish <a href="https://assets.log.nikhil.io/s/sam-jony-io.html">the happy couple</a> the very best of luck 💝</p>

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 ]]></content></entry><entry><title><![CDATA[ V for Vendetta by Alan Moore and David Lloyd ]]></title><id>tag:nikhil.io,2025://615963e0e044582e884dd29094e2365d</id><updated>2025-05-18T05:08:01.677-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/58df1c6a37cc5c1e9e54697aa2b0198a/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
Like many others, I saw the movie first. Good stuff, Natalie Portman is great and Hugo Weaving is fantastic even behind a mask. This novel is <em>not</em> like the movie. Length and character depth aside, it’s very British in its setting, sensibilities, and its response to its time (in the movie, I do remember wondering what Bush-era excesses had to with a fascist state in the UK). It is also is <em>much</em> darker than its film adaptation.</p>
<p>
I think the claim is that anarchy, which Moore defines as a state of being without leaders but not without order, is the only effective resistance to runaway fascism.</p>
<p>
He explores a lot of the latter’s properties: It happens slowly, then suddenly. It metastasizes slowly with both the <a href="/pasta/eeadf51d1e335c7b8c6365f39ecf5f3e/">apathy and consent of a majority</a>. And when it’s here, it’s too late; all resistance (other than anarchy of course) is merely symbolic.</p>
<figure class="quote">
<blockquote>
<p>
There were riots, and people with guns. Nobody knew what was going on. Everyone was waiting for the government to do something. But there wasn’t any government anymore. Just lots of little gangs, all trying to take over. And then in 1992, somebody finally did. It was all the fascist groups, the right-wingers. They’d all got together with some of the big corporations that had survived. ‘<em>Norsefire</em>’ they called themselves. I remember when they marched into London. They had a flag with their symbol on. Everyone was cheering. I thought they were scary.</p>
<p>
They soon got things under control. But then they started taking people away. All the black people and the Pakistanis… White people, too. All the radicals and the men who, you know, liked other men. The homosexuals. I don’t know what they did with them all.</p>
</blockquote>
<figcaption>
<em>V for Vendetta</em>, <em>Book 1: Europe After the Reign</em></figcaption>
</figure>
<p>
Now because there is no firm philosophical center to fascism other than outgroup hate and appeals to some glorious, prosperous, and fictitious age of yore<sup class="footnote-ref"><a href="#fn-fascism-past" id="fnref-fascism-past" title="Link to Footenote fascism-past">1</a></sup>, it <em>will</em> collapse and destroy <em>everyone</em> involved, including the usual prey of minorities and immigrants and other People Not Like Us.</p>
<p>
Moore gives space to almost every character to illustrate this. Like the average person, whether or not they’re True Believers:</p>
<figure class="quote">
<blockquote>
<p>
Dad had been in a socialist group when he was younger. They came for him one September morning in 1993. It was my birthday. I was twelve. I never saw him again.</p>
<p>
They made me go and work in a factory with a lot of other kids. We were putting matches into boxes<sup class="footnote-ref"><a href="#fn-iphone" id="fnref-iphone" title="Link to Footenote iphone">2</a></sup>. I lived in a hostel. It was cold and dirty and I just used to cry all the time. I wanted my dad.</p>
</blockquote>
<figcaption>
<em>V for Vendetta</em>, <em>Book 1: Europe After the Reign</em></figcaption>
</figure>
<p>
Or the bourgeois Top 9.99%<sup class="footnote-ref"><a href="#fn-ruling" id="fnref-ruling" title="Link to Footenote ruling">3</a></sup>, including a few aspiring token minorities who consider themselves the ‘Right People’, who surrender any prior conviction, morality, and common decency to self-aggrandizement (or preservation).</p>
<figure class="quote">
<blockquote>
<p>
Derek, when we married, you remember, I was working at the bank and you were in insurance. We were going to buy a house in Surrey, perhaps have children that was in '87 just before the war. And then, in '92, you joined the Party.</p>
<p>
Mrs. Rana next door loaned us food all through the war years. When they dragged her and her children off in separate vans we didn’t intervene.</p>
<p>
And now you’re dead and I walk home alone each night through riot zones, past lootings, shootings, burning buildings… Now you’re dead and I crouch like an animal and offer my hind-quarters in submission to the world. Now you’re dead and I can’t sleep for being scared; for crying, hating; thinking ‘Who has done this to me?’ I can’t sleep for wanting justice, wanting all the world to know of its unfairness.</p>
</blockquote>
<figcaption>
<em>V for Vendetta</em>, <em>Book 3: The Land of Do-As-You-Please</em></figcaption>
</figure>
<p>
But all this cannot happen at this point in (the end of) history. Alarmist hogwash. Zero contemporary parallels. There is <em>no</em> oligarchic capture of democratic institutions. Wealth inequality is at an all-time <em>low</em>. Unchecked globalization was a raring <em>success</em>. Billionaires need <em>more</em> tax breaks and we are obliged to feel proud when <a href="https://assets.log.nikhil.io/b/billionaires-2000-2025.png">unfettered Capitalism creates the first Trillionaire</a>. The ongoing privatization or outright elimination of public institutions and goods and services <em>will</em> cure the most unfortunate amongst us of their moral and spiritual failings. All xenophobic and economic nationalist movements like Brexit were <em>triumphs</em> of sovereignty and self-determination.</p>
<p>
Social Media companies must exercise their Free Speech rights by absolving themselves of all ethical responsibility to moderate their platforms (“Corporations are People, my Friend”). Think of the shareholders and the executives and their famished households. Climate Change is <em>natural</em>, hence does <em>not</em> require interventions (what would God think?), and will <em>not</em> result in mass humanitarian and allied migration crises. Survival of the Fittest bro, where’s <em>your</em> bunker (or Mars Colony) invite? Taxation and regulation are for communists. <a href="https://www.snopes.com/fact-check/elon-musk-empathy-quote/">Empathy is weakness</a>. Up is down. East is West. Wrong is Right.</p>
<p>
So yeah. No way any of this is building up to anything. Stop listening to hysterical candyasses. It’s not as bad as it seems<sup class="footnote-ref"><a href="#fn-letters" id="fnref-letters" title="Link to Footenote letters">4</a></sup>. This book is a work of fiction written by a crazy <a href="https://en.wikipedia.org/wiki/Alan_Moore">disheveled anarchist</a> and augurs nothing. Relax. Like and subscribe, sign up for my newsletter, buy my coin, and pay for my course on disruptive innovation, bro.</p>
<h2 id="v-is-annoying" tabindex="-1">
V is Annoying <a class="header-anchor" href="#v-is-annoying"><span aria-hidden="true">#</span></a></h2>
<p>
V is portrayed to be very intelligent, well-read and cultured, and an expert planner and strategist. No disagreement here. But <em>Lord</em> is he annoying when he opens his damn mouth. Here’s his reply when Evie asks a perfectly simple “You’re almost finished aren’t you?”</p>
<figure class="quote">
<blockquote>
<p>
See for yourself. The pieces are set out before me, perfectly aligned. Complete, one may at last grasp their design, their grand significance. But ‘almost finished’? Yes. Yes, I suppose I am.</p>
<p>
Though recognition’s been delayed by its circuitous construction, now the pattern, long concealed emerges into view. Is it not fine? Is it not simple and elegant and severe? How strange, after the long exacting toil of preparation that it takes only the slightest effort and less thought to start this brief, elaborate amusement on its breathless, hurtling race: The merest touch, no more… and everything falls into place. The pieces can’t perceive as we the mischief their arrangement tempts: those stolid, law-abiding queues, so pregnant with catastrophe, insensible before the wave so soon released by callous fate. Affected most, they understand the least…</p>
<p>
And understanding, when it comes, invariably arrives too late. Indeed they’ll not know anything’s amiss until they’re caught up in that terrible momentum, possibly mistaking it at first for bold decisive action, some last minute rally to avert disaster, charging to the rescue…</p>
<p>
But they are not charging. They are falling. There… Poor little things. You see them? Standing with their numbers on their blank, indifferent faces. Nuremberg in miniature. The ranks of painted wooden men… Poor dominoes. Down it goes. Your pretty empire took so long to build. Now, with a snap of history’s fingers… down it goes.</p>
</blockquote>
<figcaption>
<em>V for Vendetta</em>, <em>Book 3: The Land of Do-As-You-Please</em></figcaption>
</figure>
<p>
Took me two and a half passes to get through that thicket. More of a yes or no question, Vincenzo. And pray how is the poor girl supposed to react to that edgelord logorrhea? “Uh… word.”</p>
<p>
And that’s just a sample. It’s not enough that he literally tortures her: almost every simple thing she enquires of him leads her to a linguistic hostage situation. There’s no direct answer to anything asked of him, presumably to show that he’s some posthuman “4D Chess” level above the rest. He kept reminding me of a few good-hearted assholes I knew in college, over the age of twenty mind you, who texted and sometimes <em>spoke</em> like this for no fucking reason.</p>
<blockquote>
<p>
ME: “Hey you want a beer?”</p>
<p>
ELLIOT: “Unequivocally. Chilled ferments shall slake my thirst and refresh my frayed cognitive apparatus. You have both my company and gratitude this evening, sir.”</p>
<p>
ME: “Word.”</p>
</blockquote>
<p>
Great book though. I’m sure I’ll read it again. Looking forward to reading something happier.</p>
<div class="footnotes"><ol><li id="fn-fascism-past"><p>
“Why build a better future when you can <a href="https://en.wikipedia.org/wiki/Palingenetic_ultranationalism">write a better past</a>?”<a title="Back to footnote reference" href="#fnref-fascism-past" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-iphone"><p>
Kids need to know how much <em>fun</em> it is to assemble iPhones or work at a meat-packing plant for 15 hours a day. Builds <s>worker-units</s> character.<a title="Back to footnote reference" href="#fnref-iphone" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-ruling"><p>
I consider the remainder the ruling class. I imagine you get to “Owners of the World” past 0.01%.<a title="Back to footnote reference" href="#fnref-ruling" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-letters"><p>
Have you considered Strongly-Worded Letters?<a title="Back to footnote reference" href="#fnref-letters" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ No Time to Think by Unknown ]]></title><id>tag:nikhil.io,2025://37407e52664d5e10b84ce95a8f1f3a6c</id><updated>2025-05-17T10:56:09.466-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.facinghistory.org/resource-library/holocaust-human-behavior-0"/><link rel="alternate" type="text/html" href="https://nikhil.io/pasta/eeadf51d1e335c7b8c6365f39ecf5f3e/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/pasta"><![CDATA[ <!DOCTYPE html><p>by <a href="https://www.facinghistory.org/resource-library/holocaust-human-behavior-0" title="Link to original post I copypasta'd this from">Unknown</a></p><p>
<em>This reading comes from the resource <a href="https://www.facinghistory.org/resource-library/holocaust-human-behavior-0">Facing History and Ourselves: Holocaust and Human Behavior</a>.</em></p>
<p>
In the introduction to <em>Rescuers: Portraits of Moral Courage in the Holocaust</em>, writer Cynthia Ozick states,</p>
<blockquote>
<p>
Indifference is not so much a gesture of looking away — of choosing to be passive — as it is an active disinclination to feel. Indifference shuts down the humane, and does it deliberately, with all the strength deliberateness demands. Indifference is as determined — and as forcefully muscular — as any blow. Indifference to past suffering is a sure sign that there will be indifference to present suffering.</p>
</blockquote>
<p>
Throughout the reading “No Time to Think,” the slow, incremental, yet willful choice to not act, to become a bystander and to remain indifferent is revealed. Ozick reminds us that the bystander—the one who does not take part in any evil act directly, but turns away —is still a participant. “the act of turning away, however empty-handed and harmlessly, remains nevertheless an act.”</p>
<p>
Milton Mayer, an American college professor, wanted to find out how ordinary people reacted to Hitler’s policies and philosophy. Seven years after the war, he interviewed German men from a cross-section of society. One of them, a college professor, told Mayer how he responded.</p>
<h2 id="so-much-activity" tabindex="-1">
So Much Activity <a class="header-anchor" href="#so-much-activity"><span aria-hidden="true">#</span></a></h2>
<p>
[My] Middle High German was my life. It was all I cared about. I was a scholar, a specialist. Then, suddenly, I was plunged into all the new activity, as the university was drawn into the new situation; meetings, conferences, interviews, ceremonies, and, above all, papers to be filled out, reports, bibliographies, lists, questionnaires. And on top of that were demands in the community, the things in which one had to, was “expected to” participate that had not been there or had not been important before. It was all rigamarole, of course, but it consumed all one’s energies, coming on top of the work one really wanted to do. You can see how easy it was, then, not to think about fundamental things. One had no time.</p>
<h2 id="too-busy-to-think" tabindex="-1">
Too Busy to Think <a class="header-anchor" href="#too-busy-to-think"><span aria-hidden="true">#</span></a></h2>
<p>
…The dictatorship, and the whole process of its coming into being, was above all diverting. It provided an excuse not to think for people who did not want to think anyway. I do not speak of your “little men,” your baker and so on; I speak of my colleagues and myself, learned men, mind you. Most of us did not want to think about fundamental things and never had. There was no need to. Nazism gave us some dreadful, fundamental things to think about – we were decent people – and kept us so busy with continuous changes and “crises” and so fascinated, yes, fascinated, by the machinations of the “national enemies,” without and within, that we had no time to think about these dreadful things that were growing, little by little, all around us. Unconsciously, I suppose we were grateful. Who wants to think.</p>
<h2 id="waiting-to-react" tabindex="-1">
Waiting to React <a class="header-anchor" href="#waiting-to-react"><span aria-hidden="true">#</span></a></h2>
<p>
One doesn’t see exactly where or how to move. Believe me, this is true. Each act, each occasion, is worse than the last, but only a little worse. You wait for the next and the next. You wait for one great shocking occasion, thinking that others, when such a shock comes, will join with you in resisting somehow. You don’t want to act, or even talk alone; you don’t want to “go out of your way to make trouble.” Why not? – Well, you are not in the habit of doing it. And it is not just fear, fear of standing alone, which restrains you; it is also genuine uncertainty.</p>
<h2 id="uncertainty" tabindex="-1">
Uncertainty <a class="header-anchor" href="#uncertainty"><span aria-hidden="true">#</span></a></h2>
<p>
Uncertainty is a very important factor, and, instead of decreasing as time goes on, it grows. Outside, in the streets, in the general community, “everyone” is happy. One hears no protest, and certainly sees none. You know, in France or Italy there would be slogans against the government painted on walls and fences; in Germany, outside the great cities, perhaps, there is not even this. In the university community, in your own community, you speak privately to your colleagues, some of whom certainly feel as you do; but what do they say? They say, “It’s not so bad” or “You’re seeing things” or “You’re an alarmist.”</p>
<p>
And you are an alarmist. You are saying that this must lead to this, and you can’t prove it. These are the beginnings; yes; but how do you know for sure when you don’t know the end, and how do you know, or even surmise, the end? On the one hand, your enemies, the law, the regime, the Party, intimidate you. On the other, your colleagues pooh-pooh you as pessimistic or even neurotic. You are left with your close friends, who are, naturally, people who have always thought as you have.</p>
<p>
But your friends are fewer now. Some have drifted off somewhere or submerged themselves in their work. You no longer see as many as you did at meetings or gatherings. Informal groups become smaller; attendance drops off in little organizations, and the organizations themselves wither. Now, in small gatherings of your older friends, you feel that you are talking to yourselves, that you are isolated from the reality of things. This weakens your confidence still further and serves as a further deterrent to – to what? It is clearer all the time that, if you are going to do anything, you must make an occasion to do it, and then you are obviously a troublemaker. So you wait, and you wait.</p>
<h2 id="small-steps" tabindex="-1">
Small Steps <a class="header-anchor" href="#small-steps"><span aria-hidden="true">#</span></a></h2>
<p>
But the one great shocking occasion, when tens or hundreds of thousands will join with you, never comes. That’s the difficulty. If the last and worst act of the whole regime had come immediately after the first and smallest, thousands, yes millions, would have been sufficiently shocked – if, let us say, the gassing of the Jews in '43 had come immediately after the “German Firm” stickers on the windows of non-Jewish shops in '33. But of course this isn’t the way it happens. In between come all the hundreds of little steps, some of them imperceptible, each of them preparing you not to be shocked by the next. Step C is not so much worse than Step B, and, if you did not make a stand at Step B, why should you at Step C? And so on to Step D.</p>
<h2 id="too-late" tabindex="-1">
Too Late <a class="header-anchor" href="#too-late"><span aria-hidden="true">#</span></a></h2>
<p>
And one day, too late, your principles, if you were ever sensible of them, all rush in upon you. The burden of self deception has grown too heavy, and some minor incident, in my case my little boy, hardly more than a baby, saying “Jew swine,” collapses it all at once, and you see that everything, everything, has changed and changed completely under your nose. The world you live in – your nation, your people – is not the world you were born in at all. The forms are all there, all untouched, all reassuring, the houses, the shops, the jobs, the mealtimes, the visits, the concerts, the cinema, the holidays. But the spirit, which you never noticed because you made the lifelong mistake of identifying it with the forms, is changed. Now you live in a world of hate and fear, and the people who hate and fear do not even know it themselves; when everyone is transformed, no one is transformed. Now you live in a system which rules without responsibility even to God. The system itself could not have intended this in the beginning, but in order to sustain itself it was compelled to go all the way.</p>
<h2 id="living-with-new-morals" tabindex="-1">
Living with New Morals <a class="header-anchor" href="#living-with-new-morals"><span aria-hidden="true">#</span></a></h2>
<p>
You have gone almost all the way yourself. Life is a continuing process, a flow, not a succession of acts and events at all. It has flowed to a new level, carrying you with it, without any effort on your part. On this new level you live, you have been living more comfortably every day, with new morals, new principles. You have accepted things you would not have accepted five years ago, a year ago, things that your father, even in Germany, could not have imagined.</p>
<p>
Suddenly it all comes down, all at once. You see what you are, what you have done, or, more accurately, what you haven’t done (for that was all that was required of most of us: that we do nothing). You remember those early meetings of your department in the university when, if one had stood, others would have stood, perhaps, but no one stood. A small matter, a matter of hiring this man or that, and you hired this one rather than that. You remember everything now, and your heart breaks. Too late. You are compromised beyond repair.</p>
<hr>
<h3 id="endnotes" tabindex="-1">
Endnotes <a class="header-anchor" href="#endnotes"><span aria-hidden="true">#</span></a></h3>
<p>
¹ Milton Mayer, <em>They Thought They Were Free</em>, 177-181</p>
<h3 id="connection-questions" tabindex="-1">
Connection Questions <a class="header-anchor" href="#connection-questions"><span aria-hidden="true">#</span></a></h3>
<ol>
<li>
<p>
Why did the professor obey? What factors led to his decision? How did he evaluate that decision nearly twenty years later? How do you evaluate it? Why does he emphasize the small steps he took? How do each of those small steps make it easier to take no action at all?</p>
</li>
<li>
<p>
Draw an identity chart for the professor. What aspects of his identity may have influenced the<br>
decisions he made in 1933? How do you think life in a world dominated by fear affected the choices<br>
he made?</p>
</li>
<li>
<p>
Reread Peter Drucker’s decision (Reading 8). Compare it to those described in this reading. Does an individual have the responsibility to take a stand? When? Under what circumstances?</p>
</li>
<li>
<p>
How might “thinking” have made a difference in the professor’s decisions? At what point did the<br>
state take on so much power or the person give up so much power that human qualities were suppressed in the name of patriotism? Is it possible to think too much? Can thinking too much<br>
paralyze one’s responses?</p>
</li>
</ol>

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 ]]></content></entry><entry><title><![CDATA[ Hiroshi Yoshida in India ]]></title><id>tag:nikhil.io,2025://8aa539629e705bf0ac1c07f4fcfc4bd8</id><updated>2025-05-16T06:31:46.992-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/668dedf4bd205f43acf67b4fca52e8cd/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
<a href="https://en.wikipedia.org/wiki/Hiroshi_Yoshida">Hiroshi Yoshida</a> (1876 - 1950) was a renowned painter and printmaker who traveled far and wide. These are a few from his 32-panel “<em>India and Southeast Asia</em>” series. I found myself staring at each for a long while and am absolutely in love<sup class="footnote-ref"><a href="#fn-herge" id="fnref-herge" title="Link to Footenote herge">1</a></sup>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-01.webp" alt="A watercolor by Hiroshi Yoshida 01" loading="lazy" decoding="async" width="1191" height="828"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-02.webp" alt="A watercolor by Hiroshi Yoshida 02" loading="lazy" decoding="async" width="1217" height="824"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-03.webp" alt="A watercolor by Hiroshi Yoshida 03" loading="lazy" decoding="async" width="1280" height="908"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-04.webp" alt="A watercolor by Hiroshi Yoshida 04" loading="lazy" decoding="async" width="1280" height="904"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-08.webp" alt="A watercolor by Hiroshi Yoshida 08" loading="lazy" decoding="async" width="1595" height="1145"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-09.webp" alt="A watercolor by Hiroshi Yoshida 09" loading="lazy" decoding="async" width="1419" height="1000"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-07.webp" alt="A watercolor by Hiroshi Yoshida 07" loading="lazy" decoding="async" width="1600" height="1036"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-05.webp" alt="A watercolor by Hiroshi Yoshida 05" loading="lazy" decoding="async" width="543" height="839"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-10.webp" alt="A watercolor by Hiroshi Yoshida 10" loading="lazy" decoding="async" width="1100" height="1650"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-11.webp" alt="A watercolor by Hiroshi Yoshida 11" loading="lazy" decoding="async" width="736" height="1044"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-12.webp" alt="A watercolor by Hiroshi Yoshida 12" loading="lazy" decoding="async" width="769" height="1168"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-13.webp" alt="A watercolor by Hiroshi Yoshida 13" loading="lazy" decoding="async" width="736" height="1125"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-06.webp" alt="A watercolor by Hiroshi Yoshida 06" loading="lazy" decoding="async" width="560" height="859"><br>
<img src="https://assets.log.nikhil.io/_optimized/y/yoshida-14.webp" alt="A watercolor by Hiroshi Yoshida 14" loading="lazy" decoding="async" width="2790" height="616"></p>
<div class="footnotes"><ol><li id="fn-herge"><p>
I do not know what style this is but they remind me a lot of <a href="https://en.wikipedia.org/wiki/Herg%C3%A9">Hergé</a> for some reason.<a title="Back to footnote reference" href="#fnref-herge" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/art/ title="All posts tagged 'art'">art</a>, <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a>, <a href=https://nikhil.io/tags/hiroshi%20yoshida/ title="All posts tagged 'hiroshi yoshida'">hiroshi yoshida</a>, <a href=https://nikhil.io/tags/india/ title="All posts tagged 'india'">india</a>, <a href=https://nikhil.io/tags/japan/ title="All posts tagged 'japan'">japan</a>, <a href=https://nikhil.io/tags/japanese%20art/ title="All posts tagged 'japanese art'">japanese art</a> and <a href=https://nikhil.io/tags/watercolors/ title="All posts tagged 'watercolors'">watercolors</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Note 0008 ]]></title><id>tag:nikhil.io,2025://a3ceb472dd8251e381b2507fa10bfc58</id><updated>2025-05-12T05:27:16.275-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0008/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
“<strong>Ni lerdo, Ni Perezoso</strong>”</p>
<p>
My co-worker from Argentina shared this idiom after another delivered some delightful Friday Value™. It means “neither slow nor lazy” and is commonly used to describe people who attend to a situation quickly, decisively, and sometimes unexpectedly, with no hesitation.</p>

