

Robert Motherwell
1915–1991
At Five in the Afternoon, 1950
Oil on hardboard
These and later works in the series represent Motherwell's attempts to find a “visual equivalent” to Lorca's poetry, and to draw a symbolic portrait of modern Spain. Scored and cut, the painting's heavy and irregular black ovoid shapes could represent the display of the dead bull's testicles in the bull-fighting ring, or bodies that have become sites of violence. Embodying both creation and destruction, the painting offers a visceral sensation of the cycles of life and death.