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 ]]></content></entry><entry><title><![CDATA[ This is a fantastic tour of a Hundred Concepts in Physics ]]></title><id>tag:nikhil.io,2025://b9e773b40ee25e8c81d3044461154f9a</id><updated>2025-05-11T10:30:23.613-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=ZffEvgEE-hc"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/52cc7138d2b659f6b119747a958629f6/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=ZffEvgEE-hc" title="This is a fantastic tour of a Hundred Concepts in Physics">https://www.youtube.com/watch?v=ZffEvgEE-hc</a><p>
No math/equations. Just clear and concise overviews of topics. Made as a video to fall asleep to!</p>

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 ]]></content></entry><entry><title><![CDATA[ The First Third of 2025 ]]></title><id>tag:nikhil.io,2025://fb352bc634095f3798e27754278e8661</id><updated>2025-05-08T14:10:45.312-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/e80e054b20cd5845a575fc3b9cfdf208/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
<img src="https://assets.log.nikhil.io/_optimized/l/lovenstein-sad-scared.webp" alt="A comic by Mr. Lovenstein" loading="lazy" decoding="async" width="1125" height="1125"></p>
<p>
I’d say things are going <a href="/posts/ff22ad0367ae58bfa5ce1847ee866fdb/">pretty well</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ The Insane Lore of Mortal Kombat ]]></title><id>tag:nikhil.io,2025://986435c26e6654118158a4e073ba0fcf</id><updated>2025-05-03T11:17:19.473-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=uONBue4gt_M"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/aef56ae356945e27a35eceabd16735be/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=uONBue4gt_M" title="The Insane Lore of Mortal Kombat">https://www.youtube.com/watch?v=uONBue4gt_M</a><p>
A three-hour rundown of the game’s mythology from the 1992 <em>Mortal Kombat</em> to 2023’s <em>Mortal Kombat 1</em> by ClementJ64. For a more extensive historical overview that doesn’t get into the mythology, there’s Ian Scherer’s excellent “<a href="https://www.youtube.com/watch?v=GoVI0q0uBnw"><em>The History of Mortal Kombat</em></a>”<sup class="footnote-ref"><a href="#fn-mortal-kombat-dad" id="fnref-mortal-kombat-dad" title="Link to Footenote mortal-kombat-dad">1</a></sup>. Lots of dedicated research in both videos for a beloved thirty year-old franchise.</p>
<p>
And there’s no “<em>Game of Thrones</em>”-level storytelling or world-building here. It’s a fighting video game where the characters’ abilities matter more than their stories or relationships. It’s <em>fairly</em> cogent but they do make things up as needed from one title to the next and every fan adjusts accordingly and is A-OK with the good fun of it all<sup class="footnote-ref"><a href="#fn-ermac" id="fnref-ermac" title="Link to Footenote ermac">2</a></sup>. The only thing of importance to me is whether Sub-Zero and Scorpion are bros or sworn enemies across successive titles.</p>
<p>
I didn’t think of the resources the game devs saved by giving us a nice rainbow palette of ninja-clones<sup class="footnote-ref"><a href="#fn-ninjess" id="fnref-ninjess" title="Link to Footenote ninjess">3</a></sup> and this makes total sense. At least in the Good Old Days, color replacements and eleventh-hour backstories were cheaper than the space and memory required for brand new characters.</p>
<!-- ![](/misc/m/mortal-kombat-ninjas.png) -->
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/mortal-kombat-ninjas-3.webp" alt="The Ninjas of Mortal Kombat" loading="lazy" decoding="async" width="500" height="250"></p>
<div class="muted">
<p>
L-R: Scorpion, Sub-Zero, Noob Saibot, Smoke, Reptile, Ermac, Rain (<a href="https://discover.hubpages.com/games-hobbies/Ranking-The-Mortal-Kombat-Ninjas">Source</a>)</p>
</div>
<p>
It’s an old and ingenious trick and I love it.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/mario-cloud-bush.webp" alt="Sprite reuse in Super Mario Bros. The Clouds and Bushes are the same sprite" loading="lazy" decoding="async" width="750" height="447"></p>
<div class="muted">
<p>
Sprite reuse in <em>Super Mario Bros</em> (<a href="https://old.reddit.com/r/gaming/comments/8ij644/the_bushes_and_clouds_in_super_mario_bros_are_the/">Source</a>)</p>
</div>
<h3 id="plus" tabindex="-1">
Plus <a class="header-anchor" href="#plus"><span aria-hidden="true">#</span></a></h3>
<p>
My cousin introduced me to the very first title and I was hooked. My dad bought us <em>Mortal Kombat 3</em> for the PC at <a href="https://www.gitex.com/">GITEX</a> and I still remember my amazement and excitement. My sister and I spent a <em>lot</em> of time playing it (my favorites were Sub-Zero and Sektor and hers Sonya Blade, Sheeva, and Scorpion). Good times 🥋 And there was, of course, <a href="https://www.youtube.com/watch?v=UJ7N0NvRuc8">the absolutely legendary soundtrack</a>.</p>
<p>
My favorite memory is when we learned that there was a secret character (Smoke the Ninja) that we couldn’t unlock. My sister and I wrote a letter to Midway, to their address on the box (it was in the UK iirc), asking for help. A month later, a full guide showed up with happy notes from a few people. What a gesture; I wish I still had this most lovely document. We were beside ourselves with excitement but I wish we wrote a thank you letter.</p>
<p>
Should I need to duel my sister after twenty-four years, <a href="https://mkombat.plus/">there’s Mortal Kombat+</a>, which is a set of enhancements and bugfixes to the original trio of games. <em>Fight!</em></p>
<div class="footnotes"><ol><li id="fn-mortal-kombat-dad"><p>
Which ends with a very touching reminiscence and dedication 🙏<a title="Back to footnote reference" href="#fnref-mortal-kombat-dad" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-ermac"><p>
Here’s a great example. “A counter for ERMACS (short for error macros) on the game’s audits screen was additionally interpreted by players as referring to a second hidden character named Ermac. Midway denied the character’s existence in the series before adding him to Ultimate Mortal Kombat 3 in response to the player rumors and feedback.” (<a href="https://en.wikipedia.org/wiki/Mortal_Kombat#Hidden_content"><em>Wikipedia</em></a>).<br /><br />So they add him to the game and make him “a fusion of the many souls destroyed in Outworld’s wars, only to be controlled by Emperor Shao Kahn and his Shadow Priests. Because of this, he refers to himself as ‘we’, ‘our’, ‘us’, and ‘ours’, instead of ‘I’, ‘my’ ‘me’, and ‘mine’. Because of the sheer concentration of souls within Ermac, he possesses the gifts of telekinesis, teleportation, and the ability to travel between realms.” (<a href="https://mortalkombat.fandom.com/wiki/Ermac#Character_development"><em>MK Wiki</em></a>)<a title="Back to footnote reference" href="#fnref-ermac" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-ninjess"><p>
Same deal with ninjesses <a href="https://www.google.com/search?sca_esv=7b0a5527c83f8939&amp;sxsrf=AHTn8zoBj6_5TlculI5YZgMOz8KydeNsEA:1746306547706&amp;q=kitana+mileena+jade&amp;udm=2&amp;fbs=ABzOT_CWdhQLP1FcmU5B0fn3xuWpA-dk4wpBWOGsoR7DG5zJBkzPWUS0OtApxR2914vrjk60CMaA0jPMd-1UByCaBk9RkR5TYqOiT6ScESjovcjoQvczWGzfl03gMqmV3swMnlZQ_zWql06YMJHv3IWcHmQxo_yTbBwx_VnuFz1a5xU3f4UVesz7l7AFTQwYew6bFvVJ452QJ0d3IhcnL_yskYGg0XzmEg&amp;sa=X&amp;ved=2ahUKEwjfrMfrmoiNAxUWw_ACHfjxNXQQtKgLegQIERAB&amp;biw=1030&amp;bih=954&amp;dpr=2">Kitana, Mileena, and Jade</a>.<a title="Back to footnote reference" href="#fnref-ninjess" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ On Dollar Tree, Subway, Wells Fargo, Self-Storage, Made in China, and Strip Malls ]]></title><id>tag:nikhil.io,2025://2c406c3a0cfd542e96404c7c8fca92ce</id><updated>2025-05-03T07:52:24.324-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/84f4dbe4c7ca5046b8329fe9f95082c0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote>
<p>
Me before Japan: I don’t need to weeb out over everything. Every place has its pros and cons.</p>
<p>
Me after Japan: unfettered corporate capitalism has ravaged the quality of life in America. I am envious of the plethora of small businesses and vendors on every block in Japan, many of which have owners who are passionate about their craft and expertise. I am envious of the quality of their foods, products, and services, even from the humblest of sources, and their pride in that quality.</p>
</blockquote>
<figcaption>
@lololouislolol</figcaption>
</figure>
<p>
And if you’re as old and uncool as I am:</p>
<figure class="quote">
<blockquote cite="https://www.dictionary.com/e/slang/weeb/">
<p>
<em>Weeb</em> is a short form of <em>weeaboo</em>, a term first used by users of 4chan to insult obsessive fans of Japanese culture.</p>
</blockquote>
<figcaption>
<a href="https://www.dictionary.com/e/slang/weeb/">Dictionary.com</a></figcaption>
</figure>
<p>
But that’s not entirely accurate. There’s an important distinction.</p>
<figure class="quote">
<blockquote cite="https://www.urbandictionary.com/define.php?term=Weeb">
<p>
A <em>weeb</em> is a person who is interested in anime and Japanese culture. There is an important difference between a <em>weeb</em> and a <em>weeaboo</em>. The latter is a person who denounced their own culture, believe they are, or want to become, Japanese, they have a <em>waifu</em> or body pillow if some sort and watch hentai. <em>Weebs</em> are normal people who like anime and may have some merch.</p>
</blockquote>
<figcaption>
<a href="https://www.urbandictionary.com/define.php?term=Weeb">UrbanDictionary.com</a></figcaption>
</figure>
<p>
Not looking up “waifu”. I think enough’s enough here.</p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for April 2025 ]]></title><id>tag:nikhil.io,2025://8fee1d3ad06951fb971a916844542148</id><updated>2025-04-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=J76S5q_ETfo"><strong>Kamukamo-Shikamo-Nidomokamo</strong></a> by haku<br/><span><p>
About as addicting as a song can get. It’s cover of <a href="https://www.youtube.com/watch?v=w9CvXg4jpZU">this song</a> by Mono No Aware. Amazing.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=zTXHTzHMWfw"><strong>Encore</strong></a> by Alim Qasimov et al<br/><span><p>
Absolutely breathtaking. <a href="https://en.wikipedia.org/wiki/Alim_Qasimov">Qasimov’s</a> apparently a big deal in Azerbaijan. <a href="https://en.wikipedia.org/wiki/Farghana_Qasimova">His daughter</a> sang with Nusrat!</p>
</span></li><li><a href="https://www.youtube.com/watch?v=Z_BpEL1IDr4"><strong>Jo</strong></a> by Goldfrapp<br/><span><p>
BLN sent me this and I’ve listened to it on loop for the past few days (overcast weather is the perfect complement). Simply sublime.</p>
</span></li></ol>
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  <a href="mailto:mail@nikhil.io?subject=About: Songs%20for%20April%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Bookmarks for April 2025 ]]></title><id>tag:nikhil.io,2025://74a183a0cd395d0d8b71f6262770c5ea</id><updated>2025-04-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.navidrome.org/"><strong>Navidrome is a free, open-source music player with a web UI</strong></a> <br/><span><p>
Here’s <a href="https://demo.navidrome.org/">a demo site</a> (demo:demo). I was able to launch it in under 30 seconds (M2 MacBook Air, 24GiB) against a ~200GiB music library.</p>
<p>
UX and beets integration aside, it’s essentially what <a href="https://github.com/afreeorange/rosolli">I tried to build</a> a long while ago. A <em>simple</em> music player (based on Rust/Golang, SQLite, and simple Web APIs) whose UI made sense to normal and reasonable people and not ambitious product managers.</p>
</span></li><li><a href="https://www.fintunes.app/"><strong>Fintunes allows you to access JellyFin audio from anywhere</strong></a> <br/><span><p>
Another, native iOS, app is <a href="https://tilosoftware.io/manet/">Manet</a>. Yet another is <a href="https://github.com/jmshrv/finamp">Finamp</a>. I use Plex and not Jellyfin. There appears to be an official such app for Plex called <a href="https://www.plex.tv/plexamp/">Plexamp</a>.</p>
</span></li><li><a href="http://uniforumchicago.org/slides/bash1.pdf"><strong>Advanced Shell-Scripting with bash</strong></a> <br/><span><p>
Been writing <code>bash</code> scripts for over 15 years now. Learned a lot from this presentation. There’s also <a href="https://tldp.org/LDP/abs/html/">this advanced <code>bash</code> scripting guide</a> I’ve referred to for a while now.</p>
</span></li><li><a href="https://assets.log.nikhil.io/h/hieroglyphs-guide.pdf"><strong>A Half-Hour Guide to Writing your Name in Hieroglyphs</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Mirage by Glass Beams (2021) ]]></title><id>tag:nikhil.io,2025://4a3dcf37aa2053f58de74d850b26569e</id><updated>2025-04-28T15:07:15.583-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/albums/2d4ac683d574548e8eab956e11e8319b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/albums"><![CDATA[ 
      <p>
This was my first <em>Glass Beams</em> album. Enjoyed it without even knowing of <a href="https://www.youtube.com/watch?v=E4X56wIOZns">their mesmerizing stage presence</a>. Here’s <a href="https://glassbeams.bandcamp.com/album/mirage">their Bandcamp page</a>.</p>

      <p>Overall rating: Aundefined</p>
      <h3>Tracks</h3>
      <!DOCTYPE html><ul><li><div><span>Mirage</span> <div class="stars " style="--rating: 5;"><span>Rating: </span><span>A</span></div></div><div class="prose no-margin"><p>
Hypnotic af.</p>
</div></li><li><div><span>Taurus</span> <div class="stars " style="--rating: 5;"><span>Rating: </span><span>A</span></div></div></li><li><div><span>Kong</span> <div class="stars " style="--rating: 5;"><span>Rating: </span><span>A</span></div></div></li><li><div><span>Rattlesnake</span> <div class="stars " style="--rating: 5;"><span>Rating: </span><span>A</span></div></div><div class="prose no-margin"><p>
My favorite track by a mile. A most lovely pace to it. Somehow reminds me of vintage Bollywood background scores (especially the ones backing villains or chase scenes).</p>
</div></li></ul>
    
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 ]]></content></entry><entry><title><![CDATA[ 'Seeing' Radioactivity in a Cloud Chamber ]]></title><id>tag:nikhil.io,2025://adbde07047bc5dd982d4d1ee6db31407</id><updated>2025-04-28T14:53:02.261-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/shorts/aKCV--kaI8Q"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/2bbc86eb3ada55f98f6d077969af42be/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/shorts/aKCV--kaI8Q" title="‘Seeing’ Radioactivity in a Cloud Chamber">https://www.youtube.com/shorts/aKCV--kaI8Q</a><p>
This is super-cool. They place a piece of Uranium Oxide in a cloud chamber and you can actually <em>see</em> two kinds of radioactive ‘bullets’ just flying out of the sample:</p>
<ol>
<li>
<a href="https://en.wikipedia.org/wiki/Alpha_particle">Alpha particles</a>, which make shorter and chonkier streaks because they’re Helium nucleii which are much heavier than:</li>
<li>
<a href="https://en.wikipedia.org/wiki/Beta_particle">Beta particles</a> which make longer and thinner streaks as they’re light little electrons (or positrons)</li>
</ol>

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  Tagged <a href=https://nikhil.io/tags/chemistry/ title="All posts tagged 'chemistry'">chemistry</a>, <a href=https://nikhil.io/tags/physics/ title="All posts tagged 'physics'">physics</a>, <a href=https://nikhil.io/tags/radioactivity/ title="All posts tagged 'radioactivity'">radioactivity</a> and <a href=https://nikhil.io/tags/youtube/ title="All posts tagged 'youtube'">youtube</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: 'Seeing'%20Radioactivity%20in%20a%20Cloud%20Chamber">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Black Bag (2025) ]]></title><id>tag:nikhil.io,2025://8dccbc0e8a705c659eccf673b484cf5e</id><updated>2025-04-28T14:02:15.211-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/16cd6f57a942515e80efa96d0207c31a/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Stylish and polished spy caper from Soderbergh and Company. Not a single wasted moment: witty, engaging, lavish, taut, nothing more, nothing less. About as lean and efficient as the spies it features.</p>
<p>
The soundtrack’s by David Holmes, a longtime collaborator (did the <em>Oceans</em> trilogy with him, for example). At just 28 minutes, it’s as brief and engrossing as the movie.</p>
<p>
I did wonder how most characters managed to look <em>ridiculously</em> dapper and live and work in spacious and sumptuously furnished homes and offices on their government salaries.</p>
<p>
The typeface used in the poster and titles is <a href="https://www.zetafonts.com/aristotelica">Aristotelica</a>, a “rounded geometric sans” that, like all other elements (soundtrack, locations, pacing), just <em>fits</em> the movie as well as Pierce Brosnan’s bespoke suits.</p>

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  Tagged <a href=https://nikhil.io/tags/cate%20blanchett/ title="All posts tagged 'cate blanchett'">cate blanchett</a>, <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/michael%20fassbender/ title="All posts tagged 'michael fassbender'">michael fassbender</a>, <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>, <a href=https://nikhil.io/tags/pierce%20brosnan/ title="All posts tagged 'pierce brosnan'">pierce brosnan</a>, <a href=https://nikhil.io/tags/spy%20movies/ title="All posts tagged 'spy movies'">spy movies</a> and <a href=https://nikhil.io/tags/steven%20soderbergh/ title="All posts tagged 'steven soderbergh'">steven soderbergh</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Black%20Bag">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ A Working Man (2025) ]]></title><id>tag:nikhil.io,2025://55f95d0e488b5eb088c9f54436a84d45</id><updated>2025-04-28T11:01:32.675-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/dd93d6b815005bfab230f046abd026fe/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
This is yet <a href="/media/f016880d50a952888244d310cddd5a46">another <code>$JASON_STATHAM_MOVIE</code></a>. He’s in construction now and a beloved foreman and leader of people (of course).</p>
<p>
And they still won’t leave him alone.</p>
<p>
<img src="https://assets.log.nikhil.io/t/they-pull-me-back-in.gif" alt="Scene from Godfather III with Al Pacino saying Just when I thought I was out, they pulled me back in" loading="lazy" decoding="async" width="480" height="258"></p>
<p>
What’s different this time: There’s this whole <em>John Wick</em>-style Russian criminal brotherhood involved here. I really didn’t give a shit about this setup or any character, <em>with the exception</em> of <a href="https://en.wikipedia.org/wiki/Andrej_Kaminsky">Andrej Kaminsky</a> as uberboss Symon Kharchenko. He speaks softly, moves slowly, and there’s this Anton Chigur-like menace to him<sup class="footnote-ref"><a href="#fn-dealing-with-bullies" id="fnref-dealing-with-bullies" title="Link to Footenote dealing-with-bullies">1</a></sup>.</p>
<p>
It was needlessly long too. I’ll just wait for the next one 🙏 My bet on which sweaty and grimy blue-collar job it’ll be is Welder. A close second is Logger, and in some really, really remote place where he can use his jungle combat and tracker (and trap-setting) skills 🔥</p>
<div class="footnotes"><ol><li id="fn-dealing-with-bullies"><p>
Here’s him <a href="https://www.youtube.com/watch?v=d7KUzbmkvQA">talking about how to deal with bullies</a> (assuming some other character).<a title="Back to footnote reference" href="#fnref-dealing-with-bullies" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  <a href="https://nikhil.io/media/dd93d6b815005bfab230f046abd026fe/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/action%20movies/ title="All posts tagged 'action movies'">action movies</a>, <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/jason%20statham/ title="All posts tagged 'jason statham'">jason statham</a> and <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: A%20Working%20Man">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ On Chores ]]></title><id>tag:nikhil.io,2025://630774cf2afa50328e7b64a790a017e1</id><updated>2025-04-21T07:35:30.011-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/fef22f0987a95b0cb36b586f9a7bb370/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote>
<p>
“I don’t like cleaning or dusting or cooking or doing dishes, or any of those things,&quot; I explained to her. “And I don’t usually do it. I find it boring, you see.”</p>
<p>
“Everyone has to do those things,” she said.</p>
<p>
“Rich people don’t,” I pointed out.</p>
<p>
Juniper laughed, as she often did at things I said in those early days, but at once became quite serious.</p>
<p>
“They miss a lot of fun,” she said. “But quite apart from that – keeping yourself clean, preparing the food you are going to eat, clearing it away afterward – that’s what life’s about, Wise Child. When people forget that, or lose touch with it, then they lose touch with other important things as well.”</p>
<p>
“Men don’t do those things.”</p>
<p>
&quot;Exactly. Also, as you clean the house up, it gives you time to tidy yourself up inside – you’ll see.”</p>
</blockquote>
<figcaption>
Monica Furlong, “<em>Wise Child</em>”</figcaption>
</figure>

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  Tagged <a href=https://nikhil.io/tags/books/ title="All posts tagged 'books'">books</a>, <a href=https://nikhil.io/tags/childrens%20books/ title="All posts tagged 'childrens books'">childrens books</a>, <a href=https://nikhil.io/tags/life/ title="All posts tagged 'life'">life</a> and <a href=https://nikhil.io/tags/quotes/ title="All posts tagged 'quotes'">quotes</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: On%20Chores">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Trip-Hop A-Z by /r/triphop ]]></title><id>tag:nikhil.io,2025://bc3c3c7318cf5801851d8497615d90d1</id><updated>2025-04-21T06:45:07.793-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://old.reddit.com/r/triphop/comments/1gw7brl/trip_hop_a_to_z_final_results/"/><link rel="alternate" type="text/html" href="https://nikhil.io/pasta/bf0f3766fb125611bc7c723c85d80548/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/pasta"><![CDATA[ <!DOCTYPE html><p>by <a href="https://old.reddit.com/r/triphop/comments/1gw7brl/trip_hop_a_to_z_final_results/" title="Link to original post I copypasta'd this from">/r/triphop</a></p><p>
A crowdsourced list of the best trip-hop songs with each letter of the alphabet. Most popular are Massive Attack and Portishead (no surprises here). Here’s a <a href="https://www.youtube.com/watch?v=hbe3CQamF8k&amp;list=PLfNuUkrofniGlloyeIv0Ye3qARI6B1yrD">YouTube playlist</a>.</p>
<div class="table-wrapper"><table>
<thead>
<tr>
<th>
Track</th>
<th>
Artist</th>
<th>
</th>
</tr>
</thead>
<tbody>
<tr>
<td>
Angel</td>
<td>
Massive Attack</td>
<td>
<a href="https://www.youtube.com/watch?v=hbe3CQamF8k">link</a></td>
</tr>
<tr>
<td>
Building Steam With A Grain of Salt</td>
<td>
DJ Shadow</td>
<td>
<a href="https://www.youtube.com/watch?v=HORLJvUMs08">link</a></td>
</tr>
<tr>
<td>
Cowboys</td>
<td>
Portishead</td>
<td>
<a href="https://www.youtube.com/watch?v=ApQpx-MVk0w">link</a></td>
</tr>
<tr>
<td>
Destiny</td>
<td>
Zero 7</td>
<td>
<a href="https://www.youtube.com/watch?v=U_OKigBRqBI">link</a></td>
</tr>
<tr>
<td>
Eple</td>
<td>
Röyksopp</td>
<td>
<a href="https://www.youtube.com/watch?v=KkD7a82mTvY">link</a></td>
</tr>
<tr>
<td>
Fear of Flying</td>
<td>
Bowery Electric</td>
<td>
<a href="https://www.youtube.com/watch?v=v5kRrLmGJho">link</a></td>
</tr>
<tr>
<td>
Glory Box</td>
<td>
Portishead</td>
<td>
<a href="https://www.youtube.com/watch?v=4qQyUi4zfDs">link</a></td>
</tr>
<tr>
<td>
Hell Is Round The Corner</td>
<td>
Tricky</td>
<td>
<a href="https://www.youtube.com/watch?v=E3R_3h6zQEs">link</a></td>
</tr>
<tr>
<td>
Inertia Creeps</td>
<td>
Massive Attack</td>
<td>
<a href="https://www.youtube.com/watch?v=GjlklxY-fWI">link</a></td>
</tr>
<tr>
<td>
Joga</td>
<td>
Björk</td>
<td>
<a href="https://www.youtube.com/watch?v=loB0kmz_0MM">link</a></td>
</tr>
<tr>
<td>
Karmacoma</td>
<td>
Massive Attack</td>
<td>
<a href="https://www.youtube.com/watch?v=Vi76bxT7K6U">link</a></td>
</tr>
<tr>
<td>
La Femme D’argent</td>
<td>
Air</td>
<td>
<a href="https://www.youtube.com/watch?v=YUX8fUrKRNU">link</a></td>
</tr>
<tr>
<td>
Midnight In A Perfect World</td>
<td>
DJ Shadow</td>
<td>
<a href="https://www.youtube.com/watch?v=InFbBlpDTfQ">link</a></td>
</tr>
<tr>
<td>
Numb</td>
<td>
Portishead</td>
<td>
<a href="https://www.youtube.com/watch?v=Z7If6GODLFc">link</a></td>
</tr>
<tr>
<td>
Overcome</td>
<td>
Tricky</td>
<td>
<a href="https://www.youtube.com/watch?v=ViHiOopNTlc">link</a></td>
</tr>
<tr>
<td>
Protection</td>
<td>
Massive Attack</td>
<td>
<a href="https://www.youtube.com/watch?v=0Rw-UsRPNqc">link</a></td>
</tr>
<tr>
<td>
Que Sera</td>
<td>
Wax Tailor</td>
<td>
<a href="https://www.youtube.com/watch?v=zSsgjm55eKE">link</a></td>
</tr>
<tr>
<td>
Rabbit in Your Headlight</td>
<td>
UNKLE</td>
<td>
<a href="https://www.youtube.com/watch?v=7gj6t4CTiCI">link</a></td>
</tr>
<tr>
<td>
Sour Times</td>
<td>
Portishead</td>
<td>
<a href="https://www.youtube.com/watch?v=un8EW82GwKc">link</a></td>
</tr>
<tr>
<td>
Teardrop</td>
<td>
Massive Attack</td>
<td>
<a href="https://www.youtube.com/watch?v=u7K72X4eo_s">link</a></td>
</tr>
<tr>
<td>
Underwater Love</td>
<td>
Smoke City</td>
<td>
<a href="https://www.youtube.com/watch?v=HuLjsW8XhY4">link</a></td>
</tr>
<tr>
<td>
Venus As a Boy</td>
<td>
Björk</td>
<td>
<a href="https://www.youtube.com/watch?v=9bVz6R5e8fA">link</a></td>
</tr>
<tr>
<td>
Wandering Star</td>
<td>
Portishead</td>
<td>
<a href="https://www.youtube.com/watch?v=8T0cRt8efsQ">link</a></td>
</tr>
<tr>
<td>
XYZ(Peel Session)</td>
<td>
Boards of Canada</td>
<td>
<a href="https://www.youtube.com/watch?v=JZYnw3GBAlU">link</a></td>
</tr>
<tr>
<td>
You Wish</td>
<td>
Nightmare on Wax</td>
<td>
<a href="https://www.youtube.com/watch?v=TwDOa-lvizM">link</a></td>
</tr>
<tr>
<td>
Zen Approach</td>
<td>
DJ Krush</td>
<td>
<a href="https://www.youtube.com/watch?v=f5OjVO7EWTM">link</a></td>
</tr>
<tr>
<td>
6 Underground</td>
<td>
Sneaker Pimps</td>
<td>
<a href="https://www.youtube.com/watch?v=2eBZqmL8ehg">link</a></td>
</tr>
</tbody>
</table></div><p>
See also: <a href="https://old.reddit.com/r/triphop/comments/1vqp1c/top_10_essential_triphop_albums/">Top 10 Essential Albums</a> as voted by the community.</p>

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 ]]></content></entry><entry><title><![CDATA[ The Mysteries by Bill Watterson and John Kascht ]]></title><id>tag:nikhil.io,2025://82fb648e196c5d719947be23bbad3257</id><updated>2025-04-05T05:17:33.054-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/947a3d3854f65d0597f3e7b975e46936/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
I forget who told me that Bill Watterson was coming out of retirement to write an actual book. I was giddy enough to pre-order. I finished it in about two minutes and then <em>really</em> read it in about five-to-ten.</p>
<p>
The physical book itself, a hardcover, is very nicely done. Sturdy: excellent binding and high-quality glossy paper. I pick it up once in a while to meditate over the story and art.</p>
<p>
Speaking of the art. It’s this two and many times three-dimensional clay, cardboard, Elmers glue, and paint chiarascuro that they spent <a href="https://www.youtube.com/watch?v=HHND7L1wUl0">a <em>lot</em> more time working on</a> compared to the story. Just two artists exploring a new direction both for their individual selves and as a team, and saying no to each other but not to the motive force of the project itself.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/mysteries-1.webp" alt="An illustration from the book" loading="lazy" decoding="async" width="1598" height="1912"></p>
<figure class="quote">
<blockquote>
<p>
Our collaboration wasn’t as much about compromise as it was about collision. Over and over, we hurled ourselves at each other. My detailed realism smashing into Bill’s stripped down primitivism. This dumb method created tons of debris and also flashes of lightning that could not have happened any other way […]  Working through differences toward a common purpose is practically an act of defiance these days and I’m as proud of that  as of any other aspect of the collaboration.</p>
</blockquote>
<figcaption>
John Kascht</figcaption>
</figure>
<p>
And I think that’s really what this work is. An experiment in collaboration by two very talented artists and visual storytellers. I think I’d get the same enjoyment from the book if I paid more attention to getting lost in the art and skipping every other page of text. I can see why someone would be upset by its length, however.</p>
<p>
As for what it means, I think it’s about Nature, perhaps our blue-green home, about how much she sustains and forgives us. And we just keep taking 🤷‍♂️. But it’ll all be fine. The last few pages reminded me of this prophet:</p>
<figure class="quote">
<blockquote cite="https://genius.com/George-carlin-the-planet-is-fine-annotated">
<p>
The planet is fine; the people are fucked! […] The planet isn’t going anywhere; we are! We’re going away! Pack your shit, folks! We’re going away and we won’t leave much of a trace either, thank God for that. Maybe a little Styrofoam, maybe. Little Styrofoam. The planet will be here, we’ll be long gone; just another failed mutation; just another closed-end biological mistake; an evolutionary cul-de-sac. The planet will shake us off like a bad case of fleas, a surface nuisance.</p>
</blockquote>
<figcaption>
George Carlin, <a href="https://genius.com/George-carlin-the-planet-is-fine-annotated"><em>Jammin’ in New York</em></a></figcaption>
</figure>
<p>
<img src="https://assets.log.nikhil.io/_optimized/m/mysteries-2.webp" alt="Another illustration from the book" loading="lazy" decoding="async" width="1370" height="1758"></p>

  <hr />
  <a href="https://nikhil.io/books/947a3d3854f65d0597f3e7b975e46936/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/bill%20watterson/ title="All posts tagged 'bill watterson'">bill watterson</a>, <a href=https://nikhil.io/tags/books/ title="All posts tagged 'books'">books</a>, <a href=https://nikhil.io/tags/illustrated%20books/ title="All posts tagged 'illustrated books'">illustrated books</a>, <a href=https://nikhil.io/tags/john%20kascht/ title="All posts tagged 'john kascht'">john kascht</a>, <a href=https://nikhil.io/tags/nature/ title="All posts tagged 'nature'">nature</a> and <a href=https://nikhil.io/tags/spirituality/ title="All posts tagged 'spirituality'">spirituality</a>.<br />
  ISBN <a href="https://isbnsearch.org/isbn/978-1524884949" title="Look up this ISBN">978-1524884949</a>.<br />
  <a href="mailto:mail@nikhil.io?subject=About: The%20Mysteries">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Songs for March 2025 ]]></title><id>tag:nikhil.io,2025://573777f3519b5836b50f72184c1734f6</id><updated>2025-03-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=ZndJNdJ1WDY"><strong>Dam Mast Qalandar</strong></a> by Rushil Ranjan<br/><span><p>
An <em>orchestral</em> version of a favorite Nusrat song? Lovely. And that tabla solo is for the Gods.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=n02bFu73ez8"><strong>Green to Blue</strong></a> by daniel.mp3<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=2EntxPIULUI"><strong>Colors</strong></a> by Black Pumas<br/><span><p>
The video is just magnificent and never fails to make me tear up for no reason.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=4SZv7JJqcNY"><strong>Down To The River To Pray</strong></a> by Allison Krause<br/><span><p>
My wife told me her voice is “as clear as a bell” and how can you disagree?</p>
</span></li><li><a href="https://www.youtube.com/watch?v=b-R0TC0DLVE"><strong>Percolator</strong></a> by Cajmere<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=jKLiU7Hq93w"><strong>50 Ft Queenie</strong></a> by PJ Harvery<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=AeZSqRsWnrI"><strong>Theeb</strong></a> by Moayad<br/><span></span></li></ol>
  <hr />
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  <a href="mailto:mail@nikhil.io?subject=About: Songs%20for%20March%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Bookmarks for March 2025 ]]></title><id>tag:nikhil.io,2025://07d583326c9756b495a00c5b257b5a55</id><updated>2025-03-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://github.com/medialab/xan"><strong>xan is a stupidly powerful CSV parsing and visualization tool</strong></a> <br/><span></span></li><li><a href="https://hidutil-generator.netlify.app/"><strong>hidutil key remapping generator for macOS</strong></a> <br/><span><p>
I use the excellent <a href="https://karabiner-elements.pqrs.org/">Karabiner</a> for <a href="https://wiki.nikhil.io/Vortex_PC66_Keyboard_Notes/">my keyboard</a> but this appears to be a more ‘native’ solution. Here’s <a href="https://github.com/afreeorange/hidutil-key-mapping">a copy</a> of the repository.</p>
</span></li><li><a href="https://github.com/casparwylie/cascii-core"><strong>CASCII is a lovely ASCII editor for the browser</strong></a> <br/><span><p>
And it’s a single file! I’ve <a href="https://public.nikhil.io/!#cascii/">cached it here</a>. This is a lite version of one of my favorite apps, the <em>excellent</em> (and surprisingly cheap) <a href="https://monodraw.helftone.com/">MonoDraw for macOS</a>.</p>
</span></li><li><a href="https://github.com/google/zx"><strong>ZX is a Node-based Scripting Tool by Google</strong></a> <br/><span><p>
Lovely little wrappers around <code>child_process</code>, it looks like. I <em>love</em> <a href="https://bun.sh/docs/runtime/shell">Bun’s shell-scripting feature</a> and am glad to note that the same elegant (eye of the beholder, leave me alone) syntax is available in Node via zx.</p>
</span></li></ol>
  <hr />
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  <a href="mailto:mail@nikhil.io?subject=About: Bookmarks%20for%20March%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Residence (2025) ]]></title><id>tag:nikhil.io,2025://39b84a88fb1c55d8a2ff7a09065b166b</id><updated>2025-03-30T06:47:56.348-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/001cbd3b3e865c38837aa61c063b72a0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
The wife and I inhaled this in a day. Pizza, fizzy water, PJs, this show. It is really freaking funny in that snippy, rapidfire Armando Iannuci <em>Veep</em> sort of way.</p>
<p>
Agatha Christie-type whodunnit. The genius detective, played supremely well by <a href="https://www.imdb.com/name/nm2499064/?ref_=tt_cst_t_1">Uzo Aduba</a>, is an avid bird-watcher and issues deductions (when challenged) with an enthusiasm, arrogance, and cadence that would make modern <em>Sherlock</em> proud. Or jealous.</p>
<p>
Here’s Pete Holmes’ version of what I mean. If you haven’t seen this, it’s one of my favorite things as a giant fan of Doyle’s works.</p>

        <video
          controls
          src="https://assets.log.nikhil.io/s/sherlock-holmes-pete-holmes-deduction.mp4"
          preload="metadata"
        >
          <source src="https://assets.log.nikhil.io/s/sherlock-holmes-pete-holmes-deduction.mp4" type="video/mp4">
          <p>
            Your browser doesn't support HTML5 video. Here is a <a href="https://assets.log.nikhil.io/s/sherlock-holmes-pete-holmes-deduction.mp4">link to the video</a> instead.
          </p>
        </video>
        
<p>
Now since we’re dealing with an American show, there’s a very high likelihood that its writers will banish all editors, disable their <kbd>Delete</kbd> keys, and turn five episodes into eight, unlike their British peers who know how to end things on a high note. This show suffers from this problem, though not too much. I may have uttered “Oh come the <em>fuck</em> on” a few times during the detective’s (seemingly) 18-hour summation scene.</p>
<p>
But this is a funny-as-hell, intriguing, and well-acted and produced mystery with plenty of twists and red herrings.</p>
<p>
I will never forget the character of the hapless White House Calligrapher for as long as I live. Even thinking about him’s making me laugh right now. Splendid stuff.</p>

  <hr />
  <a href="https://nikhil.io/media/001cbd3b3e865c38837aa61c063b72a0/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/detective%20shows/ title="All posts tagged 'detective shows'">detective shows</a>, <a href=https://nikhil.io/tags/funny%20tv%20shows/ title="All posts tagged 'funny tv shows'">funny tv shows</a>, <a href=https://nikhil.io/tags/miniseries/ title="All posts tagged 'miniseries'">miniseries</a>, <a href=https://nikhil.io/tags/mystery/ title="All posts tagged 'mystery'">mystery</a>, <a href=https://nikhil.io/tags/netflix/ title="All posts tagged 'netflix'">netflix</a>, <a href=https://nikhil.io/tags/shonda%20rhimes/ title="All posts tagged 'shonda rhimes'">shonda rhimes</a> and <a href=https://nikhil.io/tags/tv%20shows/ title="All posts tagged 'tv shows'">tv shows</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Residence">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Note 0007 ]]></title><id>tag:nikhil.io,2025://2fc62b32d557502c9ef2d366d7db3a7a</id><updated>2025-03-16T09:22:43.343-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0007/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Saving this since I look it up at least once a year.</p>
<figure class="quote">
<blockquote cite="https://web.archive.org/web/20070915011337/http://bash.org/?5273">
<p>
hm. I’ve lost a machine… literally <em>lost</em>. it responds to ping, it works completely, I just can’t figure out where in my apartment it is.</p>
</blockquote>
<figcaption>
<a href="https://web.archive.org/web/20070915011337/http://bash.org/?5273">@erno</a></figcaption>
</figure>

  <hr />
  <a href="https://nikhil.io/notes/0007/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/computers/ title="All posts tagged 'computers'">computers</a>, <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a>, <a href=https://nikhil.io/tags/quotes/ title="All posts tagged 'quotes'">quotes</a> and <a href=https://nikhil.io/tags/sysadmin/ title="All posts tagged 'sysadmin'">sysadmin</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Note%200007">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ The Moon's Phases and Earth's Shadow ]]></title><id>tag:nikhil.io,2025://434c2bb0fe06542da9beec8b654cf808</id><updated>2025-03-03T07:22:51.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/bb42d9ec93415dc98af1b3fd7a2205f7/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Enjoyed this two-part video titled <a href="https://www.youtube.com/watch?v=YdOXS_9_P4U">“<em>How We Measure The Cosmos</em>” by 3Blue1Brown</a> where ace mathematician Terry Tao explains how human beings answered the question “How far away is that thing?” over our history and at a cosmic scale. Took us a good while and, as one could predict, got faster towards the current time. Trying to answer that question also led us to discover (and only around 100 years ago!<sup class="footnote-ref"><a href="#fn-ahkchually" id="fnref-ahkchually" title="Link to Footenote ahkchually">1</a></sup>) that our galaxy is merely one of 100-200 billion in the observable universe<sup class="footnote-ref"><a href="#fn-galaxies" id="fnref-galaxies" title="Link to Footenote galaxies">2</a></sup>.</p>
<p>
In that video, Prof. Tao talks about how you can infer the shape of the Earth based on the shadow it casts on the moon. Some searching led me to this amazing image. This is not what happens in the sky, however. You’ll need to imagine a fern frond<sup class="footnote-ref"><a href="#fn-fiddlehead" id="fnref-fiddlehead" title="Link to Footenote fiddlehead">3</a></sup> unfurling to form a nice long arc when you meditate over it:</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/e/earth-shadow.webp" alt="&quot;Earth's Shadow&quot; (c) Tom Harradine, Brisbane, Australia" loading="lazy" decoding="async" width="2048" height="2048"></p>
<div class="muted">
<p>
“Earth’s Shadow” © Tom Harradine, Brisbane, Australia</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/f/fern-frond.webp" alt="A fern frond unfurling" loading="lazy" decoding="async" width="1000" height="1500"></p>
<div class="muted">
<p>
(Unknown Photographer)</p>
</div>
<div class="footnotes"><ol><li id="fn-ahkchually"><p>
<a href="https://en.wikipedia.org/wiki/List_of_galaxies#Observational_firsts"><em>Well ahkchually</em></a> they spotted one in 1845 but didn’t know it was outside our own galaxy so I’ll stand by my exclamation.<a title="Back to footnote reference" href="#fnref-ahkchually" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-galaxies"><p>
“The numbers are not going to change much,” <a href="https://www.space.com/25303-how-many-galaxies-are-in-the-universe.html">Livio added</a>, pointing out the first galaxies probably formed not too long before that. “So a number like 200 billion [galaxies] is probably it for our observable universe.”<a title="Back to footnote reference" href="#fnref-galaxies" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-fiddlehead"><p>
Which are known as ‘<a href="https://en.wikipedia.org/wiki/Fiddlehead">fiddleheads</a>’ for a reason that took me longer than permissible to understand…<a title="Back to footnote reference" href="#fnref-fiddlehead" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
  <a href="https://nikhil.io/posts/bb42d9ec93415dc98af1b3fd7a2205f7/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/astronomy/ title="All posts tagged 'astronomy'">astronomy</a>, <a href=https://nikhil.io/tags/beautiful/ title="All posts tagged 'beautiful'">beautiful</a>, <a href=https://nikhil.io/tags/biology/ title="All posts tagged 'biology'">biology</a>, <a href=https://nikhil.io/tags/earth/ title="All posts tagged 'earth'">earth</a>, <a href=https://nikhil.io/tags/ferns/ title="All posts tagged 'ferns'">ferns</a> and <a href=https://nikhil.io/tags/moon/ title="All posts tagged 'moon'">moon</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: The%20Moon's%20Phases%20and%20Earth's%20Shadow">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Bookmarks for February 2025 ]]></title><id>tag:nikhil.io,2025://b2174e11b1135dcc8f5bde38c6ad997f</id><updated>2025-02-28T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://assets.log.nikhil.io/f/fresh-hell-frasier.mp4"><strong>&quot;Oh What Fresh Hell is This?&quot;</strong></a> <br/><span></span></li><li><a href="https://seeing-theory.brown.edu/index.html"><strong>Seeing Theory is a Visual Introduction to Probability and Statistics</strong></a> <br/><span></span></li><li><a href="https://www.zwicon.com/cheatsheet.html"><strong>(Primarily) Interface Icons by zwoelf</strong></a> <br/><span><p>
They’re thin and delightful. 600 of them. Found them on this <a href="https://floating-ui.com/">Floating UI component</a> site.</p>
</span></li><li><a href="https://christophilus.com/blog/bun-diy-live-reload"><strong>Live-Reloading Middleware for Bun.js</strong></a> <br/><span><p>
A pretty comprehensive solution! I was looking for this when attempting to learn me some Bun and make a small script that would live-reload a single page (with SASS and Tailwind). And voila: a <em>significantly</em> better solution than the duct tapey thing I came up with 🤣</p>
</span></li><li><a href="https://pixabay.com/"><strong>Pixabay is a very large collection of royalty-free media</strong></a> <br/><span><p>
Found it via <a href="https://github.com/chrisdavies/terminal-timer/tree/main">this repository</a>.</p>
</span></li><li><a href="https://tart.run/quick-start/"><strong>Tart lets you run VMs on macOS</strong></a> <br/><span><p>
Very cool. More CLI than UTM. Another is <a href="https://lima-vm.io/">Lima</a>.</p>
</span></li></ol>
  <hr />
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  <a href="mailto:mail@nikhil.io?subject=About: Bookmarks%20for%20February%202025">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ "The Dream of Precision Agriculture" ]]></title><id>tag:nikhil.io,2025://0de066833d375eb88e614e89ccb37571</id><updated>2025-02-27T07:23:29.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/b5bfc21e29945d88b9c462beb937188c/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
<img src="https://assets.log.nikhil.io/_optimized/d/dream-of-precision-agriculture.webp" alt="An retrofuturistic illustration from the magazine The Future World of Agriculture published in 1983" loading="lazy" decoding="async" width="1766" height="1214"></p>
<p>
From <a href="https://www.amazon.com/gp/product/0717281426"><em>The Future World of Agriculture</em></a>, published in 1984.</p>
<p>
A lot of what’s depicted here has actually come to pass. Including that truck, a strange hybrid of a GMC Jimmy and a Corvette, that’s still cooler than a CyberTruck.</p>

  <hr />
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  Tagged <a href=https://nikhil.io/tags/agriculture/ title="All posts tagged 'agriculture'">agriculture</a>, <a href=https://nikhil.io/tags/art/ title="All posts tagged 'art'">art</a>, <a href=https://nikhil.io/tags/automation/ title="All posts tagged 'automation'">automation</a>, <a href=https://nikhil.io/tags/automobiles/ title="All posts tagged 'automobiles'">automobiles</a>, <a href=https://nikhil.io/tags/iowa/ title="All posts tagged 'iowa'">iowa</a> and <a href=https://nikhil.io/tags/retro/ title="All posts tagged 'retro'">retro</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: %22The%20Dream%20of%20Precision%20Agriculture%22">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Shadow of a Doubt (1943) ]]></title><id>tag:nikhil.io,2025://c89fd2cfc7ab5669b97731cdf918d759</id><updated>2025-02-25T10:40:09.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/2e6c0082c97155adbcdeacefd1b494f2/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Towards the middle of this movie, I imagined Hitchcock building one of those 1/120 scale models of railroad towns<sup class="footnote-ref"><a href="#fn-railroad-sizes" id="fnref-railroad-sizes" title="Link to Footenote railroad-sizes">1</a></sup> most meticulously, and then taking sheer fiendish delight in terrorizing it with a toy Godzilla or a sandbucket avalanche.</p>
<p>
Wasn’t too far off (surprisingly). It was his favorite movie for this sort of pleasure:</p>
<figure class="quote">
<blockquote cite="https://the.hitchcock.zone/wiki/Patricia_Hitchcock_-_quotes">
<p>
This was my father’s favourite movie, and it was because he loved bringing the menace into a small town<sup class="footnote-ref"><a href="#fn-hitchcock_menace" id="fnref-hitchcock_menace" title="Link to Footenote hitchcock_menace">2</a></sup>, into a family that had never known any bad things happen to them. They adored this uncle. They just adored him. Yet they had no idea what he is like. The whole suspense of the movie is, “When are they going to find out?”</p>
</blockquote>
<figcaption>
<a href="https://the.hitchcock.zone/wiki/Patricia_Hitchcock_-_quotes">Patricia Hitchcock</a></figcaption>
</figure>
<p>
And then there’s this exchange:</p>
<blockquote>
<p>
CHARLIE<br>
Oh, what’s the matter with you two ? Do you always have to talk about killing people?</p>
<p>
HERB<br>
We’re not talking about killing people.</p>
<p>
JOSEPH<br>
Herb’s talking about killing me, and I’m talking about killing him.</p>
<p>
ANN<br>
It’s your father’s way of relaxing.</p>
<p>
CHARLIE<br>
Can’t he find some other way to relax? Can’t we have a little peace and quiet without dragging in poisons all the time?</p>
</blockquote>
<div class="footnotes"><ol><li id="fn-railroad-sizes"><p>
Here’s <a href="https://en.wikipedia.org/wiki/List_of_rail_transport_modelling_scale_standards#/media/File:Comparison_of_model_railway_scales.svg">a nice illustration of all the standard sizes</a>. Very few ‘clean’ numbers like 1/24, 1/32, 1/48, or even 1/100. Huh.<a title="Back to footnote reference" href="#fnref-railroad-sizes" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-hitchcock_menace"><p>
The thick black smoke at Uncle Charlie’s arrivals is meant to be a bad portent.<a title="Back to footnote reference" href="#fnref-hitchcock_menace" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/hitchcock/ title="All posts tagged 'hitchcock'">hitchcock</a>, <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>, <a href=https://nikhil.io/tags/suspense/ title="All posts tagged 'suspense'">suspense</a> and <a href=https://nikhil.io/tags/thriller/ title="All posts tagged 'thriller'">thriller</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Shadow%20of%20a%20Doubt">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Note 0006 ]]></title><id>tag:nikhil.io,2025://cc644602656250aa90824ea5c5695b31</id><updated>2025-02-24T12:48:16.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0006/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
This <a href="https://www.theatlantic.com/ideas/archive/2025/01/amway-america/681479/?gift=j9r7avb6p-KY8zdjhsiSZxYkntna5M_rYEv4707Zqqs">really sad article</a> (<a href="https://assets.log.nikhil.io/a/amway-atlantic.html">cached</a>) on how the author lost an older loved one to the unbelievable racket that’s Amway contains the most hopeful passages I’ve read about the current times. Emphasis and exorcism mine:</p>
<blockquote>
<p>
It’s hard to leave a delusion behind. In the run-up to the 2024 elections, I noticed the ways in which ****p’s political followers likewise struggled to abandon him. Some prominent ****p supporters may see him as a means to wealth or power. Others find meaning and community—or even vindication—in accepting the lies he tells. Maybe, eventually, when they see what his second administration delivers, some voters will peel away.</p>
<p>
That’s what happened with Amway. The company is still a multibillion-dollar, global enterprise, though its domestic profile is now so much smaller that it has a page on its own website answering the question: “Does Amway still exist?” <em>In the end, more people left than stayed. Those who came to their senses or were unable to sustain the delusion eventually quit. But things can get bleak in the middle.</em></p>
</blockquote>
<p>
This too shall pass. Let’s hope that we are all strong in what we choose to build after it does<sup class="footnote-ref"><a href="#fn-fascism" id="fnref-fascism" title="Link to Footenote fascism">1</a></sup>. But it’s going to <em>suck</em> for a while, and for the most vulnerable amongst us. Thoughts and prayers.</p>
<div class="footnotes"><ol><li id="fn-fascism"><p>
If, indeed, we’re permitted to do anything.<a title="Back to footnote reference" href="#fnref-fascism" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Silo (2023-2027) ]]></title><id>tag:nikhil.io,2025://b3656185e8bb537392fafa15cc3ac28e</id><updated>2025-02-17T13:33:05.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/7df5ba1eb03858179c6dc55a0461c911/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Watched this with the wife. The first season was an absolute masterpiece. Set design, story, <em>suspense</em>, acting, cinematography, and a favorite thing I look forward to in dystopian/post-apocalyptic sci-fi shows: retro computers and user interfaces 🥰 It makes me very happy to imagine Humanity <em>finally</em> being rid of ads, trackers, unempathetic user-hostile design, and shitty product managers, even if there’s very little else left.</p>
<p>
I couldn’t imagine how they built that exquisitely complex and claustrophobic set. Luckily enough, Adam Savage had the same question and met the people who made it. Even if you’re not into this sort of thing, the video is worth a watch to appreciate just how insanely creative people can be.</p>
<p>
<a href="https://www.youtube.com/watch?v=GZe41z8L1ME">https://www.youtube.com/watch?v=GZe41z8L1ME</a></p>
<p>
<a href="https://www.youtube.com/watch?v=lMMTuxinEWQ">The soundtrack</a>… oh my the soundtrack. Just so beautiful and befitting. By Atli Övarsson, who joins his Icelandic brethren in creating ‘that’ sound. Think Ludwig Göransson for <em>The Mandalorian</em>, Jóhann Jóhannsson for <em>Sicario</em>, Hildur Guðnadóttir for <em>Chernobyl</em><sup class="footnote-ref"><a href="#fn-joker" id="fnref-joker" title="Link to Footenote joker">1</a></sup>. Don’t work for <em>Pitchfork</em> and will resist a description (which would’ve included words like “congruent”) but it’s one of those things where I now stand a pretty good chance of guessing if the composer were Icelandic.</p>
<p>
All that being said, the second season was okay and we decided we don’t really care about the unanswered questions and the cliffhanger and won’t be finishing the two others they have planned.</p>
<p>
<a href="https://en.wikipedia.org/wiki/Steve_Zahn">Steve Zahn</a> is an <em>excellent</em> actor.</p>
<div class="footnotes"><ol><li id="fn-joker"><p>
Haven’t heard <em>The Joker</em> but am assured it’s excellent.<a title="Back to footnote reference" href="#fnref-joker" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Captain America: Brave New World (2025) ]]></title><id>tag:nikhil.io,2025://031bbb609a8e52f3b35be47835da0649</id><updated>2025-02-15T15:19:02.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/a2d2040a977a5cc7abf7aed2989acbd9/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with KL, UE, and friends. I’ve never written a screenplay and would be laughably shit at it but I genuinely feel that I could’ve knocked this one out in a few days.</p>
<p>
There’s a new Captain America who’s trying to find his footing in the MCU following the very dignified and demure exit of Steve Rogers. This new Captain has</p>
<ul>
<li>
His iconic shield from the old guy</li>
<li>
Wings via someone called the Falcon</li>
<li>
which have been enhanced by Vibranium via a Black Panther/Wakanda hookup, and</li>
<li>
a Helmet from Ant Man</li>
</ul>
<p>
This amazing armor lets him do pretty anything he’d like, even if he didn’t consume serum for spiritual purposes. However, even with all these blessings, he stops the big bad villain by asking him to be nice for a fucking change.</p>
<p>
The only saving grace here is Anthony Mackie’s earnest performance.</p>
<p>
There’s a villain with a disgustingly severe acne problem whose superpower is his ability to compute the probabilities of various events. He is sold to us as a genius… who is stymied and thwarted <em>non-stop</em> by his nemesis and, presumably due to therapy, is pretty vocal with just how surprised he is at how things pan out. I get that he never exactly says he’d be 100% successful but this is laughable “<a href="https://www.youtube.com/watch?v=wGdhc9k07Ms">So you’re telling me there’s a chance</a>” territory here.</p>
<p>
There’s also Harrison Ford. We saw <a href="https://www.youtube.com/watch?v=K4Rqx9TvtlM">this clip</a> of him on <em>Conan</em> before the movie began and this is all I could think of. Yes, he points at stuff. And he slays at 82. It’s rather amazing. Ford was 50 when <em>The Fugitive</em> came out (an all-time favorite) and he’s capable of as much intensity. What a star.</p>
<p>
He plays the President of the United States, who is an unstable character, estranged from his family, addicted to power, and turns into a giant red monster who destroys the White House. Silly stories right?</p>
<p>
<a href="https://en.wikipedia.org/wiki/Shira_Haas">This child</a> plays a minor character who has as much impact on the story as any one of the random NPC prison guards or soliders who litter every scene.</p>
<p>
There’s a coalition of global powers that features France, India, USA, Japan, and a Conspicuous Absence 🇨🇳 Too big of a market to sully with disasters I suppose. The action sequences were really cool though, particularly the Navy battle (between the US and its archenemy Japan).</p>
<p>
I had a giant pretzel, a pizza, and two enormous servings of club soda.</p>

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 ]]></content></entry><entry><title><![CDATA[ As of February 2025 ]]></title><id>tag:nikhil.io,2025://f152626ab2fd5a3e802879584ef2bad9</id><updated>2025-02-15T11:14:44.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/now/2025-02/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/now"><![CDATA[ <!DOCTYPE html><img src="https://assets.log.nikhil.io/_optimized/n/now/cover-2025-02.webp" alt="Lunabear chilling with me on a warmer day" loading="lazy" decoding="async"/><br/><small>Lunabear chilling with me on a warmer day</small><hr/><h3 id="1" tabindex="-1">
1 <a class="header-anchor" href="#1"><span aria-hidden="true">#</span></a></h3>
<p>
I’m surviving a lovely winter in Iowa. And by lovely I mean bitterly cold and windy. It’s always the wind that gets you. We just had a nice big scheduled February snowstorm and it was just beautiful to behold from inside the house.</p>
<p>
Found myself consuming a lot of podcasts attentively. I am hoping to put up some notes on this site soon. A favorite one has been <em>Sean Carroll’s Mindscape</em>. I subscribed to <em>If Books Could Kill</em> and a huge fan of the hosts’ snark and humor ♥️</p>
<p>
All else remains boring and blissful and blessedly so. Wife, friends, movies, books, dog, tiny crafts, programming, learning, and humor where I can find it. Boring and uneventful is simply fantastic where I am in life. I’ve also put on around 15lbs over the past few months in Holiday + Winter weight. It’s nice being lazy. I have begun fasting on Sundays. Nothing too extreme: tea, coffee, soup maybe. Just keep the calories under 500 or so. I used to have this practice about ten years ago and still remember the mental and physical benefits. And I do need both if I am to emerge mostly-okay after the next few years.</p>
<h3 id="2" tabindex="-1">
2 <a class="header-anchor" href="#2"><span aria-hidden="true">#</span></a></h3>
<p>
A lot as changed in the world since the last time I updated this. To save my sanity, I’ve unsubscribed from almost everything news-related. The only way I know of what’s happening is via friends and family (and mostly through memes) which is some kind of attenuation of the non-stop barrage of information on things completely outside of my control.</p>

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 ]]></content></entry><entry><title><![CDATA[ 2025 So Far ]]></title><id>tag:nikhil.io,2025://54c57756a97f5cf4a9bddac77d73d7a3</id><updated>2025-02-04T14:11:16.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/ff22ad0367ae58bfa5ce1847ee866fdb/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
by the inimitable <a href="https://www.instagram.com/mrlovenstein?igsh=MTRmenZuMGo0OXl5dQ==">Mr. Lovenstein</a></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/2/2025-mr-lovenstein.webp" alt="A comic by Mr. Lovenstein that shows someone struggling with the new year" loading="lazy" decoding="async" width="940" height="940"></p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for January 2025 ]]></title><id>tag:nikhil.io,2025://3c60daaf86ba57f6a25b684b37ebd4ef</id><updated>2025-01-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=y1wyPIAHhGQ"><strong>TV Remote</strong></a> by Ahmed El Dogary<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for January 2025 ]]></title><id>tag:nikhil.io,2025://e82d1141a74d51869fba5c6b6fe1ba62</id><updated>2025-01-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://github.com/runtipi/runtipi"><strong>Tipi appears to be a super-easy Home Server</strong></a> <br/><span><p>
Thing I like about projects like these (another example would be <a href="https://fleet.linuxserver.io/">LinuxServer</a>) is studying their <a href="https://runtipi.io/docs/apps-available">humongous list of FOSS apps</a>.</p>
</span></li><li><a href="https://www.hyperui.dev/"><strong>HyperUI is an Open Source Collection of Tailwind Components</strong></a> <br/><span></span></li><li><a href="https://micropixels.software/apps/batfi"><strong>BatFi gives you full control over how your Mac laptop is charged</strong></a> <br/><span><p>
You can use System Settings -&gt; Battery -&gt; Battery Health -&gt; Info Icon to toggle this “ML” approach where macOS (and the developers who know more than you about how to care for your Mac) will handle this for you but I’ve never gotten it to work as expected despite docking my laptop repeatedly, and for half the day, over a year.</p>
<p>
You can buy it on Gumroad or here’s <a href="https://files.micropixels.software/batfi/BatFi-latest.zip">a download link</a>.</p>
</span></li><li><a href="https://brushedtype.co/doppler/features/"><strong>Doppler is an iTunes/Music alternative</strong></a> <br/><span><p>
Another is <a href="https://swinsian.com/">Swinsian</a> which looks like iTunes of yore but doesn’t have dark mode (and, not that this means anything, appears to have no updates since 2018).</p>
<p>
Both apps are paid. An Open-Source manager is the <a href="https://www.strawberrymusicplayer.org/#features">Strawberry Music Player</a></p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Two Distant Strangers (2020) ]]></title><id>tag:nikhil.io,2025://ede860f3fd805cd6960c312a107186cb</id><updated>2025-01-29T13:37:30.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/54cda4bb850852f49ef0bceb9d11fcef/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with CK. 32-minute, <em>Groundhog Day</em>-style short film that snagged an Oscar in its category in 2021. Symbolisms and motif even a pitbull named Jeter can understand. Lots of violence and many parts were difficult to watch, which I suppose is the point<sup class="footnote-ref"><a href="#fn-black-yt" id="fnref-black-yt" title="Link to Footenote black-yt">1</a></sup>. <em>Look</em> at the futility of attempting reason and compromise with a rotten, systemic problem.</p>
<p>
<a href="https://www.imdb.com/name/nm0397110/?ref_=tt_cst_t_7">Andrew Howard</a> is <em>frighteningly</em> good as the cop (or ‘The System’). Pulls an effortless Racist Pesci and is Welsh!</p>
<p>
<a href="https://www.whats-on-netflix.com/news/two-distant-strangers-plagiarism-claims-explained/">Controversy</a> over it being similar in spirit to this 4-minute <em>super</em> short film called “<em>Groundhog Day For A Black Man</em>” by Cynthia Kao.</p>
<p>
<a href="https://www.youtube.com/watch?v=eEMIUy_ySA4">https://www.youtube.com/watch?v=eEMIUy_ySA4</a></p>
<div class="footnotes"><ol><li id="fn-black-yt"><p>
Brandon Keith Avery <a href="https://www.youtube.com/watch?v=1AXF1giHlK0">describes watching the film as a Black man</a>.<a title="Back to footnote reference" href="#fnref-black-yt" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ The Most Satisfying Scene in All of Cinema ]]></title><id>tag:nikhil.io,2025://0336be0901a65522b41e1843788c05cf</id><updated>2025-01-27T11:09:59.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/33da63e7823151159a1383741bf3b058/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html>
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 ]]></content></entry><entry><title><![CDATA[ Though aimed at Sci-Fi Nerds, this is a very engrossing, meticulously researched, and totally delightful tour of our little Milky Way Galaxy (mostly) ]]></title><id>tag:nikhil.io,2025://bc3ec6ad29ec5a6a8924c297f2b93b66</id><updated>2025-01-25T11:53:29.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=0r2x7G0hwCw"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/0089ff16b4b0515db0c229cabfee0efc/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=0r2x7G0hwCw" title="Though aimed at Sci-Fi Nerds, this is a very engrossing, meticulously researched, and totally delightful tour of our little Milky Way Galaxy (mostly)">https://www.youtube.com/watch?v=0r2x7G0hwCw</a><p>
I say ‘little’ relative to all else it finds itself in. Read some place that if the Milky Way were the size of the United States, our ‘little’ Sun would be the size of… <em>drumroll</em>… a grain of sand someplace in the Midwest 🫠🌽</p>

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  Tagged <a href=https://nikhil.io/tags/astronomy/ title="All posts tagged 'astronomy'">astronomy</a>, <a href=https://nikhil.io/tags/literature/ title="All posts tagged 'literature'">literature</a>, <a href=https://nikhil.io/tags/maps/ title="All posts tagged 'maps'">maps</a>, <a href=https://nikhil.io/tags/scifi/ title="All posts tagged 'scifi'">scifi</a>, <a href=https://nikhil.io/tags/space/ title="All posts tagged 'space'">space</a> and <a href=https://nikhil.io/tags/youtube/ title="All posts tagged 'youtube'">youtube</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Nosferatu (2024) ]]></title><id>tag:nikhil.io,2025://697b3295ce8c5a33a8ddf9afe2da4bf3</id><updated>2025-01-17T14:28:14.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/3dbde1fbadae578bb70246499430ecfc/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with LD at the theater (on the last day it was playing!) and am really glad I did. I saw the 1922 version in college and have been mesmerized with it since. People are pretty surprised, like I was, to hear that the story is an unlicensed <em>Dracula</em> knockoff.</p>
<p>
This is a really immersive movie. It’s Eggers’ fourth and we’ve seen all of them. <em>The Witch</em> is still our favorite, followed by <em>The Northman</em>. Lily-Rose Depp was just terrific and just might be to some lucky director whatever Helena Bonham Carter was to Tim Burton. The movie just kept vacillating between Eggers’ unique style and vision to that of those insipid (but totally fun) “<em>Abraham Lincoln: Vampire Hunter</em>” flicks. I don’t think Willem Dafoe’s comedic relief was necessary. I also couldn’t stop focusing on how bad his wig was.</p>
<p>
Am told that <a href="https://en.wikipedia.org/wiki/Nosferatu_(soundtrack)">the soundtrack</a>, by Robin Carolan, is excellent. Bill Skarsdard is totally unrecognizeable as Nosferatu. His character’s surprising and ample mustache could <em>not</em> get me stop thinking of how much he looked like Karel Roden as Rasputin in <em>Hellboy</em> (2004)</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/k/karel-roden-rasputin.webp" alt="Czech actor Karel Roden as Rasputin in the movie Hellboy" loading="lazy" decoding="async" width="1847" height="972"></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/k/karel-roden-rasputin-2.webp" alt="Another shot of Karel Roden as Rasputin in the movie Hellboy" loading="lazy" decoding="async" width="1600" height="867"></p>
<p>
Might be the only one here…</p>

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 ]]></content></entry><entry><title><![CDATA[ Illustration of "The Devil of Pope-Fig Island", from the Fables of Fontaine by Charles-Dominique-Joseph Eisen (1760s) ]]></title><id>tag:nikhil.io,2025://735f0ad5ea1b550e8c9027423195a54b</id><updated>2025-01-14T13:10:03.968-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/art/326eb2f4c12b500798018e0b8929d358/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/art"><![CDATA[ <!DOCTYPE html><img alt="Illustration of &quot;The Devil of Pope-Fig Island&quot;, from the Fables of Fontaine" data-size="full" decoding="async" id="illustration-of-the-devil-of-pope-fig-island-from-the-fables-of-fontaine-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/art/illustration-of-the-devil-of-pope-fig-island-from-the-fables-of__by__charles-dominique-joseph-eisen-0.webp"/>
        <br />
        <br />
        <strong>Charles-Dominique-Joseph Eisen</strong>
        
          <br />
          French, 1720-1778
          
        <br />
        <br />
        <strong><i>Illustration of "The Devil of Pope-Fig Island", from the Fables of Fontaine</i></strong> (1760s)
        <br />
        Engraving
        <br />
        None
        
        
          <br />
          <br />
          <p>
This is an illustration for a poem. Here’s <a href="https://old.reddit.com/r/museum/comments/8rw5kj/charlesdominiquejoseph_eisen_1720_1778/e0vamsx/">an explanation</a> via a Reddit comment for I tried to read <a href="https://allpoetry.com/The-Devil-Of-Pope-Fig-Island">the entire thing</a> but lost enthusiasm.</p>
<blockquote>
<p>
The Devil has come to punish a farmer who tricked him. The farmer hides in a big vat of holy water, his wife comes out sobbing about how violent and fearsome her husband is. She warns the devil:</p>
<p>
<em>For God’s sake try, my lord, to get away</em><br>
<em>Just now I heard the savage fellow say</em><br>
<em>He’d with his claws your lordship tear and slash</em><br>
<em>See, only, my lord, he made this gash;</em><br>
<em>On which she showed:— what you will guess, no doubt</em><br>
<em>And put the demon presently to rout</em><br>
<em>Who crosses himself and trembled with a fright</em><br>
<em>He’d never seen nor heard of such a sight,</em><br>
<em>Where scratch from claws or nails do appeared;</em></p>
<p>
So the joke is the devil has never seen a vagina before, assumes the wife has been castrated, and that the farmer will castrate him too. Also the implication is the wife has a gigantic vagina. Its a stupid bawdy joke, from a century full of stupid bawdy jokes (also funnier in the prose original in Rabelais’ <em>Gargantuan</em> and <em>Pantagruel</em> — this is a later versification).</p>
</blockquote>

          
        
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 ]]></content></entry><entry><title><![CDATA[ Note 0003 ]]></title><id>tag:nikhil.io,2025://5a688ce8eeba5971a030bc03e24f3d95</id><updated>2025-01-14T10:05:55.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0003/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Perhaps a <em>bit</em> embarrassing since I’ve read the book so many times<sup class="footnote-ref"><a href="#fn-revenge-sucker" id="fnref-revenge-sucker" title="Link to Footenote revenge-sucker">1</a></sup>, but I had no idea that <em>The Count of Monte Cristo</em> was <a href="https://en.wikipedia.org/wiki/Pierre_Picaud">based on a real life story</a>, thanks to <a href="https://www.youtube.com/watch?v=eeiHv_yOgpE">this video</a>.</p>
<div class="footnotes"><ol><li id="fn-revenge-sucker"><p>
And am a sucker for <a href="/tags/revenge/">all things revenge</a>.<a title="Back to footnote reference" href="#fnref-revenge-sucker" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Elon Musk is Lying About Being Good at Video Games ]]></title><id>tag:nikhil.io,2025://2f3c321bf2c854efb7d8108687e82f3e</id><updated>2025-01-11T08:49:52.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=FmEe3eUPWq4"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/bae2c533551258308af864c91c13a704/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=FmEe3eUPWq4" title="Elon Musk is Lying About Being Good at Video Games">https://www.youtube.com/watch?v=FmEe3eUPWq4</a><p>
The cringe I get from the explanation from someone who truly knows the game is akin to the one I get from “hacking the mainframe” or “tracking the killer’s IP address” or the casual “bypassing the firewall”.</p>
<p>
<a href="https://assets.log.nikhil.io/e/elon-hat.png">All hat, no cattle</a> indeed. I can venture a guess at the answer but: Why, <em>why</em> is any of this poorly executed, ultra-cringey enhancement to your popular and established mystique even necessary?</p>
<div class="update">
<p>
Update</p>
</div>
<p>
Pretty sure Elon could <a href="https://www.youtube.com/watch?v=kl6rsi7BEtk">isolate the node and dump them on the other side of the router</a>. Via CM. Come to think of it, he might just do “<a href="https://www.yahoo.com/tech/flustered-elon-musk-flips-jackass-210802495.html">a total rewrite of the whole thing</a>” with “really high velocity”. He can do anything, this guy.</p>

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 ]]></content></entry><entry><title><![CDATA[ Moving from Chrome to Firefox ]]></title><id>tag:nikhil.io,2025://65efb77c28f35c4fba623c67d10bf779</id><updated>2025-01-05T17:25:34.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/985926a140e854578a9d088d7e7ebef5/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I finally switched over from Chrome to Firefox, after switching away from the latter over 12 years ago. I’d basically given up on any shred of privacy I might have left on the internet, but the final straw for me was Chrome totally bypassing the DNS blocklists on my PiHole<sup class="footnote-ref"><a href="#fn-modern_web" id="fnref-modern_web" title="Link to Footenote modern_web">1</a></sup> <code>(╯°□°）╯︵ ┻━┻</code></p>
<p>
Unsurprising, really. You’re encouraged to read <a href="https://contrachrome.com/">this comic</a> (<a href="https://assets.log.nikhil.io/c/ContraChrome.pdf">PDF</a>) on the company’s intentionally odious practices<sup class="footnote-ref"><a href="#fn-gmail-etc" id="fnref-gmail-etc" title="Link to Footenote gmail-etc">2</a></sup>.</p>
<p>
The usual argument is “why’re you complaining about something that’s free?” Because I deem privacy to be a fundamental right that is to be respected <em>even if you’re giving shit away</em>. We can gripe about its fundamentalness but can perhaps agree that “<a href="https://www.vox.com/2016/2/21/11588068/heres-what-steve-jobs-had-to-say-about-apple-and-privacy-in-2010">Privacy means</a> people know what they’re signing up for — in plain English, and repeatedly.” There’s nothing clear about this with Chrome. It’s not hard <a href="https://assets.log.nikhil.io/c/chrome-bullshit.jpeg">to quit doing sneaky and evil things without peoples’ informed consent</a>.</p>
<h3 id="the-good" tabindex="-1">
The Good <a class="header-anchor" href="#the-good"><span aria-hidden="true">#</span></a></h3>
<p>
Transferring bookmarks (of which I have very few) and history was a breeze.</p>
<p>
Most extensions I’ve depended upon in Chrome are available for Firefox. There appear to be ways to get Chrome extensions to work in Firefox but I haven’t needed them. Pure nostalgia: I was reminded of the <a href="https://chrispederick.com/work/web-developer/">Web Developer extension by Chris Pederick</a> which I starting using in 2004 (I think) to live-edit with CSS (which I thought was just <em>magical</em>, in addition to being a giant time-saver). It’s still around and is still fantastically useful. And available for Chrome as well. lol.</p>
<p>
Developer tools, which I need for my job, are <em>mostly</em> the same<sup class="footnote-ref"><a href="#fn-dev-nitpicks" id="fnref-dev-nitpicks" title="Link to Footenote dev-nitpicks">3</a></sup> but I found myself preferring the Firefox DevTools a little more for aesthetic/ergonomic/design reasons.</p>
<p>
Picture in Picture is <em>excellent</em>.</p>
<p>
Preventing YouTube and other websites from autoplaying videos is <em>excellent</em>.</p>
<h3 id="the-okay" tabindex="-1">
The Okay <a class="header-anchor" href="#the-okay"><span aria-hidden="true">#</span></a></h3>
<p>
Syncing is P2P, not centralized, and not as elegant and “Just Works™” like with Chrome. But it’s mostly the small things. Like how toolbar layouts are not synced<sup class="footnote-ref"><a href="#fn-syncing-solution" id="fnref-syncing-solution" title="Link to Footenote syncing-solution">4</a></sup>, and how switching the default search provider on your desktop won’t change it on your mobile device. Not a deal-breaker in the <em>least</em>.</p>
<p>
On a Mac, the Emoji entry shortcut ( <kbd>Ctrl</kbd>+<kbd>Command</kbd>+<kbd>Space</kbd>) <a href="https://bugzilla.mozilla.org/show_bug.cgi?id=1563862">doesn’t work</a>. For the amount of emojis I use in my personal communications, this is far more annoying than the syncing issues.</p>
<p>
AirPlay doesn’t work. Never worked on Chrome either. So whatever. Use Safari.</p>
<h3 id="the-bad" tabindex="-1">
The Bad <a class="header-anchor" href="#the-bad"><span aria-hidden="true">#</span></a></h3>
<p>
None. It’s a fantastic browser.</p>
<h3 id="other-stuff" tabindex="-1">
Other Stuff <a class="header-anchor" href="#other-stuff"><span aria-hidden="true">#</span></a></h3>
<p>
So why not Safari? Extensions. That’s really it. It’s a very limited ecosystem and <a href="https://react.dev/learn/react-developer-tools">some things I really need</a> aren’t available for Safari. I suppose I <em>could</em> use two different browsers for work and play but I’m not there yet.</p>
<p>
While I do use a PiHole, I’d recommend <a href="https://privacybadger.org/">Privacy Badger</a> and <a href="https://addons.mozilla.org/en-US/firefox/addon/ublock-origin/">uBlock Origin</a><sup class="footnote-ref"><a href="#fn-ublock-origin" id="fnref-ublock-origin" title="Link to Footenote ublock-origin">5</a></sup> to people switching away. Maybe even add <a href="https://noscript.net/getit/">NoScript</a> to the mix. I believe Facebook Container is installed by default. The adversarial/defensive relationship we have with the internet feels bit sad to me as a 90s kid who still remembers its magic and promise but that’s how it is.</p>
<p>
You can see where Firefox stores your profile via Help → More Troubleshooting Information → Profile Folder</p>
<p>
I’ve configured all installations on my laptops and phone to use DuckDuckGo as the default search engine.</p>
<div class="update">
<p>
Update: December 23, 2025</p>
</div>
<blockquote>
<p>
“Hello, We’re Firefox, The Only Browser That Hasn’t Hit Itself In The Dick With A Hammer. For years now, folks use us because of our un-hammered dick. Now, you may be wondering why today we’ve brought this hammer and pulled out our dick. Well I’m glad you asked-”</p>
<p>
<a href="https://bsky.app/profile/thezeldazone.bsky.social">@TheZeldaZone</a></p>
</blockquote>
<p>
Now the CEO <a href="https://old.reddit.com/r/firefox/comments/1poe7kb/an_open_letter_to_mozillas_new_ceo_firefox_doesnt/nuiuwkh/">claims that there will be an AI “kill-switch”</a> but I do not see why this is unnecessary garbage is on by default (thinking of my parents here).</p>
<div class="footnotes"><ol><li id="fn-modern_web"><p>
The modern website (<a href="/posts/e2881b10e8335daaa769115b6352e53c/">especially a news site</a>) is a fucking nightmare. Sorry, meant ‘<em>app</em>’.<a title="Back to footnote reference" href="#fnref-modern_web" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-gmail-etc"><p>
Gmail to something like Protonmail is next. This is a much more difficult move for me for various reasons, the primary one being legal communications. Sure, I could forward/relay but that kinda beats the point. One day, and soon 🤞<a title="Back to footnote reference" href="#fnref-gmail-etc" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-dev-nitpicks"><p>
There will certainly be “Power” devs who disagree and need that <em>one</em> indispensable feature (or perf metric) but I do not walk in these enlightened circles 🙏<a title="Back to footnote reference" href="#fnref-dev-nitpicks" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-syncing-solution"><p>
There’s <a href="https://support.mozilla.org/en-US/questions/1292568#answer-1327336">a manual solution</a> to this. Type <code>about:config</code>, search for <code>services.sync.prefs.sync.browser.uiCustomization.state</code>, and copypasta its contents into the same key on the other machine. If this is a PITA, you may have too many machines.<a title="Back to footnote reference" href="#fnref-syncing-solution" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-ublock-origin"><p>
And uBlock Origin isn’t intentionally borked on Firefox as it is on Chrome. Don’t be Evil indeed.<a title="Back to footnote reference" href="#fnref-ublock-origin" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/firefox/ title="All posts tagged 'firefox'">firefox</a>, <a href=https://nikhil.io/tags/technology/ title="All posts tagged 'technology'">technology</a> and <a href=https://nikhil.io/tags/web/ title="All posts tagged 'web'">web</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Songs for December 2024 ]]></title><id>tag:nikhil.io,2024://8e579ea215b25e4e83727853047f144d</id><updated>2024-12-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=t4tf57EEbfg"><strong>Majnuna</strong></a> by HUGEL<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=7yQEL9M95v0"><strong>Wow</strong></a> by Giulio Cercato<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=Kax_tVLW7TU&amp;amp;list=RDMMKax_tVLW7TU&amp;amp;start_radio=1"><strong>Habibty</strong></a> by Hassan Shakosh Ft Yasmin Raeis<br/><span><p>
This and <em>Mesaytara</em> are my two new favorite earworms right now.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=9A4_GnALZd4"><strong>Mesaytara</strong></a> by Lamis Kan<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for December 2024 ]]></title><id>tag:nikhil.io,2024://e574bfa27ebb5e5bbce5805797d0b616</id><updated>2024-12-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://abuseofnotation.github.io/category-theory-illustrated/"><strong>Category Theory Illustrated</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ There Are Moms Way Worse Than You by Glenn Boozan ]]></title><id>tag:nikhil.io,2024://0d7bd32e25265ace8230a7a6d9e41378</id><updated>2024-12-29T09:18:31.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/books/58c074a57aeb570ea8c19cb2cc8f39db/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/books"><![CDATA[ <p>
A lovely little book on ghastly parenting by animals that are not us. Gifted this to a family member who just had her first baby and is your normal, apprehensive, anxious, stressed-out, impossibly-in-love first-time parent<sup class="footnote-ref"><a href="#fn-parent" id="fnref-parent" title="Link to Footenote parent">1</a></sup>. I loved Priscilla Witte’s witty<sup class="footnote-ref"><a href="#fn-witty" id="fnref-witty" title="Link to Footenote witty">2</a></sup> illustrations and what I think is the overall message here, which I wrote to her: Try your best and enjoy the ride. All shall be well 🥰</p>
<blockquote>
<p>
Let’s celebrate the not-so-great and “Wish it had gone better!” Embrace the mediocre family times you share together.</p>
</blockquote>
<p>
The book has a few notes towards the end. Love a good reminder that Nature is rather hardcore. Two things I thought of as I read short descriptions of <em>why</em> the featured animals do what they do are (1) a minimization of energy/waste and (2) good 'ol natural selection: they just want to make sure they continue to make more of themselves.</p>
<p>
Cuckoos are still terrible and I might dislike them more than Canadian Geese, the bros of the bird world. But all this aside, it’s a <em>fact</em> that there is no more worse mom or parent than this <em>nightmare</em> of a human being:</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/livia-soprano.webp" alt="Livia Soprano, the worst person and mom in the world" loading="lazy" decoding="async" width="721" height="1024"></p>
<p>
<em>*shudder*</em></p>
<div class="footnotes"><ol><li id="fn-parent"><p>
I’ve only observed these ‘joys’ and have no direct experience of them.<a title="Back to footnote reference" href="#fnref-parent" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-witty"><p>
Heh.<a title="Back to footnote reference" href="#fnref-witty" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
  <hr />
  <a href="https://nikhil.io/books/58c074a57aeb570ea8c19cb2cc8f39db/" title="Link to this post on my log">Permalink</a>. <br />
  Tagged <a href=https://nikhil.io/tags/books/ title="All posts tagged 'books'">books</a>, <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a> and <a href=https://nikhil.io/tags/short%20books/ title="All posts tagged 'short books'">short books</a>.<br />
  ISBN <a href="https://isbnsearch.org/isbn/978-1523515646" title="Look up this ISBN">978-1523515646</a>.<br />
  <a href="mailto:mail@nikhil.io?subject=About: There%20Are%20Moms%20Way%20Worse%20Than%20You">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Merry Christmas from 1970s Indian Santa Claus ]]></title><id>tag:nikhil.io,2024://e89648d44785590583545ca3ea53304f</id><updated>2024-12-25T15:54:04.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=KtJzLfRJ5bI"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/9e697396d92459cbaebd58ef360d76c0/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=KtJzLfRJ5bI" title="Merry Christmas from 1970s Indian Santa Claus">https://www.youtube.com/watch?v=KtJzLfRJ5bI</a><p>
Features two late legends, <a href="https://en.wikipedia.org/wiki/Sanjeev_Kumar">Sanjeev Kumar</a> (Santa) and <a href="https://en.wikipedia.org/wiki/Kishore_Kumar">Kishore Kumar</a> (singer). Not sure who advised the former to strike a “BRO WHAT’S EVEN GOING ON” expression throughout the song.</p>
<p>
Wondered what became of the kids in the video. Assuming they were ~10 at the time this <a href="https://en.wikipedia.org/wiki/Shaandaar_(1974_film)">movie was released in 1974</a> they’d be in their 60s now. Time, yo.</p>

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  Tagged <a href=https://nikhil.io/tags/bollywood%20movies/ title="All posts tagged 'bollywood movies'">bollywood movies</a>, <a href=https://nikhil.io/tags/christmas/ title="All posts tagged 'christmas'">christmas</a>, <a href=https://nikhil.io/tags/kishore%20kumar/ title="All posts tagged 'kishore kumar'">kishore kumar</a>, <a href=https://nikhil.io/tags/songs/ title="All posts tagged 'songs'">songs</a> and <a href=https://nikhil.io/tags/vintage/ title="All posts tagged 'vintage'">vintage</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ The Trailer for "28 Years Later" is Simply Spectacular ]]></title><id>tag:nikhil.io,2024://7ff70cc18ac455a08271b6184e0ca4d0</id><updated>2024-12-18T09:29:30.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=mcvLKldPM08"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/c3f2f8395061545e8dc114f993d0ef76/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=mcvLKldPM08" title="The Trailer for “28 Years Later” is Simply Spectacular">https://www.youtube.com/watch?v=mcvLKldPM08</a><p>
Best I’ve seen in recent memory.</p>
<p>
Features the poem “<a href="https://en.wikipedia.org/wiki/Boots_(poem)">Boots</a>” by Rudyard Kipling, read with this <em>bone-chilling</em> pitch and cadence by a chap named Taylor Holmes in 1915. <a href="https://assets.log.nikhil.io/b/boots-taylor-holmes.mp3">Here’s the track by itself</a>. Sounds like it was taken from a record; the noise doesn’t help with the chilling of the bones.</p>
<div class="update">
<p>
Update</p>
</div>
<p>
The last few minutes <a href="https://www.youtube.com/watch?v=1AlST5t6JoM">remind me of this song</a>.</p>

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  Tagged <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a>, <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a> and <a href=https://nikhil.io/tags/trailers/ title="All posts tagged 'trailers'">trailers</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Libraries that Look like Tilda Swinton ]]></title><id>tag:nikhil.io,2024://9d93de730d0c53e69453b2cc8d80fe9e</id><updated>2024-12-08T14:29:13.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://x.com/JudeAtwood/status/1468030063819964424?"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/5425abe7f7cb59b2b972c08b3af4f7f7/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://x.com/JudeAtwood/status/1468030063819964424?" title="Libraries that Look like Tilda Swinton">https://x.com/JudeAtwood/status/1468030063819964424?</a><p>
Not sure what else to add here, other than my head reeling with “How the heck does one even think up this subject?”. And appreciating how the Internet can be such an amazing forum for collective weirdness and joy.</p>
<p>
Speaking of fora, the link’s on Twitter so <a href="https://assets.log.nikhil.io/b/buildings-tilda-swinton.pdf">here’s a cached version</a> to save you the discomfiture of engaging with it.</p>

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  Tagged <a href=https://nikhil.io/tags/architecture/ title="All posts tagged 'architecture'">architecture</a>, <a href=https://nikhil.io/tags/funny/ title="All posts tagged 'funny'">funny</a>, <a href=https://nikhil.io/tags/lookalikes/ title="All posts tagged 'lookalikes'">lookalikes</a>, <a href=https://nikhil.io/tags/tilda%20swinton/ title="All posts tagged 'tilda swinton'">tilda swinton</a> and <a href=https://nikhil.io/tags/twitter/ title="All posts tagged 'twitter'">twitter</a>.<br />
  
  <a href="mailto:mail@nikhil.io?subject=About: Libraries%20that%20Look%20like%20Tilda%20Swinton">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ Songs for November 2024 ]]></title><id>tag:nikhil.io,2024://07f5da0b0a975a53ba1b7ab1a1f6d817</id><updated>2024-11-30T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=jeys0g_Ys9Y"><strong>Bar Breaker</strong></a> by PROF<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=Ic5vxw3eijY"><strong>American Boy</strong></a> by Estelle (feat. Kanye West)<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=B22l4dGjgME&amp;#39;"><strong>Monkey Drums (Copenhagen Jazz Festival Bootleg)</strong></a> by Lulu Rouge feat. Nina Simone<br/><span></span></li></ol>
  <hr />
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 ]]></content></entry><entry><title><![CDATA[ Musician Doubles BPM up to a Trillion ]]></title><id>tag:nikhil.io,2024://33cb15c325745757b7810a6a19151ff6</id><updated>2024-11-26T14:54:14.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=DIsST2E_4-4"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/fbc92feffc8453e394bad61afec56cb5/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=DIsST2E_4-4" title="Musician Doubles BPM up to a Trillion">https://www.youtube.com/watch?v=DIsST2E_4-4</a><p>
Not <em>completely</em> unsurprising, but yeah: I was struck by how it’s essentially a continuous tone after about 2,000 BPM. Makes one wonder if anything in the Universe is <em>really</em> continuous or if all of it is fundamentally discrete. Also makes you wonder how animals like bees perceive the world.</p>

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  Tagged <a href=https://nikhil.io/tags/cool/ title="All posts tagged 'cool'">cool</a>, <a href=https://nikhil.io/tags/electronic/ title="All posts tagged 'electronic'">electronic</a>, <a href=https://nikhil.io/tags/experiments/ title="All posts tagged 'experiments'">experiments</a>, <a href=https://nikhil.io/tags/music/ title="All posts tagged 'music'">music</a> and <a href=https://nikhil.io/tags/youtube/ title="All posts tagged 'youtube'">youtube</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ The Mechanic (2011) ]]></title><id>tag:nikhil.io,2024://1298f07921095c4dbfefacf55364b69b</id><updated>2024-11-19T10:40:56.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/f016880d50a952888244d310cddd5a46/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
This is <code>$JASON_STATHAM_MOVIE</code> and I absolutely love it<sup class="footnote-ref"><a href="#fn-neeson" id="fnref-neeson" title="Link to Footenote neeson">1</a></sup>. It’s familiar, there’s no pretense, you’re a 13-year old, and it feels really nice spending your evening watching some evil-looking people get their (highly improbable) comeuppance from a <em>single</em> and <em>very</em> determined operator. It’s like huddling under a blanket with the air-conditioning on in the Middle Eastern heat in front of your family TV (a 21&quot; Belson) and your Mum makes you greasy food<sup class="footnote-ref"><a href="#fn-potatoes" id="fnref-potatoes" title="Link to Footenote potatoes">2</a></sup>.</p>
<p>
<em>The Beekeeper</em> is next, for days when I say “fuck it” and toss a frozen pizza into the oven after work ✨🍕✨</p>
<div class="footnotes"><ol><li id="fn-neeson"><p>
Just like that other mensch, <a href="https://www.youtube.com/watch?v=hhfHu6IHBiI">Liam Neesons</a>. Or that <a href="https://www.esquire.com/entertainment/movies/a62950014/the-equalizer-4-denzel-washington-cast-news/">mensch Denzel Washingtons</a>.<a title="Back to footnote reference" href="#fnref-neeson" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-potatoes"><p>
Like cubed potatoes fried in ghee and dusted with garam masala and chili powder, with a very generous and perfectly chilled glass of <em>ayran</em>.<a title="Back to footnote reference" href="#fnref-potatoes" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/action%20movies/ title="All posts tagged 'action movies'">action movies</a>, <a href=https://nikhil.io/tags/belson/ title="All posts tagged 'belson'">belson</a>, <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/jason%20statham/ title="All posts tagged 'jason statham'">jason statham</a> and <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ La Jeteé (1962) ]]></title><id>tag:nikhil.io,2024://57de5aa940575aab801d461179a32ba4</id><updated>2024-11-16T10:05:16.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/e11e4611c2b45bffbe69382d6e17de18/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
All the usual suspects (for a movie like this at least): What <em>is</em> memory? Does the past exist? Where and what am I, what the heck is <em>this</em>, and how do I know that it is real? And so on.</p>
<p>
No worries there, standard fare so far (for a movie like this that is). What’s truly amazing is <em>how succinctly</em> Chris Marker chooses to explore these questions. If you think your memory of something plays out like a video, he makes you deal with still images that you get to stitch together in your own head. If you think you can ‘hear’ clearly what someone may have said in the past, he makes you deal with this kind of unstructured, abstract (poetic?) narration that kinda makes sense but not really.</p>
<p>
LD and I saw this together and, when I asked her what she thought halfway into it, she said she was “very intrigued”. That’s really about it. Takes a few viewings, after which you may avail yourself of the many, many analyses out there<sup class="footnote-ref"><a href="#fn-jetee-analysis" id="fnref-jetee-analysis" title="Link to Footenote jetee-analysis">1</a></sup>. I just wanted to take in and enjoy a film-making experience I’d never had before, without worrying myself about a ‘message’ (or even a story for that matter). You’re in a dream, it’s all a dream.</p>
<p>
Totally Ignorant Sidenote: I don’t know what it is about filmmakers and cinematographers who were young in the 50s and 60s that makes them so freaking good at photography. <em>Arrestingly</em> so. In the age of instagratification the first person I could think of who wants you to <em>wait</em> and <em>immerse</em> yourself in a scene is Denis Villeneuve (who works with <a href="https://en.wikipedia.org/wiki/Roger_Deakins">legends like these</a>).</p>
<p>
<a href="https://assets.log.nikhil.io/l/liam-neeson-cuts.mp4">Here’s an extreme (and yet shitty) example</a> of the opposite of what I’m trying to say up there. Seven seconds and <em>fourteen cuts</em> of a dude jumping a fence. You know, to add the ‘urgency’ and ‘tension’ missing in the shit script.</p>
<div class="footnotes"><ol><li id="fn-jetee-analysis"><p>
For instance, there’s <a href="https://www.youtube.com/watch?v=tgC7Eh355E4">this short review</a> by A. O. Scott and this list of <a href="https://www.fredcamper.com/Film/AvantGardeDefinition.html">what makes an avant-garde film what it is</a>.<a title="Back to footnote reference" href="#fnref-jetee-analysis" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Alien: Romulus (2024) ]]></title><id>tag:nikhil.io,2024://dee7052f84415121a187a995a1d13083</id><updated>2024-11-01T10:11:55.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/184ad11fd51954bfb512150bd5a5c12f/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Saw with LD. A (really dark) teenage space adventure that made me feel like I was 14 and was watching “<em>Alien</em>” for the first time on our family TV (a 21&quot; Belson). They tugged at every dormant heartstring from our childhood. Graininess, floppy drives, joysticks, <em>lots</em> of CRT displays, and clunky mechanical keyboards<sup class="footnote-ref"><a href="#fn-keyboard" id="fnref-keyboard" title="Link to Footenote keyboard">1</a></sup>. Absolutely lush visuals, soundtrack, and cinematography. I’m glad we saw it on a big screen.</p>
<p>
Every time I see a space flick I drift off thinking where we’d be as humanity if we got our shit together. I was then brought back to Earth by noting that much of space travel and commerce were enabled and controlled by Weyland-Yutani, the Evil Galactic MegaCorporation that’s responsible for much of the trouble in the <em>Alien</em> franchise beginning, of course, with the Galactic Ego of <a href="https://assets.log.nikhil.io/o/old_peter_weyland.jpg">its MegaRich founder</a>. Not sure why I thought we <em>wouldn’t</em> be in the thrall of unreasonably despotic gazillionaires in a dystopian sci-fi movie…</p>
<p>
I last saw <a href="https://en.wikipedia.org/wiki/Cailee_Spaeny">Cailee Spaeny</a> in <em>Devs</em>. She’s a most worthy successor to Sigourney Weaver<sup class="footnote-ref"><a href="#fn-3" id="fnref-3" title="Link to Footenote 3">2</a></sup>. But <a href="https://en.wikipedia.org/wiki/David_Jonsson">David Jonsson</a> was just outstanding as Andy the Android<sup class="footnote-ref"><a href="#fn-android" id="fnref-android" title="Link to Footenote android">3</a></sup>.</p>
<p>
I’ll be watching this again and soon 🥰</p>
<div class="footnotes"><ol><li id="fn-keyboard"><p>
Reminds me of a Lewis Black quote on old-school telephones: “The kind that if a puma came at you, you could kill it.”<a title="Back to footnote reference" href="#fnref-keyboard" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-3"><p>
The movie made $350M on a shockingly low budget of $80M (which I suppose is what happens when you don’t blow it on expensive/big-name actors) and has excellent reviews. There’s no way they’re not making another one.<a title="Back to footnote reference" href="#fnref-3" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-android"><p>
Fine, “Synthetic”<a title="Back to footnote reference" href="#fnref-android" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Songs for October 2024 ]]></title><id>tag:nikhil.io,2024://9ac4ec5863ea527f824ef7fe77275a54</id><updated>2024-10-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=Xe9xpjuW3ec"><strong>Podu Mike</strong></a> by Killa K feat. Yung Raja<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=kmjeMrjOjFA"><strong>Taambdi Chaamdi</strong></a> by Kratex and Shreyas<br/><span><p>
I have probably listened to this 112,815 times. Don’t care if that’s impossible, feels like it. One of the best alarm songs ever.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for October 2024 ]]></title><id>tag:nikhil.io,2024://0b10a3bd77a5548ca147660a73291e25</id><updated>2024-10-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://cleanshot.com/"><strong>CleanShot looks like it's the 'ultimate' screenshotting and recording app for macOS</strong></a> <br/><span></span></li><li><a href="https://wiby.me/"><strong>Wiby is an Old School Search Engine</strong></a> <br/><span></span></li><li><a href="https://peelarchivesblog.com/2024/09/10/how-do-archivists-package-things-the-battle-of-the-boxes/"><strong>How Archivists Package Things</strong></a> <br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ #0005 ]]></title><id>tag:nikhil.io,2024://a363dc832fa85c0ebd5936e67d83dbab</id><updated>2024-10-14T15:00:26.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0005/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="#0005" data-size="full" decoding="async" id="0005-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0005.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      <p>
Snapped this whilst walking the dog around the East Village. It’s a reflection of our <a href="https://en.wikipedia.org/wiki/Iowa_State_Capitol">State Capitol building</a>. Downtown gets very calm and beautiful in the evenings.</p>

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 ]]></content></entry><entry><title><![CDATA[ A $300, Fully-Functional Microscope Design by IBM ]]></title><id>tag:nikhil.io,2024://ce9c2c80d33d5ab9b071970e843aa2a6</id><updated>2024-10-10T15:07:55.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?v=PBSYnk9T4o4"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/001c246fef3651a1b617d5ffe77294a2/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?v=PBSYnk9T4o4" title="A $300, Fully-Functional Microscope Design by IBM">https://www.youtube.com/watch?v=PBSYnk9T4o4</a><p>
<em>Super-cool</em>. I look forward to bookmarking this, telling myself that I’ll finally put Pi Zero to good use, and never doing this 🤘</p>

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 ]]></content></entry><entry><title><![CDATA[ Note 0002 ]]></title><id>tag:nikhil.io,2024://04ff5cf60ef452e2abe3876e62adf1b5</id><updated>2024-10-10T14:22:30.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/notes/0002/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/notes"><![CDATA[ <!DOCTYPE html><p>
Perhaps not <em>as</em> incredibly astounding as <a href="https://www.youtube.com/watch?v=COP0XlYHvto">this overlay of <em>Spectre</em></a><sup class="footnote-ref"><a href="#fn-1" id="fnref-1" title="Link to Footenote 1">1</a></sup> on the opening credits of the movie but <a href="https://www.youtube.com/watch?v=3AMVnYVyv-c">this one of <em>How to Disappear Completely</em> over a few scenes</a> from <em>Lost in Translation</em> just <em>fits</em> somehow.</p>
<div class="footnotes"><ol><li id="fn-1"><p>
From the comments: “It was a wise decision to go with Sam Smith’s <em>Writings on the wall</em>. A mediocre movie deserves an equally mediocre theme song. Radiohead’s <em>Spectre</em> is just fantastic.”<a title="Back to footnote reference" href="#fnref-1" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/hollywood%20movies/ title="All posts tagged 'hollywood movies'">hollywood movies</a>, <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>, <a href=https://nikhil.io/tags/radiohead/ title="All posts tagged 'radiohead'">radiohead</a>, <a href=https://nikhil.io/tags/soundtracks/ title="All posts tagged 'soundtracks'">soundtracks</a> and <a href=https://nikhil.io/tags/youtube/ title="All posts tagged 'youtube'">youtube</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Nightwhispers by Draconis Star (2023) ]]></title><id>tag:nikhil.io,2024://1ec0c65264925fe8a08cc4816798aae5</id><updated>2024-10-05T04:38:45.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/albums/44b3651b425e5633ba5a85dffa2ea58f/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/albums"><![CDATA[ 
      <p>
Always on the lookout for good work music. This was suggested by YouTube’s mighty algorithm and more than fit the bill. A few tracks reminded me of <em>10,000Hz Legend</em> by Air. You can listen to the entire <a href="https://www.youtube.com/watch?v=e-RXNcBlyJ4">album on YouTube</a> or visit their <a href="https://violetnebulaproductions.bandcamp.com/album/nightwhispers">Bandcamp page</a>.</p>
<p>
I was rather mesmerized by the typeface:</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/d/draconis-star.webp" alt="Close-up of album cover highlighting typeface" loading="lazy" decoding="async" width="1280" height="720"></p>
<p>
and, after some searching, found “<a href="https://www.myfonts.com/products/regular-infantometric-pro-28102?queryId=02c6a6a66e3423b71de29f1cf916d0d3&amp;index=universal_search_data&amp;objectIDs=5391294002">Infantometric Pro</a>” to be sufficiently close. Look forward to writing some postcards in this style (while listening to this album of course).</p>

      <p>Overall rating: B+undefined</p>
      <h3>Trackfalse</h3>
      <!DOCTYPE html>
    
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 ]]></content></entry><entry><title><![CDATA[ Songs for September 2024 ]]></title><id>tag:nikhil.io,2024://c0da7e06167e5ab287c3a7b8aada53f1</id><updated>2024-09-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=HhUljycXlGo"><strong>Gingoba (Extended Mix)</strong></a> by Sllash &amp; Doppe<br/><span><p>
After about 03:00</p>
</span></li><li><a href="https://www.youtube.com/watch?v=nqxe3NZKYL0"><strong>Lawman</strong></a> by Gilla Band<br/><span><p>
Heard with Catherine at some place on Ingersoll Av in Des Moines. I love it but this kind of thing is <em>really</em> her jam 💗</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for September 2024 ]]></title><id>tag:nikhil.io,2024://2fbaf7620f05535a9fdb60de0f41d69f</id><updated>2024-09-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://simpleicons.org/"><strong>Simple Icons - A big collection of SVG Icons for Popular Brands</strong></a> <br/><span></span></li><li><a href="https://www.youtube.com/shorts/sVOMYVdO2-w"><strong>Aromatic Holy Trinities in Various Cuisines</strong></a> <br/><span><p>
Other things to mix and match include shallots and various bell peppers.</p>
</span></li><li><a href="https://github.com/veltman/clmystery"><strong>A Command-Line Murder Mystery!</strong></a> <br/><span><p>
By Noah Veltman who appears to <a href="https://noahveltman.com/about/">have impeccable gums</a>.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Etude in Black (Season 2, 1972) ]]></title><id>tag:nikhil.io,2024://b7b3c5e42b3e564f885e9c547e045a22</id><updated>2024-09-05T16:15:51.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/cd347858c9795cacb44f4be0a347e616/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
I’m re-watching <em>Columbo</em> after around ten years and this is my maiden episode. Read that <em>Rolling Stone</em> recently rated it the <a href="https://www.rollingstone.com/tv-movies/tv-movie-lists/best-tv-episodes-of-all-time-1235090945">52nd Greatest TV Episode of all time</a>. There are no other <em>Columbo</em> episodes on that list and I’m not sure that I’d pick this one. The sleuthing is underwhelming compared to, say, an absolute banger like <em>The Bye-Bye Sky High I.Q. Murder Case</em>.</p>
<p>
Now their description says that Falk was so “superhumanly charming that he could have onscreen chemistry with a doorknob”. This is indisputable, but John Cassavates’ swagger, charm, and presence are truly something to behold. I couldn’t stop thinking about how much his character looked like real-life maestro <a href="https://assets.log.nikhil.io/l/leonard-bernstein.jpg">Leonard Bernstein</a> and whether this was intentional. Like he was a cross between Bernstein and Bourdain.</p>
<p>
Oh and Mr. Miyagi’s (briefly) in this too! Not to mention <a href="https://old.reddit.com/r/Columbo/comments/11zpxpp/i_was_watching_%C3%A9tude_in_black_last_night_and_said/">Gwyneth Paltrow’s mom</a>. Unsurprising given the lovely <a href="https://columbophile.com/2016/04/30/25-megastars-you-never-knew-graced-columbo/">history of guest appearances</a> on the show.</p>
<p>
There’s a discussion about how Columbo made $11,000 in 1972. Taxes aside, and according to <a href="https://data.bls.gov/cgi-bin/cpicalc.pl?cost1=11000&amp;year1=197201&amp;year2=202407">the BLS calculator</a>, that’s about $85,000 per year. Columbo values the murderer-maestro’s mansion at $750K. That’s ~$6M in today’s dollars. I imagine this is a laughable amount for a mansion that size (with a tennis court (of course)) in today’s Los Angeles though. Cassavetes’ character drives a Jaguar E-Type which I still think is <a href="https://www.google.com/search?q=jaguar+e+type&amp;sca_upv=1&amp;iflsig=AL9hbdgAAAAAZtprfJfVwwG494Tu1gaqvnXkMRkKjbWj&amp;udm=2">one of the most beautiful cars</a> ever designed.</p>

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  Tagged <a href=https://nikhil.io/tags/70s/ title="All posts tagged '70s'">70s</a>, <a href=https://nikhil.io/tags/columbo/ title="All posts tagged 'columbo'">columbo</a>, <a href=https://nikhil.io/tags/detective/ title="All posts tagged 'detective'">detective</a>, <a href=https://nikhil.io/tags/mystery/ title="All posts tagged 'mystery'">mystery</a> and <a href=https://nikhil.io/tags/tv%20shows/ title="All posts tagged 'tv shows'">tv shows</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Brunhilde ]]></title><id>tag:nikhil.io,2024://2c8e934ae5825c16b390a36b0023dd84</id><updated>2024-08-31T11:59:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0004/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="Brunhilde" data-size="full" decoding="async" id="brunhilde-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0004.webp"/>
      <br /><small>Ames, Iowa</small><br /<br />
      <p>
This was my first car, a 1992 Buick LeSabre I christened <a href="https://www.encyclopedia.com/history/encyclopedias-almanacs-transcripts-and-maps/brunhilde."><em>Brunhilde</em></a>. I bought it off my friend John for $1,000<sup class="footnote-ref"><a href="#fn-poor" id="fnref-poor" title="Link to Footenote poor">1</a></sup>. She was a lovely vehicle and came with bench seats, a CD changer, and boombastic speakers. She braved over 250,000 miles. Every car-person and occasional mechanic would extol the <a href="https://www.hagerty.com/media/automotive-history/gms-3800-v-6-was-long-lived-and-underappreciated/">3800 Series II V6</a> under the hood with the word “bulletproof” after asserting that it was the “last good engine outta GM”. Just a very solid car. I wonder where she is.</p>
<div class="footnotes"><ol><li id="fn-poor"><p>
And had to sell it back to him for that amount due to temporary undergraduate impoverishment…<a title="Back to footnote reference" href="#fnref-poor" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/ames/ title="All posts tagged 'ames'">ames</a>, <a href=https://nikhil.io/tags/cars/ title="All posts tagged 'cars'">cars</a> and <a href=https://nikhil.io/tags/nostalgia/ title="All posts tagged 'nostalgia'">nostalgia</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Songs for August 2024 ]]></title><id>tag:nikhil.io,2024://8e1a6db665c552af8f7c362cfb88b8b5</id><updated>2024-08-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/watch?v=mWEvjzbTLR4"><strong>Olé</strong></a> by John Coltrane<br/><span><p>
First listened to this with SB in Iowa City at his place. I couldn’t believe what I was hearing. This is one of the most magnificent pieces of music I’ve heard in my life and I hope to hear it before I leave.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=AKHNATEN%20Philip%20Glass"><strong>Akhnaten</strong></a> by Philip Glass<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Music%20Erick%20Sermon%20feat.%20Marvin%20Gaye"><strong>Music</strong></a> by Erick Sermon feat. Marvin Gaye<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Daryaa%20Unplugged%20Deveshi%20Sahgal"><strong>Daryaa Unplugged</strong></a> by Deveshi Sahgal<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Bookmarks for August 2024 ]]></title><id>tag:nikhil.io,2024://b2699e87de6650f0b327023226d35ca0</id><updated>2024-08-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/bookmarks"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/bookmarks"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.typewolf.com/"><strong>TypeWolf is a list of what's trending in typography</strong></a> <br/><span></span></li><li><a href="https://howfarawayisit.com/"><strong>How Far Away is It</strong></a> <br/><span><p>
A cannot-believe-this-is-free collection of Physics videos on everything from Classical Mechanics to QM.</p>
</span></li><li><a href="https://github.com/imothee/tmpdisk"><strong>TmpDisk - RamDisk UI for macOS</strong></a> <br/><span><p>
Here’s a <a href="https://gist.github.com/htr3n/344f06ba2bb20b1056d7d5570fe7f596">Github Gist</a> for a CLI option that uses <code>diskutil</code>.</p>
</span></li><li><a href="https://assets.log.nikhil.io/g/git-cheat-sheet.pdf"><strong>A Git Cheatsheet</strong></a> <br/><span><p>
By <a href="https://jvns.ca/">Julia Evans</a>. I don’t think an average dev will need anything more than what’s on here.</p>
</span></li><li><a href="https://displaay.net/typeface/mecherle/"><strong>Merchele Sans</strong></a> <br/><span><p>
Was paying a bill on the State Farm website and wondered what they used. Comes in serif and slab serif as well.</p>
</span></li><li><a href="https://pagefind.app/"><strong>Pagefind, a fully client-side search library</strong></a> <br/><span><p>
Lovely. Uses some kind of sharding to intelligently get ‘pages’ of relevance. The WASM size is only ~70kB, compared to SQLite’s WASM’s ~460kB.</p>
</span></li><li><a href="https://www.openmymind.net/learning_zig/"><strong>Learning Zig</strong></a> <br/><span><p>
By the same author who wrote <a href="https://www.openmymind.net/The-Little-Go-Book/">The Little Go Book</a></p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ We Are But One ]]></title><id>tag:nikhil.io,2024://991beed19b985b0499960b86fd5e88b0</id><updated>2024-08-22T08:49:13.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0003/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="We Are But One" data-size="full" decoding="async" id="we-are-but-one-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0003.webp"/>
      <br /><small>Mills Peninsula Medical Center, California</small><br /<br />
      <p>
I saw this at the hospital my little niece was born in. It was offered as gift to the maternity unit by a “grateful former patient” and is a Farsi poem by Saadi Shirazi called “<a href="https://en.wikipedia.org/wiki/Bani_Adam"><em>Bani Adam</em></a>”. Here are the first few lines:</p>
<blockquote>
<p>
Human Beings are members of a whole<br>
In creation of one essence and soul<br>
If one member is inflicted with pain<br>
Other members uneasy will remain<br>
If you have no sympathy for human pain<br>
The name of human you can not pertain</p>
</blockquote>
<p>
Saadi! I found out much later in life that a powerful French bureaucrat named <a href="https://en.wikipedia.org/wiki/Lazare_Carnot">Lazare Carnot</a> was so enamored by Saadi Shirazi’s poetry that he named his eldest son <a href="https://en.wikipedia.org/wiki/Lazare_Carnot">Sadi (Carnot)</a> of <a href="https://en.wikipedia.org/wiki/Carnot_cycle">Carnot Cycle</a> fame. We had to memorize this thing (the Carnot Cycle) in high school and I only understood what he was on about about 15 years later.</p>

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  Tagged <a href=https://nikhil.io/tags/calligraphy/ title="All posts tagged 'calligraphy'">calligraphy</a>, <a href=https://nikhil.io/tags/farsi/ title="All posts tagged 'farsi'">farsi</a>, <a href=https://nikhil.io/tags/poetry/ title="All posts tagged 'poetry'">poetry</a> and <a href=https://nikhil.io/tags/saadi/ title="All posts tagged 'saadi'">saadi</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ La Luna ]]></title><id>tag:nikhil.io,2024://184279dbf14057718e47ebb6b0f05997</id><updated>2024-08-14T01:13:14.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0002/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="La Luna" data-size="full" decoding="async" id="la-luna-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0002.webp"/>
      <br /><small>The Locust Tap, Des Moines, Iowa</small><br /<br />
      <p>
My favorite watering hole is <a href="https://www.instagram.com/explore/locations/2559203/the-locust-tap"><em>The Locust Tap</em></a>. I met this old regular named Phil a while ago. Loves his Jack Daniels. He sets up his homemade telescope outside the place about once or so every week for passersby to peer through in amazement. He’s been doing this for the past twenty years. He let me take this picture through it with my phone. Built his first telescope in 1987.</p>

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  Tagged <a href=https://nikhil.io/tags/astronomy/ title="All posts tagged 'astronomy'">astronomy</a> and <a href=https://nikhil.io/tags/moon/ title="All posts tagged 'moon'">moon</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ As of August 2024 ]]></title><id>tag:nikhil.io,2024://364169a17bb8514aa75e5cd28b8644c8</id><updated>2024-08-08T17:20:21.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/now/2024-08/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/now"><![CDATA[ <!DOCTYPE html><img src="https://assets.log.nikhil.io/_optimized/m/me-and-zeus.webp" alt="Me getting to know Zeus the Cockatiel right after waking up. I am simply in awe of how smart certain birds can be (and how long they can live!)" loading="lazy" decoding="async"/><br/><small>Me getting to know Zeus the Cockatiel right after waking up. I am simply in awe of how smart certain birds can be (and how long they can live!)</small><hr/><p>
I celebrated my 10<sup>th</sup> year working at Corteva, the sound of which feels unreal. They were not lying about how quickly time passes as you get older<sup class="footnote-ref"><a href="#fn-fuckit" id="fnref-fuckit" title="Link to Footenote fuckit">1</a></sup>. Right now, I’m on a team that specifies the architectural underpinnings of our Product Development organization. My focus is almost exclusively on the frontend, with technologies like React, Vite, and Nx, with a lot of focus on the ‘<em>Type</em>’ part of TypeScript. Since about 2019, I’ve tried to build things that help other people build things and it’s a true joy to know that you’ve helped make someone’s day easier with good, <em>simple</em>, no-FOMO tech, and exceedingly good documentation and <em>communication</em>. And I really love writing documentation<sup class="footnote-ref"><a href="#fn-complaint" id="fnref-complaint" title="Link to Footenote complaint">2</a></sup>.</p>
<p>
My wife and I moved to a lovely apartment in the <a href="https://eastvillagedesmoines.com/">Historic East Village in Downtown Des Moines</a> and we’re <em>loving</em> it. Our neighborhood is vibrant and full of interesting and lovely and strange people.</p>
<p>
<a href="https://assets.log.nikhil.io/z/zuni.jpeg">My little niece</a> continues to get cuter and I can’t wait to see her for her first birthday 🥰</p>
<p>
For fun, I’m trying to get back into practicing calligraphy, taking photos, writing more letters to people, taking a lot more walks than I do right now, teaching myself the Rust programming language, reading as many seminal graphic novels as I can, working through <a href="https://en.wikipedia.org/wiki/Principles_of_Quantum_Mechanics">this textbook</a>, and trying to get the highest quality sleep I can each night. Good Sleep is the only New Years resolution I’ve sought to keep for many years<sup class="footnote-ref"><a href="#fn-150" id="fnref-150" title="Link to Footenote 150">3</a></sup> and I’m pulling a solid C+ here so far.</p>
<div class="footnotes"><ol><li id="fn-fuckit"><p>
My poor wife’s had to hear me say “<em>Tempus Fuuuuughit</em>” more times than a human should have to endure when discussing this apparent dilation.<a title="Back to footnote reference" href="#fnref-fuckit" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-complaint"><p>
I tend to ignore remonstrations from a few who don’t think that emojis and dad jokes belong in ‘serious’ or ‘professional’ documentation. People generally don’t like to RTFM and I see it as my job to get them from the top to the bottom of an article by any means necessary 🤘<a title="Back to footnote reference" href="#fnref-complaint" class="footnote-back"><span>↩︎</span></a></p>
</li>
<li id="fn-150"><p>
A minimum of a 150 days of it per year.<a title="Back to footnote reference" href="#fnref-150" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Furiosa: A Mad Max Saga (2024) ]]></title><id>tag:nikhil.io,2024://00183578029154aca5f8337916ed8c3a</id><updated>2024-08-06T17:27:12.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/3356b09e69de55c58471e391228f0810/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
I will (a) watch the original and this prequel again soon and (b) name a <em>lot</em> of things “<em>Furiosa</em>” (starting with the tillandsia I’m going to get this weekend).</p>
<p>
A <em>mad</em> ride like the first one and I’m amazed again by how they managed to arrest my attention for 2.5 hours. Watched on the big screen with MM. They played vignettes of the first movie during the credits and I told him that the mobile wall of speakers and the guitar guy were Top 5 Maddest Things I’ve seen on a big screen, and I watch a <em>lot</em> of old-school, popular Indian cinema.</p>
<p>
They <a href="https://variety.com/2024/artisans/news/furiosa-ai-anya-taylor-joy-alyla-browne-1236016222/">aged Anya Taylor-Joy using AI</a> and it was rather magical<sup class="footnote-ref"><a href="#fn-irish" id="fnref-irish" title="Link to Footenote irish">1</a></sup>. Chris Hemsworth has fantastic comedic timing.</p>
<div class="footnotes"><ol><li id="fn-irish"><p>
Somehow reminded me of how bad the reverse/de-aging was in <em>The Irishman</em> and how far we’ve come.<a title="Back to footnote reference" href="#fnref-irish" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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  Tagged <a href=https://nikhil.io/tags/action%20movies/ title="All posts tagged 'action movies'">action movies</a>, <a href=https://nikhil.io/tags/hollywood/ title="All posts tagged 'hollywood'">hollywood</a> and <a href=https://nikhil.io/tags/movies/ title="All posts tagged 'movies'">movies</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Songs for July 2024 ]]></title><id>tag:nikhil.io,2024://0cf5fb4bb8fd545a96a06c855b206cdd</id><updated>2024-07-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Tribute%20to%20Keith%20Flint%20The%20Prodigy%20Orchestra%20Medley"><strong>Tribute to Keith Flint</strong></a> by The Prodigy Orchestra Medley<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Makeba%20(Extended%20Mix)%20Sllash%20&amp;%20Doppe"><strong>Makeba (Extended Mix)</strong></a> by Sllash &amp; Doppe<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Pyaar%20Karke%20Pachtaya%20Pyaar%20Ke%20Side%20Effects"><strong>Pyaar Karke Pachtaya</strong></a> by Pyaar Ke Side Effects<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=B22l4dGjgME"><strong>Monkey Drums (Copenhagen Jazz Festival Bootleg)</strong></a> by Lulu Rouge<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Makeba%20Jain"><strong>Makeba</strong></a> by Jain<br/><span><p>
Saw this on an Apple ad. I think almost everyone did.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Closer%20Kerala%20Dust"><strong>Closer</strong></a> by Kerala Dust<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Ocean%20Bloom%20Hans%20Zimmer%20&amp;%20Radiohead"><strong>Ocean Bloom</strong></a> by Hans Zimmer &amp; Radiohead<br/><span><p>
Absolutely majestic.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Undiporaadhey%20Sid%20Sriram"><strong>Undiporaadhey</strong></a> by Sid Sriram<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=H7_yY3yr-jE"><strong>Illegal Weapon</strong></a> by Garry Sandhu and Jasmine Sandlas<br/><span><p>
I may have listened to this on loop for close to the entire week I discovered it. Found out later that the bro who doesn’t sing and barely dances is the producer of this song, a chap who goes by the name <a href="https://www.5xfest.com/5xpress/getting-to-know-intense-the-international-producer-who-never-forgot-his-roots">Intense</a>.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=A%20Dead%20Mouse%20MF%20Doom"><strong>A Dead Mouse</strong></a> by MF Doom<br/><span><p>
This was my first MF DOOM track.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=6gJfYdPJZRM"><strong>Roja - Kyiv Classic Orchestra</strong></a> by A R Rahman<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Aadat%20Unplugged%20Atif%20Aslam"><strong>Aadat Unplugged</strong></a> by Atif Aslam<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Let%27s%20Live%20For%20Today%20Nicolas%20Jaar"><strong>Let's Live For Today</strong></a> by Nicolas Jaar<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Le%20Petit%20Prince%20Sahal%C3%A9"><strong>Le Petit Prince</strong></a> by Sahalé<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Bombay%20Theme%20(with%20Berklee%20Ensemble)%20A%20R%20Rahman"><strong>Bombay Theme (with Berklee Ensemble)</strong></a> by A R Rahman<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=fPF51GAkn7o"><strong>Ooh</strong></a> by Tohi<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=On%20the%20Nature%20of%20Daylight%20Max%20Richter"><strong>On the Nature of Daylight</strong></a> by Max Richter<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Ghul%20Raha%20Hai%20Sara%20Manzar%20Shankar%20Mahadevan"><strong>Ghul Raha Hai Sara Manzar</strong></a> by Shankar Mahadevan<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=MERU%20Concert%20Vikku%20Vinayakram"><strong>MERU Concert</strong></a> by Vikku Vinayakram<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Daf%20Solo%20Hussein%20Zahawy"><strong>Daf Solo</strong></a> by Hussein Zahawy<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ On Shareholder Value ]]></title><id>tag:nikhil.io,2024://3b720d1313a65e03b3fde5740828e304</id><updated>2024-07-06T13:06:27.908-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/eb39225534515a45afb9563295c9aa66/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><figure class="quote">
<blockquote>
<p>
There is a crime here that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is a failure here that topples all our success. The fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra must die because a profit cannot be taken from an orange. And coroners must fill in the certificates – died of malnutrition – because the food must rot, must be forced to rot.</p>
</blockquote>
<figcaption>
Steinbeck, <em>Grapes of Wrath</em></figcaption>
</figure>

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 ]]></content></entry><entry><title><![CDATA[ Songs for June 2024 ]]></title><id>tag:nikhil.io,2024://a97cfa513c3d596e8c73b65a5152216d</id><updated>2024-06-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Qawwali%20Aaj%20Rang%20Hain%20Bajrangi%20Bhaijaan"><strong>Qawwali Aaj Rang Hain</strong></a> by Bajrangi Bhaijaan<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Breathe%20T%C3%A9l%C3%A9popmusik"><strong>Breathe</strong></a> by Télépopmusik<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Marhaba%20(Janasheen)%20Sukhwinder%20Singh"><strong>Marhaba (Janasheen)</strong></a> by Sukhwinder Singh<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Ain%27t%20No%20Sunshine%20Bill%20Withers"><strong>Ain't No Sunshine</strong></a> by Bill Withers<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Death%20Letter%20Blues%20Son%20House"><strong>Death Letter Blues</strong></a> by Son House<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=X-CKZCqH6IQ"><strong>O Majhi Re</strong></a> by Shaan &amp; Saurav Moni<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Sawaar%20Loon%20(Lootera)%20Amit%20Trivedi"><strong>Sawaar Loon (Lootera)</strong></a> by Amit Trivedi<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Wade%20In%20The%20Water%20Ella%20Jenkins"><strong>Wade In The Water</strong></a> by Ella Jenkins<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Abglanz%20Pantha%20Du%20Prince"><strong>Abglanz</strong></a> by Pantha Du Prince<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Weightless%20Marconi%20Union"><strong>Weightless</strong></a> by Marconi Union<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Tide%20Junip"><strong>Tide</strong></a> by Junip<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Chok%20There%20Apache%20Indian"><strong>Chok There</strong></a> by Apache Indian<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Homeostasis%20Nostalghia"><strong>Homeostasis</strong></a> by Nostalghia<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=7bMYhJ_UqnE"><strong>Noir &amp; Haze - Around [Solomun Vox Mix] - NMB037</strong></a> by Unknown<br/><span><p>
Heard this at the <em>Blazing Saddle</em>.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Songs for May 2024 ]]></title><id>tag:nikhil.io,2024://6dece095689f5f60b9ff6545f06a415d</id><updated>2024-05-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Regenmacher%20/%20Audio%20(1978)%20Roedelius"><strong>Regenmacher / Audio (1978)</strong></a> by Roedelius<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Daggasse%20The%20Gaslamp%20Killer"><strong>Daggasse</strong></a> by The Gaslamp Killer<br/><span><p>
Heard this at <em>The Picador</em> in Iowa City</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=La%20Fugitive%20Williams%20Traffic"><strong>La Fugitive</strong></a> by Williams Traffic<br/><span><p>
LR suggested this. Love the album art.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Chicken%20in%20a%20Box%20Mr.%20Scruff"><strong>Chicken in a Box</strong></a> by Mr. Scruff<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Saeen%20Usman%20Riaz"><strong>Saeen</strong></a> by Usman Riaz<br/><span><p>
Phenomenal rendition of <em>Saeen</em> by Junoon.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Man%20O%20To%20(original%20Mix)%20Nu"><strong>Man O To</strong></a> by Nu<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=WWvwP72FuVg"><strong>I Heard It Through The Grapevine</strong></a> by Gladys Knight and the Pips<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Insomnia%20(Lulu%20Rouge%20bootleg)%20Faithless"><strong>Insomnia (Lulu Rouge bootleg)</strong></a> by Faithless<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Because%20We%20Can%20Fatboy%20Slim"><strong>Because We Can</strong></a> by Fatboy Slim<br/><span><p>
This is <em>mad</em> and I love it.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Fools%20Gold%20Stone%20Roses"><strong>Fools Gold</strong></a> by Stone Roses<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Het%20Volk%20Pan%20American"><strong>Het Volk</strong></a> by Pan American<br/><span><p>
This is the saddest piece of music I’ve listened to.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Quiet%20City%20Pan%20American"><strong>Quiet City</strong></a> by Pan American<br/><span><p>
This is the saddest ambient album I’ve listened to, bar none.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Nuba%201%20A.%20Cyrille%20&amp;%20J.%20Lee%20&amp;%20J.%20Lyons"><strong>Nuba 1</strong></a> by A. Cyrille &amp; J. Lee &amp; J. Lyons<br/><span><p>
A YouTube algorithm suggestion. Imagined a wasp bobbing around.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Jolene%20The%20White%20Stripes"><strong>Jolene</strong></a> by The White Stripes<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Personal%20Jesus%20(Alex%20Metric%20Remix%202011)%20Depeche%20Mode"><strong>Personal Jesus (Alex Metric Remix 2011)</strong></a> by Depeche Mode<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=The%20Time%20We%20Lost%20Our%20Way%20Thievery%20Corporation"><strong>The Time We Lost Our Way</strong></a> by Thievery Corporation<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Tera%20Chehra%20Sad%20Adnan%20Sami"><strong>Tera Chehra Sad</strong></a> by Adnan Sami<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Songs for April 2024 ]]></title><id>tag:nikhil.io,2024://c222dc6b276c5f1c8ab2fdd529f89a26</id><updated>2024-04-30T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Superpredators%20Massive%20Attack"><strong>Superpredators</strong></a> by Massive Attack<br/><span><p>
Heard this on “<em>The Jackal</em>” when I was about 14 or so and I was blown away. An all-time favorite</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Nanati%20Bratuku%20Natakamu%20Annamacharya"><strong>Nanati Bratuku Natakamu</strong></a> by Annamacharya<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Paradise%20Circus%20Massive%20Attack"><strong>Paradise Circus</strong></a> by Massive Attack<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Firestarter%20The%20Prodigy"><strong>Firestarter</strong></a> by The Prodigy<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Breathe%20The%20Prodigy"><strong>Breathe</strong></a> by The Prodigy<br/><span><p>
One of the greatest songs to ride a road bike to 🙌</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Peregrino%20Zuco%20103"><strong>Peregrino</strong></a> by Zuco 103<br/><span><p>
An Iowa City favorite. We probably played this about 14,715 times.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Tomorrow%20Never%20Knows%20The%20Beatles"><strong>Tomorrow Never Knows</strong></a> by The Beatles<br/><span><p>
I’d never heard this prior to 2009 and could not believe that it was recorded 43 years earlier.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Ringe%20Ringe%20Raja%20Goran%20Bregovic"><strong>Ringe Ringe Raja</strong></a> by Goran Bregovic<br/><span><p>
Only recently found out that this was inspired by Lee Dorsey’s 1961 [“<em>Ya Ya</em>”](Lee Dorsey - Ya Ya (1961) - YouTube<br>
<a href="https://www.youtube.com/watch?v=OeF-xJ1mOmU&amp;list=RDOeF-xJ1mOmU&amp;start_radio=1">https://www.youtube.com/watch?v=OeF-xJ1mOmU&amp;list=RDOeF-xJ1mOmU&amp;start_radio=1</a>)</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Underground%20Cocek%20Goran%20Bregovic"><strong>Underground Cocek</strong></a> by Goran Bregovic<br/><span><p>
ZK introduced me to this Serbian Elvis in Iowa City.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Caje%20Sukarije%20Goran%20Bregovic"><strong>Caje Sukarije</strong></a> by Goran Bregovic<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Imidiwan%20Ma%20Tenam%20on%20the%20Colbert%20Report%20Tinariwen"><strong>Imidiwan Ma Tenam</strong></a> by Tinariwen<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Samba%20Do%20Gringo%20Paulista%20Suba"><strong>Samba Do Gringo Paulista</strong></a> by Suba<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=XCjRpe07AKk"><strong>Saturday Come Slow</strong></a> by Massive Attack<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Kailash%20Kher%20Allah%20ke%20Bande"><strong>Allah ke Bande</strong></a> by Kailash Kher<br/><span><p>
This is balm for the soul.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Govinda%20Kula%20Shaker"><strong>Govinda</strong></a> by Kula Shaker<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Radhe%20Radhe%20Kula%20Shaker"><strong>Radhe Radhe</strong></a> by Kula Shaker<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Radhe%20Krishna%20State%20of%20Bengal%20and%20Paban%20Das%20Baul"><strong>Radhe Krishna</strong></a> by State of Bengal and Paban Das Baul<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Om%20Keshavaya%20Namah%20Kula%20Shaker"><strong>Om Keshavaya Namah</strong></a> by Kula Shaker<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Return%20of%20Shankar%20Krome%20Assassins"><strong>Return of the Shankar</strong></a> by Krome Assassins<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Hora%20Zero%20Rodrigo%20y%20Gabriela"><strong>Hora Zero</strong></a> by Rodrigo y Gabriela<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Diablo%20Rojo%20-%20Live%20Rodrigo%20y%20Gabriela"><strong>Diablo Rojo - Live</strong></a> by Rodrigo y Gabriela<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Stay%20Don%27t%20Go%20Spoon"><strong>Stay Don't Go</strong></a> by Spoon<br/><span><p>
The very first song SN and I listened to at his place in Iowa City.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Songs for March 2024 ]]></title><id>tag:nikhil.io,2024://0df12668b6105011b3d010670eb23072</id><updated>2024-03-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Surrender%20Petalpusher"><strong>Surrender</strong></a> by Petalpusher<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Too%20Many%20Kids%20Finding%20Rain%20In%20The%20Dust%20(Matt%20Gill%20Edit)%20Nicolas%20Jaar"><strong>Too Many Kids Finding Rain In The Dust (Matt Gill Edit)</strong></a> by Nicolas Jaar<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Hairy%20Candy%20Tobacco"><strong>Hairy Candy</strong></a> by Tobacco<br/><span><p>
Ian Gee was listening to this on the bus in Iowa City in October 2007. I fell in love with it instantly. He then told me about <a href="https://en.wikipedia.org/wiki/Black_Moth_Super_Rainbow">Black Moth Super Rainbow</a>.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Pompeii%20Am%20G%C3%B6tterd%C3%A4mmerung%20The%20Flaming%20Lips"><strong>Pompeii Am Götterdämmerung</strong></a> by The Flaming Lips<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=My%20Comfort%20Remains%20Nusrat%20Fateh%20Ali%20Khan"><strong>My Comfort Remains</strong></a> by Nusrat Fateh Ali Khan<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Your%20Woman%20White%20Town"><strong>Your Woman</strong></a> by White Town<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Muchas%20Gracias%20Medeski,%20Martin%20&amp;%20Wood"><strong>Muchas Gracias</strong></a> by Medeski, Martin &amp; Wood<br/><span><p>
Like a warm bath. Recommended to me by a guy named Mark in Iowa City at <em>Quinton’s</em>.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Tick%20Of%20The%20Clock%20Chromatics"><strong>Tick Of The Clock</strong></a> by Chromatics<br/><span><p>
Off the “<em>Drive</em>” soundtrack. Fuckin’ A.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=vRxxh3CzJXk"><strong>Baby Did a Bad Bad Thing</strong></a> by Chris Isaak<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=AirTap%20Erik%20Mongrain"><strong>AirTap</strong></a> by Erik Mongrain<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Nyah%20and%20Ethan%20Hans%20Zimmer"><strong>Nyah and Ethan</strong></a> by Hans Zimmer<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=How%20It%20Ends%20DeVotchKa"><strong>How It Ends</strong></a> by Devotchka<br/><span><p>
I saw them in Iowa City during the “Mission Creek” festival. I enjoyed tears of joy at their live performance of this song.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Habibi%20(Club%20Mix)%20Amr%20Diab"><strong>Habibi (Club Mix)</strong></a> by Amr Diab<br/><span><p>
When down, <a href="https://www.youtube.com/watch?v=Hc3Jxx6dbJo">this</a> to be played on loop and you must dance to it.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Beedi%20Omkara"><strong>Beedi</strong></a> by Omkara<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Full%20Moon%20The%20Black%20Ghosts"><strong>Full Moon</strong></a> by The Black Ghosts<br/><span><p>
Heard this of the “<em>Twilight</em>” soundtrack.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Black%20Sands%20Bonobo"><strong>Black Sands</strong></a> by Bonobo<br/><span><p>
My God. A new hope, a chance to start fresh (almost). This song is “All is forgiven”. I love it so much.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Hang%20Me%20Up%20To%20Dry%20Cold%20War%20Kids"><strong>Hang Me Up To Dry</strong></a> by Cold War Kids<br/><span><p>
Fixed printers to this. Waited for the bus to take me from MERF to across the river to this. Wasted a lot of my time but it was made better listening to this.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Herran%20Chemical%20Brothers%20&amp;%20Moby%20vs.%20Fatboy%20Slim%20&amp;%20Prodigy"><strong>Herran</strong></a> by Chemical Brothers &amp; Moby vs. Fatboy Slim &amp; Prodigy<br/><span><p>
Mad. Heard this at <em>La Boheme</em> in Ames, Iowa when I was a wee lad.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=I%20Can%20Change%20LCD%20Soundsystem"><strong>I Can Change</strong></a> by LCD Soundsystem<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Home%20LCD%20Soundsystem"><strong>Home</strong></a> by LCD Soundsystem<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=School%20of%20Braja%20-%20Braj%20Mandala%20Kula%20Shaker"><strong>School of Braja - Braj Mandala</strong></a> by Kula Shaker<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Songs for February 2024 ]]></title><id>tag:nikhil.io,2024://7a1a8e6c46555efeb64f16a121c712a9</id><updated>2024-02-29T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=Dissolved%20Girl%20Massive%20Attack"><strong>Dissolved Girl</strong></a> by Massive Attack<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=The%20Brandt%20Brauer%20Frick%20Ensemble%20The%20Brandt%20Brauer%20Frick%20Ensemble"><strong>The Brandt Brauer Frick Ensemble</strong></a> by The Brandt Brauer Frick Ensemble<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Kula%20Shaker%20Timeworm"><strong>Kula Shaker</strong></a> by Timeworm<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Naina%20Thag%20Lenge%20Vishal%20Bhardwaj"><strong>Naina Thag Lenge</strong></a> by Vishal Bhardwaj<br/><span><p>
Had to look up the meanings of a few words. Absolute majesty of a song.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Potter%27s%20Village%20A%20R%20Rahman"><strong>Potter's Village</strong></a> by A R Rahman<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Washed%20Out%20Eyes%20Be%20Closed"><strong>Eyes Be Closed</strong></a> by Washed Out<br/><span><p>
AD told me about this and I love it so much. Danced with CK a lot to this song.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=It%20Overtakes%20Me%20The%20Flaming%20Lips"><strong>It Overtakes Me</strong></a> by The Flaming Lips<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Na%20Jaane%20Kyon%20Strings"><strong>Na Jaane Kyon</strong></a> by Strings<br/><span><p>
On the soundtrack of the <em>desi</em> version of “<em>Spiderman</em>”</p>
</span></li><li><a href="https://www.youtube.com/watch?v=sUeuZvqh7m4"><strong>Vellipothe Ela</strong></a> by Unknown<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Eyeball%20Kid%20Tom%20Waits"><strong>Eyeball Kid</strong></a> by Tom Waits<br/><span><p>
Magnificent.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=1hr%20Alpha%20Binaural%20Beat%20Session%20(12hz)%20Pure"><strong>1hr Alpha Binaural Beat Session (12hz)</strong></a> by Pure<br/><span><p>
Not noise.</p>
</span></li><li><a href="https://www.youtube.com/watch?v=A28GMUCLdV0"><strong>Gun</strong></a> by Emiliana Torrini<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Man%20Of%20Constant%20Sorrow%20Kraak%20&amp;%20Smaak"><strong>Man Of Constant Sorrow</strong></a> by Kraak &amp; Smaak<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Evolution%20-%20Walking%20On%20Fire%20John%20Digweed"><strong>Evolution - Walking On Fire</strong></a> by John Digweed<br/><span><p>
Oh Ames, Iowa 🥲</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Self%20Esteem%20Fund%20Portal"><strong>Self Esteem Fund</strong></a> by Portal<br/><span><p>
“Sepulchral” is the SAT word that keep popping up in my head as I heard this.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Spiegel%20im%20Spiegel%20Arvo%20Part"><strong>Spiegel im Spiegel</strong></a> by Arvo Part<br/><span><p>
How can someone come up with something this beautiful?</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ La Lunabear ]]></title><id>tag:nikhil.io,2024://19d126d9e7c45ffaaf162753573ddfdf</id><updated>2024-02-04T18:21:51.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/photos/0001/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/photos"><![CDATA[ <!DOCTYPE html><img alt="La Lunabear" data-size="full" decoding="async" id="la-lunabear-1" loading="lazy" src="https://assets.log.nikhil.io/_optimized/photos/0001.webp"/>
      <br /><small>Des Moines, Iowa</small><br /<br />
      <p>
Lunabear attends to her Mamabear.</p>

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 ]]></content></entry><entry><title><![CDATA[ Parsing X/HTML with Regex by StackOverflow ]]></title><id>tag:nikhil.io,2024://51c4f739e90954339f4b7a8cfac45438</id><updated>2024-02-02T08:54:50.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://stackoverflow.com/a/1732454"/><link rel="alternate" type="text/html" href="https://nikhil.io/pasta/d2bf44843bd05c1f809d620a8baf6e92/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/pasta"><![CDATA[ <!DOCTYPE html><div><p>
A classic. By various lovely people contributing to the SO community wiki. They do helpfully add: “Have you tried using an XML parser instead?”</p>
</div><hr/><p>by <a href="https://stackoverflow.com/a/1732454" title="Link to original post I copypasta'd this from">StackOverflow</a></p><p>
You can’t parse [X]HTML with regex. Because HTML can’t be parsed by regex. Regex is not a tool that can be used to correctly parse HTML. As I have answered in HTML-and-regex questions here so many times before, the use of regex will not allow you to consume HTML. Regular expressions are a tool that is insufficiently sophisticated to understand the constructs employed by HTML. HTML is not a regular language and hence cannot be parsed by regular expressions. Regex queries are not equipped to break down HTML into its meaningful parts. so many times but it is not getting to me. Even enhanced irregular regular expressions as used by Perl are not up to the task of parsing HTML. You will never make me crack. HTML is a language of sufficient complexity that it cannot be parsed by regular expressions. Even Jon Skeet cannot parse HTML using regular expressions. Every time you attempt to parse HTML with regular expressions, the unholy child weeps the blood of virgins, and Russian hackers pwn your webapp. Parsing HTML with regex summons tainted souls into the realm of the living. HTML and regex go together like love, marriage, and ritual infanticide. The &lt;center&gt; cannot hold it is too late. The force of regex and HTML together in the same conceptual space will destroy your mind like so much watery putty. If you parse HTML with regex you are giving in to Them and their blasphemous ways which doom us all to inhuman toil for the One whose Name cannot be expressed in the Basic Multilingual Plane, he comes. HTML-plus-regexp will liquify the n​erves of the sentient whilst you observe, your psyche withering in the onslaught of horror. Rege̿̔̉x-based HTML parsers are the cancer that is killing StackOverflow <i>it is too late it is too late we cannot be saved</i> the transgression of a chi͡ld ensures regex will consume all living tissue (except for HTML which it cannot, as previously prophesied) <i>dear lord help us how can anyone survive this scourge</i> using regex to parse HTML has doomed humanity to an eternity of dread torture and security holes <i>using rege</i>x as a tool to process HTML establishes a brea<i>ch between this world</i> and the dread realm of c͒ͪo͛ͫrrupt entities (like SGML entities, but <i>more corrupt) a mere glimp</i>se of the world of reg​<b>ex parsers for HTML will ins</b>​tantly transport a p<i>rogrammer’s consciousness i</i>nto a w<i>orl</i>d of ceaseless screaming, he comes<strike>, the pestilent sl</strike>ithy regex-infection wil​<b>l devour your HT</b>​ML parser, application and existence for all time like Visual Basic only worse <i>he comes he com</i>es <i>do not fi</i>​ght h<b>e com̡e̶s, ̕h̵i</b>​s un̨ho͞ly radiańcé de<i>stro҉ying all enli̍̈́̂̈́ghtenment, HTML tags <b>lea͠ki̧n͘g fr̶ǫm ̡yo​͟ur eye͢s̸ ̛l̕ik͏e liq</b>​uid p</i>ain, the song of re̸gular exp​re<strike>ssion parsing </strike>will exti<i>​nguish the voices of mor​<b>tal man from the sp</b>​here I can see it can you see ̲͚̖͔̙î̩́t̲͎̩̱͔́̋̀ it is beautiful t​</i>he f<code>inal snuf</code>fing o<i>f the lie​<b>s of Man ALL IS LOŚ͖̩͇̗̪̏̈́T A</b></i><b>LL I​S L</b>OST th<i>e pon̷y he come</i>s he c̶̮om<strike>es he co</strike><b><strike>me</strike>s t<i>he</i> ich​</b>or permeat<i>es al</i>l MY FAC<i>E MY FACE ᵒh god n<b>o NO NOO̼</b></i><b>O​O N</b>Θ stop t<i>he an​*̶͑̾̾​̅ͫ͏̙̤g͇̫͛͆̾ͫ̑͆l͖͉̗̩̳̟̍ͫͥͨ</i>e̠̅s<code> ͎a̧͈͖r̽̾̈́͒͑e</code> n<b>​ot rè̑ͧ̌aͨl̘̝̙̃ͤ͂̾̆ ZA̡͊͠͝LGΌ ISͮ̂҉̯͈͕̹̘̱ T</b>O͇̹̺ͅƝ̴ȳ̳ TH̘<b>Ë͖́̉ ͠P̯͍̭O̚​N̐Y̡ H̸̡̪̯ͨ͊̽̅̾̎Ȩ̬̩̾͛ͪ̈́̀́͘ ̶̧̨̱̹̭̯ͧ̾ͬC̷̙̲̝͖ͭ̏ͥͮ͟Oͮ͏̮̪̝͍M̲̖͊̒ͪͩͬ̚̚͜Ȇ̴̟̟͙̞ͩ͌͝</b>S̨̥̫͎̭ͯ̿̔̀ͅ</p>

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 ]]></content></entry><entry><title><![CDATA[ Songs for January 2024 ]]></title><id>tag:nikhil.io,2024://e8d041e8f28b51f2a594059c09d33969</id><updated>2024-01-31T00:00:00.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=All%20Night%20Romare"><strong>All Night</strong></a> by Romare<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Pilgrimage%20Om"><strong>Pilgrimage</strong></a> by Om<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=First%20Sleep%20Cliff%20Martinez"><strong>First Sleep</strong></a> by Cliff Martinez<br/><span><p>
This is probably my favorite piece of music. As of 2024, I probably wouldn’t mind if this were the last thing I listened to before I died.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Charu%27s%20Theme%20Satyajit%20Ray"><strong>Charu's Theme</strong></a> by Satyajit Ray<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Whale%20Fish%20Mr.%20Scruff"><strong>Whale Fish</strong></a> by Mr. Scruff<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Beautiful%20Way%20Beck"><strong>Beautiful Way</strong></a> by Beck<br/><span><p>
Heard in Ames in around 2002 I think. Beautiful.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Romano%20(feat.%20Anisette%20Koppel)%20Lulu%20Rouge"><strong>Romano (feat. Anisette Koppel)</strong></a> by Lulu Rouge<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Nehron%20Paar%20Bangla%20Romey%20Gill"><strong>Nehron Paar Bangla</strong></a> by Romey Gill<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=NYyA9Ks3TKk"><strong>Dil Beparvah</strong></a> by Ankur Tewari &amp; Prateek Kuhad<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=We%20all%20fall%20in%20love%20sometimes%20Jeff%20Buckley"><strong>We All Fall In Love Sometimes</strong></a> by Jeff Buckley<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Touched%20By%20God%20(Peace%20Division%20Remix)%20Katcha"><strong>Touched By God (Peace Division Remix)</strong></a> by Katcha<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Best%20Friend%20Sofi%20Tukker"><strong>Best Friend</strong></a> by Sofi Tukker<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Hi-De-Ho%20Jack%20White%20feat.%20Q-Tip"><strong>Hi-De-Ho</strong></a> by Jack White feat. Q-Tip<br/><span><p>
“Jack white has lost his mind and I love it.”</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Got%20it%20Bad%20Leisure"><strong>Got it Bad</strong></a> by Leisure<br/><span><p>
Heard this at <em>Akebono</em> in Downtown DSM.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Accelerometer%20Overdose%20Binker%20and%20Moses%20Feat.%20Max%20Luthert"><strong>Accelerometer Overdose</strong></a> by Binker and Moses Feat. Max Luthert<br/><span><p>
Heard this at a house party in Iowa City around 2010.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Manak%20Frenzy%20DJ%20Frenzy"><strong>Manak Frenzy</strong></a> by DJ Frenzy<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Sufani%20Gaudi"><strong>Sufani</strong></a> by Gaudi<br/><span></span></li><li><a href="https://www.youtube.com/watch?v=wpTcXQZP7tY"><strong>Laal Alaap - Remix</strong></a> by Rahat Fateh Ali Khan, Farrukh Fateh Ali Khan, Magic Mushrooms<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Shaitan%20Ka%20Saala%20Sohail%20Sen%20Feat.%20Vishal%20Dadlani"><strong>Shaitan Ka Saala</strong></a> by Sohail Sen Feat. Vishal Dadlani<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Ring%20My%20Bell%20Anita%20Ward"><strong>Ring My Bell</strong></a> by Anita Ward<br/><span><p>
Heard on a show (<a href="https://en.wikipedia.org/wiki/Hand_of_God_(TV_series)"><em>Hand of God</em></a>) I couldn’t finish.</p>
</span></li><li><a href="https://www.youtube.com/results?search_query=Mi%20Gente%20J%20Balvin,%20Willy%20William"><strong>Mi Gente</strong></a> by J Balvin, Willy William<br/><span></span></li><li><a href="https://www.youtube.com/results?search_query=Edamame%20bbno$%20&amp;%20Rich%20Brian"><strong>Edamame</strong></a> by bbno$ &amp; Rich Brian<br/><span></span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ A 1st Century Villa in Positano ]]></title><id>tag:nikhil.io,2024://ba7ef2b3e9c255aba95ca41ab86c5934</id><updated>2024-01-02T12:11:43.000-05:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/6f39f004803e5fc4838a9148d1cd5d64/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
When I was about 13 or so, I was blown away when I learned that ancient Greek and Roman statues <a href="https://www.newyorker.com/magazine/2018/10/29/the-myth-of-whiteness-in-classical-sculpture">used to be painted</a> and were not commissioned to be ghostly-white.  An all-time favorite is this Greek sculpture of a Persian archer.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/g/greek-persian-archer.webp" alt="Greek sculpture of a Persian Archer" loading="lazy" decoding="async" width="1600" height="1837"></p>
<div class="muted">
<p>
<strong>Source</strong>: “<a href="https://www.npr.org/2022/07/12/1109995973/we-know-greek-statues-werent-white-now-you-can-see-them-in-color">We know Greek statues weren’t white. Now you can see them in color</a>”, <em>NPR</em></p>
</div>
<p>
I tremendously enjoy any recreations of color in the ancient world. So when I found this mostly intact home from first century Pompeii, I was tickled <em>pink</em> 🥰</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/roman-villa-1.webp" alt="Photograph of a first century villa in Positano 1" loading="lazy" decoding="async" width="1536" height="2048"></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/roman-villa-2.webp" alt="Photograph of a first century villa in Positano 2" loading="lazy" decoding="async" width="1280" height="853"></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/roman-villa-3.webp" alt="Photograph of a first century villa in Positano 3" loading="lazy" decoding="async" width="2560" height="1440"></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/roman-villa-4.webp" alt="Photograph of a first century villa in Positano 4" loading="lazy" decoding="async" width="1144" height="763"></p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/r/roman-villa-5.webp" alt="Photograph of a first century villa in Positano 5" loading="lazy" decoding="async" width="1144" height="763"></p>
<p>
Simply astounding. I got those from <a href="https://sirenuse.it/en/journal/positano/positano-s-roman-villa/"><em>Le Sireneuse Journal</em></a><sup class="footnote-ref"><a href="#fn-scroll" id="fnref-scroll" title="Link to Footenote scroll">1</a></sup>. There’s a nice story of its discovery and a lot more detail on their site but the TL;DR is: Built around 1AD, belonged to a rich family (of course), was buried 36ft under a street for a while because of Vesuvius’ eruption, was discovered by a butcher who was digging out a cellar. Was looted.</p>
<p>
I hope to visit one day 🤞</p>
<div class="footnotes"><ol><li id="fn-scroll"><p>
The website is pretty but swallows the scrollbar and hijacks the browser’s scroll behaviour to add a <em>maddening</em> level of inertial scroll. It would be nice if <a href="https://heather-buchel.com/blog/2023/07/just-normal-web-things/">people just did normal web things</a>.<a title="Back to footnote reference" href="#fnref-scroll" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ Mezzanine by Massive Attack (1996) ]]></title><id>tag:nikhil.io,2023://a24c373a68115ae6bbf266294df59a0a</id><updated>2023-09-03T10:11:43.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/albums/08135c6b8fe1570a9e59bd2442e27414/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/albums"><![CDATA[ 
      
      <p>Overall rating: A+undefined</p>
      <h3>Tracks</h3>
      <!DOCTYPE html><ul><li><div><span>Angel</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Risingson</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Teardrop</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Inertia Creeps</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Exchange</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Dissolved Girl</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Man Next Door</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Black Milk</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Mezzanine</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Group Four</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>(Exchange)</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li></ul>
    
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  Tagged <a href=https://nikhil.io/tags/favorite%20things/ title="All posts tagged 'favorite things'">favorite things</a>, <a href=https://nikhil.io/tags/massive%20attack/ title="All posts tagged 'massive attack'">massive attack</a> and <a href=https://nikhil.io/tags/trip%20hop/ title="All posts tagged 'trip hop'">trip hop</a>.<br />
  
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 ]]></content></entry><entry><title><![CDATA[ Songs for August 2023 ]]></title><id>tag:nikhil.io,2023://183015aa980a5f2ab6228e74f4c4929e</id><updated>2023-08-31T00:00:00.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://nikhil.io/songs"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/songs"><![CDATA[ <!DOCTYPE html><ol><li><a href="https://www.youtube.com/results?search_query=They%20Came%20In%20Butthole%20Surfers"><strong>They Came In</strong></a> by Butthole Surfers<br/><span><p>
Heard this on a <em>Mission: Impossible</em> soundtrack. Badass. The only other BS song your average person is aware of.</p>
</span></li></ol>
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 ]]></content></entry><entry><title><![CDATA[ Asteroid City (2023) ]]></title><id>tag:nikhil.io,2023://2dbfae6c277e50819655b0b7a2327781</id><updated>2023-08-23T17:35:06.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/media/f0d7d780c103534694b95d1a3f743dbb/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/media"><![CDATA[ <p>
Tidy, as usual, when it comes to his movies, but total rubbish. I imagine that I would get this shit if I guided ChatGPT to generate a parody of his most indulgent excesses. Meat for the most hardcore of his fans and a (meticulous) waste of <a href="https://en.wikipedia.org/wiki/Asteroid_City#Cast">the sheer amount of talent</a> involved. How this has a 75% on RottenTomatoes is beyond me.</p>
<figure class="quote">
<blockquote cite="https://en.wikipedia.org/wiki/Asteroid_City#Critical_response">
<p>
In his review for Vulture, Bilge Ebiri remarked, “To the casual observer, Wes Anderson might seem like someone who either refuses to read his own press or has bought into his press to an absurd degree”, alluding to criticism of Anderson’s filmmaking style, but later argued, “There’s a point to all this indulgence. Anderson’s obsessively constructed dioramas explore the very human need to organize, quantify, and control our lives in the face of the unexpected and the uncertain […] Asteroid City might be the purest expression of this dynamic because it’s about the unknown in all its forms.”</p>
</blockquote>
<figcaption>
<a href="https://en.wikipedia.org/wiki/Asteroid_City#Critical_response"><em>Wikipedia</em></a></figcaption>
</figure>
<p>
We share a truly exceptional ability as a species to breathe meaning into random and awful shit.</p>
<p>
I plan on absolving Mr. Anderson by watching <em>The Grand Budapest Hotel</em> soon, for what may be the tenth time. I consider it his finest work and love getting lost in it, something his ego made impossible to do with this garbage<sup class="footnote-ref"><a href="#fn-started" id="fnref-started" title="Link to Footenote started">1</a></sup>.</p>
<div class="footnotes"><ol><li id="fn-started"><p>
Which I only finished <a href="https://hbr.org/2021/07/how-susceptible-are-you-to-the-sunk-cost-fallacy">because I started</a>.<a title="Back to footnote reference" href="#fnref-started" class="footnote-back"><span>↩︎</span></a></p>
</li>
</ol></div>
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 ]]></content></entry><entry><title><![CDATA[ In Rainbows by Radiohead (2007) ]]></title><id>tag:nikhil.io,2023://730ccaa88402577a870c85e1a21233a3</id><updated>2023-08-20T10:57:22.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/albums/7dc0c9bb585d570eb5a8c982998d6b8a/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/albums"><![CDATA[ 
      
      <p>Overall rating: A+undefined</p>
      <h3>Tracks</h3>
      <!DOCTYPE html><ul><li><div><span>15 Step</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Bodysnatchers</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Nude</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Weird Fishes/Arpeggi</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>All I Need</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Faust Arp</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Reckoner</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>House Of Cards</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Jigsaw Falling Into Place</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li><li><div><span>Videotape</span> <div class="stars stars-superlative" style="--rating: 5;"><span>Rating: </span><span>A+</span></div></div></li></ul>
    
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 ]]></content></entry><entry><title><![CDATA[ A Fremen Mama ]]></title><id>tag:nikhil.io,2023://4435aaae617e5d97a6c3875d380c93f6</id><updated>2023-08-05T18:59:33.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/21f360211fed58a7a5309d78b60ec7d3/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
Well not really. I was immediately reminded of (a) <a href="https://en.wikipedia.org/wiki/Emirate_of_Ras_Al_Khaimah">where I grew up</a> and (b) <em>Dune</em> when I saw this photo of a Bedouin mother and her child.</p>
<div class="break">
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/lorenzo-folli/bedouin-mom.webp" alt="A photo of a bedouin woman and her baby by Ilo Battigelli" loading="lazy" decoding="async" width="947" height="1280"></p>
</div>
<div class="muted">
<p>
“Bedouin Mother”, Ilo Battigelli, 1948 (Source Unknown)</p>
</div>
<p>
Intense and so beautiful. It was composed by this chap called Ilo Battigelli (1922-2009, RIP) who worked for Aramco’s oil refineries in Saudi Arabia until the mid-50s. The locals took to calling him “Ilo the Pirate” because he had his studio at a beach 🏴‍☠️. He appears to have had a long and lovely career as a photographer after leaving the Persian Gulf. You can read a little more about him <a href="https://www.rhodesianstudycircle.org.uk/ilo-the-pirate/">here</a>.</p>
<p>
I was able to find this colorized version by Lorenzo Folli (<a href="https://www.instagram.com/lorenzofolli_history_in_color/?hl=en">Instagram</a>).</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/lorenzo-folli/bedouin-mom-color.webp" alt="A colorized photo of a bedouin woman and her baby by Lorenzo Folli" loading="lazy" decoding="async" width="1894" height="2560"></p>
<div class="muted">
<p>
© Lorenzo Folli</p>
</div>
<p>
Stunning stuff. Folli appears to be <a href="https://old.reddit.com/user/Lorenzo-Folli">quite a master at colorizing history</a>. Two quick favorites are this picture of a young Van Gogh (never saw this bro sans beard!) and Victoria with <a href="https://en.wikipedia.org/wiki/Abdul_Karim_(the_Munshi)">Abdul the Munshi</a>.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/lorenzo-folli/van-gogh.webp" alt="" loading="lazy" decoding="async" width="2310" height="3501"></p>
<div class="muted">
<p>
© Lorenzo Folli</p>
</div>
<p>
<img src="https://assets.log.nikhil.io/_optimized/l/lorenzo-folli/victoria-abdul.webp" alt="" loading="lazy" decoding="async" width="3000" height="2354"></p>
<div class="muted">
<p>
© Lorenzo Folli</p>
</div>

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 ]]></content></entry><entry><title><![CDATA[ Sky Force: Reloaded by iDreamz ]]></title><id>tag:nikhil.io,2023://cb2d401d6ea952f9b9d15d615d2a08bf</id><updated>2023-08-05T13:38:59.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="http://www.prunegame.com"/><link rel="alternate" type="text/html" href="https://nikhil.io/games/f5f5c7290631575db2dc9ba2c596734b/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/games"><![CDATA[ <p>
I installed this game in May 2018 and finally beat it <em>five years later</em> in June 2023. I wish I could somehow figure out the amount of time I’ve spent trying to beat this exquisitely-made scrolling shooter, for it would be the amount of time I’ve spent on planes, in Ubers, sick and bedridden, or just a little bored, which is mostly when I’d play it. Here’s what it looks like.</p>
<p>
<a href="https://www.youtube.com/watch?v=broXSmOMgxw">https://www.youtube.com/watch?v=broXSmOMgxw</a></p>
<p>
It’s fine on a phone (even on an iPhone Mini) but I loved beating some harder levels and modes on my giant iPad. It’s free but I paid to remove the ads and nothing else.</p>
<p>
On vacation in North Carolina, my brother-in-law started playing this arcade game called <a href="https://en.wikipedia.org/wiki/1944:_The_Loop_Master"><em>1944: The Loop Master</em></a> which looked <em>uncannily</em> like <em>Sky Force: Reloaded</em>.</p>
<p>
<em>The Loop Master</em> is, in turn, a sequel to <a href="https://en.wikipedia.org/wiki/19XX:_The_War_Against_Destiny"><em>19XX: The War Against Destiny</em></a>, which looks like if you applied an 8-bit filter to <em>Sky Force: Reloaded</em> and kept the WWII aesthetic of the boss monsters the same but modernized the player’s aircraft. Here’s a complete playthrough:</p>
<p>
<a href="https://www.youtube.com/watch?v=jedsEyX6gCI">https://www.youtube.com/watch?v=jedsEyX6gCI</a></p>
<p>
I tried to find out why it had a “Reloaded” in the names. It’s based on an older game, simply called <em>Sky Force</em>. I look forward to referencing this post in 2030 🕹️</p>

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  <a href="mailto:mail@nikhil.io?subject=About: Sky%20Force%3A%20Reloaded">Reply by email</a>.
 ]]></content></entry><entry><title><![CDATA[ "CEO’s Skill Set Transferable To Any Job That Requires Dumbass To Receive Big Salary" ]]></title><id>tag:nikhil.io,2023://0f1ed6d8fd5b5087b02fcd2937dfb29b</id><updated>2023-07-23T13:07:57.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.theonion.com/ceo-s-skill-set-transferable-to-any-job-that-requires-d-1850571849"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/c95ac84b44135710ba2b3f7fd163e9ca/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.theonion.com/ceo-s-skill-set-transferable-to-any-job-that-requires-d-1850571849" title="“CEO’s Skill Set Transferable To Any Job That Requires Dumbass To Receive Big Salary”">https://www.theonion.com/ceo-s-skill-set-transferable-to-any-job-that-requires-d-1850571849</a><figure class="quote">
<blockquote>
<p>
NEW YORK—Claiming he could easily fit into a similar position at most companies, local CEO Mike Waltke told reporters Monday that his skill set was transferable to any job that requires an inept dumbass to receive a big salary. “I have the incompetence necessary to effortlessly transition into a role at any company that yields a seven-figure income,” said Waltke, adding that as long as a business pays him millions of dollars a year, he’ll adapt quickly with his long resume of botching simple tasks and making stupid fucking decisions. “No matter what the industry is, if they need a complete doofus who makes tons of money, I’m their guy. I’ve spent my entire life honing my stupidity from one job that pays millions to the next, giving me skills that every corporation is looking for in their highest-paid positions.” Waltke continued that, with a few more years of proving himself to be at the forefront of being a fucking moron, he could one day become the richest dipshit in the world.</p>
</blockquote>
<figcaption>
<em>The Onion</em></figcaption>
</figure>
<p>
<a href="https://www.insider.com/rest-and-vest-millionaire-engineers-who-barely-work-silicon-valley-2017-7">Must be nice</a>.</p>

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 ]]></content></entry><entry><title><![CDATA[ "Paul's Life on Caladan was very different than on Arrakis" ]]></title><id>tag:nikhil.io,2023://98c1bf15694650889c073c819344fbbc</id><updated>2023-07-13T10:48:59.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="related" type="text/html" href="https://www.youtube.com/watch?app=desktop&amp;v=BvWefB4NGGI"/><link rel="alternate" type="text/html" href="https://nikhil.io/links/aec72cb70d0a5ce3a092d359de45ca34/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/links"><![CDATA[ <!DOCTYPE html><strong>Link:</strong> <a href="https://www.youtube.com/watch?app=desktop&amp;v=BvWefB4NGGI" title="“Paul’s Life on Caladan was very different than on Arrakis”">https://www.youtube.com/watch?app=desktop&amp;v=BvWefB4NGGI</a><p>
Caption by CO 🤣</p>

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 ]]></content></entry><entry><title><![CDATA[ A Little Baby Octopus ]]></title><id>tag:nikhil.io,2023://c697e8884cf153e4a943560ea9195da0</id><updated>2023-07-13T07:43:23.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/774156cd1bc455b7a2c82b175f5b2aab/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
This is insanely adorable.</p>

        <video
          controls
          src="https://assets.log.nikhil.io/b/baby-octopus-jellybean.mp4"
          preload="metadata"
        >
          <source src="https://assets.log.nikhil.io/b/baby-octopus-jellybean.mp4" type="video/mp4">
          <p>
            Your browser doesn't support HTML5 video. Here is a <a href="https://assets.log.nikhil.io/b/baby-octopus-jellybean.mp4">link to the video</a> instead.
          </p>
        </video>
        
<p>
For more cuteness, you can see <a href="/posts/beda318627ac59b985b0108f6d3b24af">a high-res photo of a transparent baby octopus</a> or <a href="/posts/b031ae8b113f5269925b6c7b55cf22c0">a baby octopus’ chromatophores</a> 🥰</p>

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 ]]></content></entry><entry><title><![CDATA[ Cowsay! 🐮 ]]></title><id>tag:nikhil.io,2023://9d610802ac815517aa14ae06f578128d</id><updated>2023-07-05T05:02:10.000-04:00</updated><author><name>Nikhil Anand</name><email>mail@nikhil.io</email><uri>https://nikhil.io</uri></author><link rel="alternate" type="text/html" href="https://nikhil.io/posts/e9bdb97f867052fd9994d80ab66a3570/"/><content type="html" xml:lang="en-US" xml:base="https://nikhil.io/posts"><![CDATA[ <!DOCTYPE html><p>
I love me my <a href="https://en.wikipedia.org/wiki/Cowsay">cowsay</a>. It’s a lovely amusement that greets me every time I open a terminal session.</p>
<p>
<img src="https://assets.log.nikhil.io/_optimized/c/cowsay.webp" alt="Example of cowsay in action" loading="lazy" decoding="async" width="1200" height="908"></p>
<p>
People typically use it with <a href="https://formulae.brew.sh/formula/fortune">the <code>fortune</code> command</a> but my cow moos a <a href="https://sorry.nikhil.io/">random developer excuse</a>. I generate that using <a href="https://github.com/afreeorange/dotfiles/blob/master/.config/bash/conf.d/17-random-excuses.sh">this bash function</a> and this invocation:</p>
<pre class="language-bash"><code class="language-bash"><span class="token builtin class-name">command</span> <span class="token parameter variable">-v</span> cowsay <span class="token operator">></span>/dev/null <span class="token operator"><span class="token file-descriptor important">2</span>></span><span class="token file-descriptor important">&amp;1</span> <span class="token operator">&amp;&amp;</span> <span class="token punctuation">{</span>
    <span class="token comment"># shellcheck source=/dev/null</span>
    random_excuse <span class="token operator">|</span> cowsay <span class="token parameter variable">-s</span>
    <span class="token builtin class-name">echo</span> <span class="token string">""</span>
<span class="token punctuation">}</span>
</code></pre>
<p>
I was looking for more cowsay templates and found <a href="https://github.com/paulkaefer/cowsay-files/tree/main/cows">this giant list</a>. You’d use <code>echo &quot;Moomoo&quot; | cowsay -f some_template.cow</code>. If you need color, <a href="https://charc0al.github.io/cowsay-files/converter/">there’s Charc0al’s list</a> which doubles as a converter in case you want to use your own images. Since I don’t trust things on the internet to continue to be where they are, I <a href="https://public.nikhil.io/!#cowsay/">saved that repo here</a>.</p>

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 ]]></content></entry></feed>